Recording - December 2010 - 44

B Y PA U L V N U K J R .

Primacoustic IsoTools
New studio gadgets improve your sound... and rescue your iPhone?

While primarily known for room treatment solutions, Canada’s Primacoustic also offers a line of products known as IsoTools. Each of these items is designed to aid in solving common studio and stage problems with isolation, improving your miked sounds. The first IsoTools product we reviewed was the Recoil Stabilizer speaker isolation pads (March 2008), and now we have five new IsoTools products to check out, any of which would make an awesome gift. VoxGuard First up we have the VoxGuard, which is the latest player in the portable vocal booth trend. This version is a lightweight 15" x 18" curved piece of rippled foam affixed to a layer of durable ABS plastic. It features a simple mounting hole that attaches like a washer to your mic stand threads just

below your mic mount. While much of the competition may be seen as having a more robust build, most of them are heavy and they feature complicated mounting systems. The VoxGuard is the opposite. It is very portable, easy to attach, and is lightweight enough to be attached upside down with a hanging vocal mic. Functionally, it surrounds the back and sides of your microphone and aids in masking room reflections and outside leakage. It works well even in treated rooms to add focus and a touch of weight to vocal tracking, spoken word recording, and even as a low-profile gobo for instrument tracking. My favorite use was for podcasting and voiceovers, which I do in a run-of-the-mill noisy office, and it did its job well, helping to take the focus away from the persistent background CPU and ventilation noise.

CrashGuard Next up and similar in style is the smaller (7 x 3.75 x 2 inches) rectangular CrashGuard. The CrashGuard’s function is twofold. First it lessens leakage and crosstalk between drums and cymbals, snare and hi-hat bleed for example, and secondly it protects your microphones from errant drumstick hits. While they do not get rid of bleed altogether, they do well to lessen it and add increased separation to your drum recordings. Be aware that they are great for use with SM57-style end-address microphones and traditional mic stands, but do not work well with larger mics like the MD421, or with many of the clip-on drum mic mounts from Audix, Sennheiser, Claw and such. [Primacoustic reports that new models for these types of mics are on the way.—Ed.]

44

RECORDING DECEMBER 2010



Table of Contents for the Digital Edition of Recording - December 2010

Recording - December 2010
Fade In
Contents
Talkback
Recording’s 2010 Holiday Gift Guide
Theme Music for TV—A Production Report
Royer Labs R-101 Ribbon Microphone
Recording SFX—A Career Option?
Primacoustic IsoTools
Avenson Audio IsoDI
Getting Your Music Heard In Today’sCommercial Culture
Preview: Yamaha AvantGrand
It’s Your Music—Know Your Rights.Chapter 9: Trademark Basics
Sonoma Wire Works GuitarJack Model 1and FourTrack 4.0.1
Readers' Tapes
Advertiser Index
Fade Out
Recording - December 2010 - Recording - December 2010
Recording - December 2010 - Cover2
Recording - December 2010 - 1
Recording - December 2010 - Fade In
Recording - December 2010 - 3
Recording - December 2010 - Contents
Recording - December 2010 - 5
Recording - December 2010 - Talkback
Recording - December 2010 - 7
Recording - December 2010 - Recording’s 2010 Holiday Gift Guide
Recording - December 2010 - 9
Recording - December 2010 - 10
Recording - December 2010 - 11
Recording - December 2010 - 12
Recording - December 2010 - 13
Recording - December 2010 - 14
Recording - December 2010 - 15
Recording - December 2010 - 16
Recording - December 2010 - 17
Recording - December 2010 - 18
Recording - December 2010 - 19
Recording - December 2010 - 20
Recording - December 2010 - 21
Recording - December 2010 - 22
Recording - December 2010 - 23
Recording - December 2010 - 24
Recording - December 2010 - 25
Recording - December 2010 - 26
Recording - December 2010 - 27
Recording - December 2010 - 28
Recording - December 2010 - 29
Recording - December 2010 - 30
Recording - December 2010 - 31
Recording - December 2010 - 32
Recording - December 2010 - 33
Recording - December 2010 - Theme Music for TV—A Production Report
Recording - December 2010 - 35
Recording - December 2010 - 36
Recording - December 2010 - 37
Recording - December 2010 - 38
Recording - December 2010 - 39
Recording - December 2010 - Royer Labs R-101 Ribbon Microphone
Recording - December 2010 - 41
Recording - December 2010 - Recording SFX—A Career Option?
Recording - December 2010 - 43
Recording - December 2010 - Primacoustic IsoTools
Recording - December 2010 - 45
Recording - December 2010 - Avenson Audio IsoDI
Recording - December 2010 - 47
Recording - December 2010 - Getting Your Music Heard In Today’sCommercial Culture
Recording - December 2010 - 49
Recording - December 2010 - 50
Recording - December 2010 - 51
Recording - December 2010 - 52
Recording - December 2010 - 53
Recording - December 2010 - 54
Recording - December 2010 - 55
Recording - December 2010 - Preview: Yamaha AvantGrand
Recording - December 2010 - 57
Recording - December 2010 - It’s Your Music—Know Your Rights.Chapter 9: Trademark Basics
Recording - December 2010 - 59
Recording - December 2010 - 60
Recording - December 2010 - 61
Recording - December 2010 - Sonoma Wire Works GuitarJack Model 1and FourTrack 4.0.1
Recording - December 2010 - 63
Recording - December 2010 - Readers' Tapes
Recording - December 2010 - Advertiser Index
Recording - December 2010 - 66
Recording - December 2010 - 67
Recording - December 2010 - 68
Recording - December 2010 - 69
Recording - December 2010 - 70
Recording - December 2010 - 71
Recording - December 2010 - Fade Out
Recording - December 2010 - Cover3
Recording - December 2010 - Cover4
http://www.nxtbook.com/musicmaker/musicmaker/recording_202002
http://www.nxtbook.com/musicmaker/musicmaker/recording_202001
http://www.nxtbook.com/musicmaker/musicmaker/recording_201912
http://www.nxtbook.com/musicmaker/musicmaker/recording_201911
http://www.nxtbook.com/musicmaker/musicmaker/recording_201910
http://www.nxtbook.com/musicmaker/musicmaker/recording_201909
http://www.nxtbook.com/musicmaker/musicmaker/recording_201908
http://www.nxtbook.com/musicmaker/musicmaker/recording_201907
http://www.nxtbook.com/musicmaker/musicmaker/recording_201906
http://www.nxtbook.com/musicmaker/musicmaker/recording_201905
http://www.nxtbook.com/musicmaker/musicmaker/recording_201904
http://www.nxtbook.com/musicmaker/musicmaker/recording_201903
http://www.nxtbook.com/musicmaker/musicmaker/recording_201902
http://www.nxtbook.com/musicmaker/musicmaker/recording_201901
http://www.nxtbook.com/musicmaker/musicmaker/recording_201812
http://www.nxtbook.com/musicmaker/musicmaker/recording_201811
http://www.nxtbook.com/musicmaker/musicmaker/recording_201810
http://www.nxtbook.com/musicmaker/musicmaker/recording_201809
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
http://www.nxtbook.com/nxtbooks/musicmaker/nxtd
http://www.nxtbookMEDIA.com