Recording - October 2010 - 22

B Y PA U L V N U K J R .

AKG Perception 820
Tube Microphone
An affordable new model from a company whose tube mic designs are rare—but famous
At its heart the new Perception 820 offers a newly designed circuit built around an ECC83 tube—also known as a 12AX7, which was what was inside the model I was sent. It uses a dual 1" capsule with a choice of 9 remotely selectable polar patterns. It has a transformer-equipped output stage and also includes a 20 dB pad and a 12 dB/octave 80 Hz highpass filter (both located on a remote power supply). The frequency graphs of the 820 show a common 20 Hz to 20 kHz frequency response with a slight rolloff on the low end as well as an average 2 kHz rise that slightly shifts and grows depending on pattern choice. It also has a similarly variable high-frequency bump from 5–12 kHz, which then rolls off around 18 kHz. It can handle a maximum SPL of 135 dB (155 dB padded) and has a 78 dB signal-to-noise ratio. Get physical The 820 comes housed in a blue hardshell briefcase that includes the microphone, shockmount, remote/power supply as well as a 7-pin mic cable, AC cables and extra shock mount bands. The mic is just under 81/2" in height with a 2" diameter and weighs just shy of 2 lbs. Sharing the signature look of the current Perception line, the 820 has a chrome silver grill and head basket with a “vintage” light-blue brushed-metal body. The power supply is roughly 9" x 6" x 2" and has a brushed-aluminum faceplate with a pair of toggle switches for the aforementioned highpass filter and pad, and a 9-position rotary control for polar pattern selection. Its backside houses a 7pin XLR jack for connecting to the mic, a standard 3-pin XLR output which connects to your mixer or interface, and a standard 3-prong switchable AC jack. Initial perceptions This is one good looking and well-built kit that does not betray its country of origin in any way. If it was not marked “made in China” on the body, I may have never suspected it. The mic is heavy and solid, its fit and finish superb, and the power supply’s switches and knob are all top notch. As a tube mic, the 820 may not be what you expect. The most common adjectives associated with the word tubes are “fat” and “warm”. The 820 is in my opinion neither. Sonically it is much more clear and clean sounding than you may expect from a tube mic, and its “warmth” seems to my ears to be more of an absence of harshness in the top end rather than the thickness in the mids that we sometimes associate with a tube mic. Recorded perceptions I put the Perception 820 to the test alongside a handful of modern tube mics with distinct sonic characteristics, like the Telefunken AR-51 (review forthcoming), the Avant BV-1 (reviewed February 2010), the Peluso 2247LE, and the Lauten Horizon (Reviewed August 2007). The Perception 820, unlike most of the abovementioned models, has more of a hi-fi clarity and leaves less of a discernable sonic footprint. It is akin to the difference between clean, uncolored mic preamps vs. the “vibey” variety, with the Perception 820 leaning heavily toward the uncolored camp. On drum overheads the 820 is a great choice for capturing a bright modern rock drum sound, and it is a good choice for detailed cymbal articulation—especially nice in omni

Throughout the company’s long history as a major player in microphone design, with classics such as the C 414, C 451, and the Holy Grail C 12, typically AKG’s mics were in the upper echelon of both price and quality. Just over four years ago the company launched a new series of microphones dubbed the Perception Series, combining the European tradition with overseas (Chinese) manufacturing for mass-market affordability. This month we look at the newest entry in that line, the flagship Perception 820 Tube Microphone. Variable patterns, dual capsule and a tube! AKG tube mics have been surprisingly rare. While a C 12 variant still dominates the AKG line in the form of the current $5000 C 12 VR, the only other available AKG tube model in recent years was the now discontinued $1100 SolidTube. So it is exciting to see another tube mic return to the AKG lineup, especially an affordable one.
22
RECORDING OCTOBER 2010



Recording - October 2010

Table of Contents for the Digital Edition of Recording - October 2010

Recording - October 2010
Fade In
Contents
Talkback
Fast Forward
Cakewalk V-Studio 20
Abbey Road Sessions—Good Reasons To Be Prepared
AKG Perception 820 Tube Microphone
A Basement Conversion—The Borla/Mouse Basement Studio
DAW Details
SM Pro Audio P-Control, DiDock, and CT-3
Green Glue
Alesis PalmTrack
It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Reviewed and Revisited
Plug-In Outlet
Do It Yourself: Rack Panels For Under Four Dollars
Cockos REAPER—A Walking Tour
Recording’s Showcase of Sounds
Readers' Tapes
Advertiser Index
Fade Out
Recording - October 2010 - Recording - October 2010
Recording - October 2010 - Cover2
Recording - October 2010 - 1
Recording - October 2010 - Fade In
Recording - October 2010 - 3
Recording - October 2010 - Contents
Recording - October 2010 - 5
Recording - October 2010 - Talkback
Recording - October 2010 - 7
Recording - October 2010 - Fast Forward
Recording - October 2010 - 9
Recording - October 2010 - Cakewalk V-Studio 20
Recording - October 2010 - 11
Recording - October 2010 - 12
Recording - October 2010 - 13
Recording - October 2010 - Abbey Road Sessions—Good Reasons To Be Prepared
Recording - October 2010 - 15
Recording - October 2010 - 16
Recording - October 2010 - 17
Recording - October 2010 - 18
Recording - October 2010 - 19
Recording - October 2010 - 20
Recording - October 2010 - 21
Recording - October 2010 - AKG Perception 820 Tube Microphone
Recording - October 2010 - 23
Recording - October 2010 - A Basement Conversion—The Borla/Mouse Basement Studio
Recording - October 2010 - 25
Recording - October 2010 - 26
Recording - October 2010 - 27
Recording - October 2010 - DAW Details
Recording - October 2010 - 29
Recording - October 2010 - 30
Recording - October 2010 - 31
Recording - October 2010 - SM Pro Audio P-Control, DiDock, and CT-3
Recording - October 2010 - 33
Recording - October 2010 - Green Glue
Recording - October 2010 - 35
Recording - October 2010 - Alesis PalmTrack
Recording - October 2010 - 37
Recording - October 2010 - It’s Your Music—Know Your Rights. Chapter 7: Income Earned By Songs—Part 2
Recording - October 2010 - 39
Recording - October 2010 - 40
Recording - October 2010 - 41
Recording - October 2010 - Reviewed and Revisited
Recording - October 2010 - 43
Recording - October 2010 - Plug-In Outlet
Recording - October 2010 - 45
Recording - October 2010 - 46
Recording - October 2010 - 47
Recording - October 2010 - Do It Yourself: Rack Panels For Under Four Dollars
Recording - October 2010 - 49
Recording - October 2010 - 50
Recording - October 2010 - 51
Recording - October 2010 - 52
Recording - October 2010 - 53
Recording - October 2010 - 54
Recording - October 2010 - 55
Recording - October 2010 - Cockos REAPER—A Walking Tour
Recording - October 2010 - 57
Recording - October 2010 - 58
Recording - October 2010 - 59
Recording - October 2010 - 60
Recording - October 2010 - 61
Recording - October 2010 - Recording’s Showcase of Sounds
Recording - October 2010 - 63
Recording - October 2010 - Readers' Tapes
Recording - October 2010 - Advertiser Index
Recording - October 2010 - 66
Recording - October 2010 - 67
Recording - October 2010 - 68
Recording - October 2010 - 69
Recording - October 2010 - 70
Recording - October 2010 - 71
Recording - October 2010 - Fade Out
Recording - October 2010 - Cover3
Recording - October 2010 - Cover4
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