Recording - March 2011 - 43

The inclusion of these two processors in SFPro10 represents an outstanding value. SFPro10 now will open, process and save DownLoadable Sound (DLS), SoundFont 2.0 and GigaStudio/ GigaSampler musical instrument files. I tested editing and adding effects to several SondFont files I had laying around. The interface was very logical, quick and accurate. While this feature will be of limited use for Native Instruments Kontakt, Steinberg HALion, IK Multimedia SampleTank, or other modern software sampler users, it’s very handy if you work with the sampler formats that are supported. New workflow, plug-ins Sony has also added some features to the interface that make workflow more efficient. Among them, the addition of customizable window layouts is the standout. Users can now create and save multiple interface layout configurations for both single and dual monitor systems. Each layout can hold a configuration for a specific task such as audio editing, multichannel editing or CD track list layout. In addition to changes in the application itself, Sony has also incorporated some new plug-ins that dramatically extend the capabilities of SFPro10. zplane’s Elastique Pro time-stretching plug-in gives SFPro10 world-class ability to manipulate time length with pitch shifting that includes optional formant preservation. All three of Elastique’s operation modes (Pro, Efficient and Soloist) are included. While pitch shifting and time stretching have been available in Sound Forge for some time, the Sony algorithms were not always stable and sometimes produced noticeable aliasing and phasing artifacts. No more! SFPro10 now also includes Mastering Effects Bundle 2 powered by iZotope. In Bundle 2 iZotope has added a Stereo Imager and Harmonic Exciter to the Multiband Compressor, Mastering Limiter, Mastering EQ, and Mastering Reverb that were included with Version 9. With the addition of SRS and MBIT+ to the SFPro10 application, the Sound Forge user now has access to the full complement of exceptional iZotope mastering tools that are included in iZotope’s mastering package, Ozone (last reviewed June 2009). Even though I also own several of its competitors, Sound Forge is and has been my tool of choice for audio editing, and the new features and plug-ins make Sound Forge Pro 10 an even better value. Price: $374.95 More from: Sony Creative Software, www.sonycreativesoftware.com. John Rossi III (john3@recordingmag.com) is a musician, producer, and engineer working in Naples, FL.
RECORDING MARCH 2011

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http://www.kiqproductions.com http://www.sonycreativesoftware.com

Recording - March 2011

Table of Contents for the Digital Edition of Recording - March 2011

Recording - March 2011
Fade In
Contents
Talkback
2010 Winter NAMM Show Report
Tom Silverman: On Songwriters and the New Reality of the Music Business
Shure KSM44A and KSM42 Microphones
Songwriter/Producer—A Hit-Making Combination: An Interview with Sebastian Arocha Morton
The 3 “Ps” of Songwriting: Present, Protect, Promote
Plug-In Outlet
MOTU UltraLite-mk3 Hybrid Audio Interface
Daking Audio FET III Compressor
Reviewed and Revisited: Sony Sound Forge Pro 10
It’s Your Music—Know Your Rights. Chapter 12: The Role of the Agent
Reviewed and Revisited: Avid Pro Tools 9
Readers’ Tapes
In the Studio: Recording Not Forgotten: Three Scenes for Violin and Piano
Roland Juno-Gi
DAW Details
Advertiser Index
Fade Out
Recording - March 2011 - Recording - March 2011
Recording - March 2011 - Cover2
Recording - March 2011 - 1
Recording - March 2011 - Fade In
Recording - March 2011 - 3
Recording - March 2011 - Contents
Recording - March 2011 - 5
Recording - March 2011 - Talkback
Recording - March 2011 - 7
Recording - March 2011 - 2010 Winter NAMM Show Report
Recording - March 2011 - 9
Recording - March 2011 - 10
Recording - March 2011 - 11
Recording - March 2011 - 12
Recording - March 2011 - 13
Recording - March 2011 - 14
Recording - March 2011 - 15
Recording - March 2011 - 16
Recording - March 2011 - 17
Recording - March 2011 - 18
Recording - March 2011 - 19
Recording - March 2011 - Tom Silverman: On Songwriters and the New Reality of the Music Business
Recording - March 2011 - 21
Recording - March 2011 - 22
Recording - March 2011 - 23
Recording - March 2011 - Shure KSM44A and KSM42 Microphones
Recording - March 2011 - 25
Recording - March 2011 - Songwriter/Producer—A Hit-Making Combination: An Interview with Sebastian Arocha Morton
Recording - March 2011 - 27
Recording - March 2011 - 28
Recording - March 2011 - 29
Recording - March 2011 - The 3 “Ps” of Songwriting: Present, Protect, Promote
Recording - March 2011 - 31
Recording - March 2011 - 32
Recording - March 2011 - 33
Recording - March 2011 - Plug-In Outlet
Recording - March 2011 - 35
Recording - March 2011 - 36
Recording - March 2011 - 37
Recording - March 2011 - MOTU UltraLite-mk3 Hybrid Audio Interface
Recording - March 2011 - 39
Recording - March 2011 - Daking Audio FET III Compressor
Recording - March 2011 - 41
Recording - March 2011 - Reviewed and Revisited: Sony Sound Forge Pro 10
Recording - March 2011 - 43
Recording - March 2011 - It’s Your Music—Know Your Rights. Chapter 12: The Role of the Agent
Recording - March 2011 - 45
Recording - March 2011 - Reviewed and Revisited: Avid Pro Tools 9
Recording - March 2011 - 47
Recording - March 2011 - Readers’ Tapes
Recording - March 2011 - 49
Recording - March 2011 - In the Studio: Recording Not Forgotten: Three Scenes for Violin and Piano
Recording - March 2011 - 51
Recording - March 2011 - Roland Juno-Gi
Recording - March 2011 - 53
Recording - March 2011 - 54
Recording - March 2011 - 55
Recording - March 2011 - 56
Recording - March 2011 - 57
Recording - March 2011 - 58
Recording - March 2011 - 59
Recording - March 2011 - DAW Details
Recording - March 2011 - 61
Recording - March 2011 - 62
Recording - March 2011 - 63
Recording - March 2011 - 64
Recording - March 2011 - Advertiser Index
Recording - March 2011 - 66
Recording - March 2011 - 67
Recording - March 2011 - 68
Recording - March 2011 - 69
Recording - March 2011 - 70
Recording - March 2011 - 71
Recording - March 2011 - Fade Out
Recording - March 2011 - Cover3
Recording - March 2011 - Cover4
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