Recording - March 2010 - 9

Image-Line Releases a Softsynth that’s Harmless Harmless is a new software instrument from Image-Line Software, makers of the FL Studio modular DAW/loop composition environment. Harmless is unique in that it combines elements of additive synthesis (where the user combines harmonics to build up waveforms) and subtractive synthesis (where the user starts with a complex waveform and uses filters to shape it) in a way never before seen. The Harmless user interface is designed to be as simple as possible, with no tabs or hidden screens, and simplified control options that can almost entirely be automated via MIDI. Sections are grouped into logical areas such as Timbre, Pitch, and Amplitude, and color-coded controls for the Filter and Phaser can be linked to interact with one another and with the generated tones. Fine control of harmonic structure is available for users who want to do finer tweaking, and the plug-in has built-in effects including chorus, delay, reverb, and multiband compression. Harmless is currently available as a plug-in within FL Studio and as a VSTi plug-in for Windows XP/Vista/7. The program is designed for efficient CPU usage and multithreading to minimize load on the DAW. Price: $79 More from: Image-Line Software, www.image-line.com. New Soundware from Best Service and realsamples Best Service has released a new sound library called RealLPC. This virtual instrument offers multiple samples of all six strings at all frets of a Gibson Les Paul Custom guitar, combined with a special playing interface that allows for quick and intuitive imitation of many guitar techniques from a standard keyboard. There’s articulation switching (mutes/harmonics/etc.), built-in effects, chord and pattern management systems, and much more. Also new from Best Service: Phantom Files. This sound design library contains 8.3 GB of sounds—3.3 GB each of WAV and Apple Loops, 1.7 GB of REX files. It includes loops, melodic tracks, processed beats, soundscapes, ambiences, interlocked beats, atmospheres, and other unusual and inspiring sounds for modern dance and other genres. Best Service is also distributing a new line of sample libraries from German maker realsamples, including three historical keyboards formatted for Steinberg HALion, Native Instruments Kontakt 2, Apple EXS24, and Gigastudio 3. The instruments were tuned to their historically accurate references (far below today’s A440), recorded at 24-bit/192 kHz quality and carefully rate-converted to 24-bit/44.1 kHz, and include 8 samples of each note for greater realism—while harpsichords are not touch-sensitive per se, the multiple samples with their subtle differences prevent “machinegunning”. You can choose from the Italian Harpsichord II, an instrument built by an anonymous maker in 1590; the English Spinet II, an instrument built by Benjamin Slade in 1705 that features split C#1 and D#1 keys for different tunings in the bottom octave (see the photo); and the German Lautenwerck, a reconstruction of an only recently rediscovered Baroque instrument, the “lute-harpsichord”, of which no historical examples exist. Prices: RealLPC, 166 Euros; Phantom Files, 87 Euros; Edition Beurmann libraries, 100 Euros each More from: Best Service, www.bestservice.de; realsamples, www.realsamples.de. RECORDING MARCH 2010
http://www.image-line.com http://www.bestservice.de http://www.realsamples.de

Recording - March 2010

Table of Contents for the Digital Edition of Recording - March 2010

Recording - March 2010
Fade In
Talkback
Fast Forward
Become A Recording Songwriter
When You’re The Band
Cakewalk V-Studio 100
The Evolution Of A Song
Blue Bottle Rocket Stage Two
Demoitis—An Epidemic That Affects Recording Songwriters
It’s Your Music—Know Your Rights.  Chapter 1: Copyright
For Your Bookshelf
Audio-Technica AT2035
Readers’ Tapes
Plug-in Outlet
Recording’s Guitar Column
Recording’s Vocal Column
Once Over—Reviews In Brief
Advertiser Index
Fade Out
Recording - March 2010 - Recording - March 2010
Recording - March 2010 - Cover2
Recording - March 2010 - 1
Recording - March 2010 - Fade In
Recording - March 2010 - 3
Recording - March 2010 - 4
Recording - March 2010 - 5
Recording - March 2010 - Talkback
Recording - March 2010 - 7
Recording - March 2010 - Fast Forward
Recording - March 2010 - 9
Recording - March 2010 - Become A Recording Songwriter
Recording - March 2010 - 11
Recording - March 2010 - 12
Recording - March 2010 - 13
Recording - March 2010 - 14
Recording - March 2010 - 15
Recording - March 2010 - When You’re The Band
Recording - March 2010 - 17
Recording - March 2010 - Cakewalk V-Studio 100
Recording - March 2010 - 19
Recording - March 2010 - The Evolution Of A Song
Recording - March 2010 - 21
Recording - March 2010 - 22
Recording - March 2010 - 23
Recording - March 2010 - 24
Recording - March 2010 - 25
Recording - March 2010 - Blue Bottle Rocket Stage Two
Recording - March 2010 - 27
Recording - March 2010 - 28
Recording - March 2010 - 29
Recording - March 2010 - Demoitis—An Epidemic That Affects Recording Songwriters
Recording - March 2010 - 31
Recording - March 2010 - It’s Your Music—Know Your Rights.  Chapter 1: Copyright
Recording - March 2010 - 33
Recording - March 2010 - 34
Recording - March 2010 - 35
Recording - March 2010 - For Your Bookshelf
Recording - March 2010 - 37
Recording - March 2010 - Audio-Technica AT2035
Recording - March 2010 - 39
Recording - March 2010 - Readers’ Tapes
Recording - March 2010 - 41
Recording - March 2010 - 42
Recording - March 2010 - 43
Recording - March 2010 - 44
Recording - March 2010 - 45
Recording - March 2010 - Plug-in Outlet
Recording - March 2010 - 47
Recording - March 2010 - 48
Recording - March 2010 - 49
Recording - March 2010 - Recording’s Guitar Column
Recording - March 2010 - 51
Recording - March 2010 - Recording’s Vocal Column
Recording - March 2010 - 53
Recording - March 2010 - Once Over—Reviews In Brief
Recording - March 2010 - 55
Recording - March 2010 - 56
Recording - March 2010 - Advertiser Index
Recording - March 2010 - 58
Recording - March 2010 - 59
Recording - March 2010 - 60
Recording - March 2010 - 61
Recording - March 2010 - 62
Recording - March 2010 - 63
Recording - March 2010 - Fade Out
Recording - March 2010 - Cover3
Recording - March 2010 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com