Recording - May 2011 - 10
TASCAM Releases New And Updated Handheld Recorders
The TASCAM DR-05 is a new handheld recorder that offers up to 24-bit/96 kHz recording quality on microSD/microSDHC media, with a peak reduction function that sets optimum levels even while recording, a two-tiered setup menu system with an easily accessible Quick Menu for commonly required features, microphone power provided over the 1/8" mic/line input, playback Level Align, and variable-speed audition and looping for music education or voice transcription. The DR-05 offers stereo omni mics in a fixed array with up to 125 dB maximum SPL and records in Broadcast WAV (BWF) format up to 24/96 or MP3 from 32 to 320 kbps. Other convenience features include a limiter and lowcut filter, automatic or manual level setting, self-timer for record start, built-in speaker, up to 99 markers per song, USB 2.0 for data transfers, and more. Also new from TASCAM: the updated DR-07mkII, which offers many of the DR-05’s new features plus a movable stereo condenser mic array that can be set in an XY pattern or to a spread pattern for wider stereo imaging, an Overdub mode that allows recording takes to be layered, Auto Record and Auto Mark for handsfree recording, a built-in reverb effect, and more. Prices: DR-05, $99 MAP; DR-07mkII, $149.99 MAP More from: TASCAM, www.tascam.com.
Grace Design To Distribute Grimm Audio Products
Grace Design, makers of high-quality preamps, monitor amplifiers, and signal processors, has announced its distribution of Grimm Audio products in the US and Canada. Grimm Audio is a Dutch company that creates high-performance audio designs including mic cables, tube mic power supplies, the CC1 master clock system, and the LS1 reference monitor speakers (shown). More from: Grimm Audio, www.grimmaudio.com; Grace Design, www.gracedesign.com.
Apogee Adds New Interfaces
JAM is the newest interface from Apogee. It’s a guitar input device intended for use with iOS and Mac with no driver installation necessary. JAM offers highquality guitar input and A/D conversion at 24bit/44.1 kHz quality, includes an input level control and automatic soft limiting, and works with GarageBand on the iPad/iPad 2, iPhone, iPod touch, and with all CoreAudio compliant applications on current Macs. Apogee also announced the development of Mike, a microphone with direct connectivity to iOS devices and Macs offering similar compatibility to that of JAM. Prices: JAM, $99; Mike, price and availability TBA More from: Apogee, www.apogeedigital.com
10
RECORDING MAY 2011
http://www.tascam.com
http://www.grimmaudio.com
http://www.gracedesign.com
http://www.apogeedigital.com
Recording - May 2011
Table of Contents for the Digital Edition of Recording - May 2011
Recording - May 2011
Fade In
Contents
Talkback
Fast Forward
Phonic S16 Digital Mixer
Lift Your Voice
Chameleon Labs TS-1 MKII Mic
Melodyne In Action
Roland OCTA-CAPTURE
Comparing Auto-Tune and Melodyne editor: A Producer’s Perspective
Samson Meteor Mic
The FATSO Family
Reviewed and Revisited: Antares Auto-Tune 7
Readers’ Tapes
Lauten FC-357 Clarion Mic
It’s Your Music—Know Your Rights. Chapter 14: The Role Of The Producer —Part 2
Game Audio—Your Next Career Move?
sE Electronics Voodoo VR1 Ribbon Mic
Recording’s Bass Column
Advertiser Index
Fade Out
Recording - May 2011 - Recording - May 2011
Recording - May 2011 - Cover2
Recording - May 2011 - 1
Recording - May 2011 - 2
Recording - May 2011 - 3
Recording - May 2011 - Fade In
Recording - May 2011 - 5
Recording - May 2011 - Contents
Recording - May 2011 - 7
Recording - May 2011 - Talkback
Recording - May 2011 - 9
Recording - May 2011 - Fast Forward
Recording - May 2011 - 11
Recording - May 2011 - Phonic S16 Digital Mixer
Recording - May 2011 - 13
Recording - May 2011 - Lift Your Voice
Recording - May 2011 - 15
Recording - May 2011 - 16
Recording - May 2011 - 17
Recording - May 2011 - 18
Recording - May 2011 - 19
Recording - May 2011 - 20
Recording - May 2011 - 21
Recording - May 2011 - 22
Recording - May 2011 - 23
Recording - May 2011 - 24
Recording - May 2011 - 25
Recording - May 2011 - Chameleon Labs TS-1 MKII Mic
Recording - May 2011 - 27
Recording - May 2011 - Melodyne In Action
Recording - May 2011 - 29
Recording - May 2011 - 30
Recording - May 2011 - 31
Recording - May 2011 - 32
Recording - May 2011 - 33
Recording - May 2011 - 34
Recording - May 2011 - 35
Recording - May 2011 - Roland OCTA-CAPTURE
Recording - May 2011 - 37
Recording - May 2011 - Comparing Auto-Tune and Melodyne editor: A Producer’s Perspective
Recording - May 2011 - 39
Recording - May 2011 - Samson Meteor Mic
Recording - May 2011 - 41
Recording - May 2011 - The FATSO Family
Recording - May 2011 - 43
Recording - May 2011 - 44
Recording - May 2011 - 45
Recording - May 2011 - Reviewed and Revisited: Antares Auto-Tune 7
Recording - May 2011 - 47
Recording - May 2011 - Readers’ Tapes
Recording - May 2011 - 49
Recording - May 2011 - Lauten FC-357 Clarion Mic
Recording - May 2011 - 51
Recording - May 2011 - 52
Recording - May 2011 - 53
Recording - May 2011 - 54
Recording - May 2011 - 55
Recording - May 2011 - It’s Your Music—Know Your Rights. Chapter 14: The Role Of The Producer —Part 2
Recording - May 2011 - 57
Recording - May 2011 - Game Audio—Your Next Career Move?
Recording - May 2011 - 59
Recording - May 2011 - sE Electronics Voodoo VR1 Ribbon Mic
Recording - May 2011 - 61
Recording - May 2011 - Recording’s Bass Column
Recording - May 2011 - 63
Recording - May 2011 - 64
Recording - May 2011 - Advertiser Index
Recording - May 2011 - 66
Recording - May 2011 - 67
Recording - May 2011 - 68
Recording - May 2011 - 69
Recording - May 2011 - 70
Recording - May 2011 - 71
Recording - May 2011 - Fade Out
Recording - May 2011 - Cover3
Recording - May 2011 - Cover4
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