Recording - January 2011 - 4

RECORDING MAGAZINE JANUARY

REVIEWS
20

FEATURES
16

www.twitter.com/recordingmag

12

PreSonus StudioLive 24.4.2.
This digital mixer combines powerful internal DSP with flexible FireWire interfacing and a free software suite to provide a complete solution for studio and live tracking and mixing.
REVIEW BY MIKE METLAY

Recording Live Performances —Your Options.
Before you walk into the venue with recording plans in hand, there’s a lot to consider, from mics to mixers to that mysterious and frightening figure... the Soundman.
BY ERIC FERGUSON

20

Audio-Technica AT4080 and AT4081 Ribbon Microphones.
It’s rare that a new microphone offers a genuinely new technology and a genuinely new sound, but these first ribbons from a well-established mic maker definitely qualify.
REVIEWS BY SCOTT DORSEY

26

DAW Details.
Modern computer audio gear relies on data paths called buses, like USB and FireWire. But exercise caution before you plug and pray...
BY MIKE METLAY

36

48 24 Roland R-05 Portable Recorder.
Refinements under the hood make this high-quality field recorder a real contender.
REVIEW BY LORENZ RYCHNER

Acoustic Live Recording.
In venues where close mics are frowned upon and the players are unplugged, you’ll need good ears and stealthy technique to capture the performance without getting in the way.
BY MICHAEL SCHULZE

34

Yamaha Pocketrak W24.
This portable recorder features a full-function wireless remote to take the guesswork out of live audio capture.
REVIEW BY LORENZ RYCHNER

50

Capturing Live Music For The Internet.
With a potential worldwide audience waiting to hear your show, it’s easy and fun to get your music out there on the Net. Here’s what you need to know to get started.
BY MIKE METLAY

36

Reviewed and Revisited: Zoom R24 Recorder/Interface/Controller/Sampler.
Eight more tracks and a powerful sampling and rhythm-track engine enhance this multipurpose desktop digital-audio marvel.
REVIEW BY MIKE METLAY

52

It’s Your Music—Know Your Rights. Chapter 10: Managers—Part 1.
The manager is a famous figure in modern music. Everyone has to have one, right? Well, maybe not....
BY TODD GASCON AND BRUCE KAPHAN

34 50

40

JoeCo BBR1 BlackBox Recorder.
An elegant solution for high-quality multitracking from any front-of-house console.
REVIEW BY MIKE METLAY

62

2010 Annual Index.
Twelve issues and a whole lot of content later, it’s time to organize it so you can find it!

46

Korg MR-2 High Resolution Mobile Recorder.
Korg’s newest portable recorder harnesses the power of DSD audio recording for exquisite sound quality. Also in this article: Korg’s AudioGate audio translation software.
REVIEW BY MIKE METLAY

REGULARS
2 6 8 54 64 Fade In. Talkback. Fast Forward. Readers’ Tapes.
BY MARTY PETERS

12

Fade Out.
Live Mixing—It’s Good For You!
GUEST EDITORIAL BY PAUL VNUK JR.

24

55

Advertiser Index.


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Recording - January 2011

Table of Contents for the Digital Edition of Recording - January 2011

Recording - January 2011
Fade In
Contents
Talkback
Fast Forward
PreSonus StudioLive 24.4.2
Recording Live Performances—Your Options
Audio-Technica AT4080 and AT4081 Ribbon Microphones
Roland R-05 Portable Recorder
DAW Details
Yamaha Pocketrak W24
Reviewed and Revisited: Zoom R24 Recorder/Interface/Controller/Sampler
JoeCo BBR1 BlackBox Recorder
Korg MR-2 High Resolution Mobile Recorder
Acoustic Live Recording
Capturing Live Music For The Internet
It's Your Music—Know Your Rights. Chapter 10: Managers—Part 1
Readers' Tapes
Advertiser Index
2010 Annual Index
Fade Out
Recording - January 2011 - Recording - January 2011
Recording - January 2011 - Cover2
Recording - January 2011 - 1
Recording - January 2011 - Fade In
Recording - January 2011 - 3
Recording - January 2011 - Contents
Recording - January 2011 - 5
Recording - January 2011 - Talkback
Recording - January 2011 - 7
Recording - January 2011 - Fast Forward
Recording - January 2011 - 9
Recording - January 2011 - 10
Recording - January 2011 - 11
Recording - January 2011 - PreSonus StudioLive 24.4.2
Recording - January 2011 - 13
Recording - January 2011 - 14
Recording - January 2011 - 15
Recording - January 2011 - Recording Live Performances—Your Options
Recording - January 2011 - 17
Recording - January 2011 - 18
Recording - January 2011 - 19
Recording - January 2011 - Audio-Technica AT4080 and AT4081 Ribbon Microphones
Recording - January 2011 - 21
Recording - January 2011 - 22
Recording - January 2011 - 23
Recording - January 2011 - Roland R-05 Portable Recorder
Recording - January 2011 - 25
Recording - January 2011 - DAW Details
Recording - January 2011 - 27
Recording - January 2011 - 28
Recording - January 2011 - 29
Recording - January 2011 - 30
Recording - January 2011 - 31
Recording - January 2011 - 32
Recording - January 2011 - 33
Recording - January 2011 - Yamaha Pocketrak W24
Recording - January 2011 - 35
Recording - January 2011 - Reviewed and Revisited: Zoom R24 Recorder/Interface/Controller/Sampler
Recording - January 2011 - 37
Recording - January 2011 - 38
Recording - January 2011 - 39
Recording - January 2011 - JoeCo BBR1 BlackBox Recorder
Recording - January 2011 - 41
Recording - January 2011 - 42
Recording - January 2011 - 43
Recording - January 2011 - 44
Recording - January 2011 - 45
Recording - January 2011 - Korg MR-2 High Resolution Mobile Recorder
Recording - January 2011 - 47
Recording - January 2011 - Acoustic Live Recording
Recording - January 2011 - 49
Recording - January 2011 - Capturing Live Music For The Internet
Recording - January 2011 - 51
Recording - January 2011 - It's Your Music—Know Your Rights. Chapter 10: Managers—Part 1
Recording - January 2011 - 53
Recording - January 2011 - Readers' Tapes
Recording - January 2011 - Advertiser Index
Recording - January 2011 - 56
Recording - January 2011 - 57
Recording - January 2011 - 58
Recording - January 2011 - 59
Recording - January 2011 - 60
Recording - January 2011 - 61
Recording - January 2011 - 2010 Annual Index
Recording - January 2011 - 63
Recording - January 2011 - Fade Out
Recording - January 2011 - Cover3
Recording - January 2011 - Cover4
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