Recording - September 2011 - 8

New Recording and Sound Reinforcement Tools From SM Pro Audio
SM Pro Audio has announced a number of new signal processing and routing devices for studio and live use. The new M-Patch 4M is an updated version of the company’s monitor controller, which takes the original’s routing, patching, muting, mixing, level matching, headphone monitoring, and stereo-to-mono summing, and adds a talkback circuit with internal or external mic and automatic 20 dB ducking on control room monitors when engaged. The VU800 is a 1U rackmount passive meter bridge with built-in headphone monitoring, an update of the VU8 with peak or average metering configuration, independent –10 dBV / +4 dBu setting for each meter, and user-selectable monitoring of channels in pairs. Finally, the CQ15 and CQ31 are 1U rackmount graphic equalizers with built-in compressors, the former being a 2-channel 15-band unit with two optical compressors switchable pre/post eq, and the latter a mono 31-band with a single compressor. Prices: M-Patch 4M, $449.99; VU800, $349.99; CQ15 and CQ31, $299.99 each; all prices street/MAP More from: SM Pro Audio, www.smproaudio.com; dist. in USA by MV Pro Audio, www.mvproaudio.com

Propellerhead Updates Reason, Debuts Hardware Interface
Propellerhead Software has announced Reason 6 and Reason Essentials, an upgrade to the well-known Reason virtual studio software in its full version and in an affordable entry-level version as well. Both now include audio editing and recording features formerly sold separately in Propellerhead’s Record software. Reason 6 now includes all of the features in Record, including audio recording and editing, the mixing console window with eq and dynamics on every channel, multiple parallel racks, Line 6 amp models, and new effects such as the Pulveriser compression/distortion effect, The Echo stereo echo with tape emulation, and Alligator, a 3-band pattern gate for rhythmic texturing. Also included: high-quality audio transpose, true 64-bit compatibility, user interface enhancements, and more. Reason Essentials offers core features of Reason and Record in a beginner-friendly rack that builds itself or can be customized by the user, including a drum machine, loop player, sampler, virtual synths, effects (including Line 6 models), and more, all married to an audio and MIDI sequencer for recording, editing, and arranging with infinite track count. Reason Essentials will be available alone or bundled with Balance, the first hardware device from Propellerhead. It’s a 2-in/2-out USB 2.0 bus-powered interface with separate monitor and headphone volume control, and eight instantly switchable inputs so all instruments can be left connected until needed and brought in without control-panel applications. Dedicated buttons bring up a meter/tuner in Reason and enable the Clip Safe clip-healing function to recover from toohot recording gain. The Balance interface is fully compliant with CoreAudio (Mac) and ASIO and WDM (Windows). Prices: Reason 6, $449; Reason Essentials, $299; Reason Essentials with Balance, $499 More from: Propellerhead Software, www.propellerheads.se
8
RECORDING SEPTEMBER 2011


http://www.smproaudio.com http://www.mvproaudio.com http://www.propellerheads.se

Recording - September 2011

Table of Contents for the Digital Edition of Recording - September 2011

Recording - September 2011
Fade In
Talkback
Contents
Fast Forward
Surviving A Triple Music Computer Upgrade, 2011 Style
Zoom R8
Managing Large Sample Libraries
Universal Audio 4-710d
Plug-In Outlet
Reviewed And Revisited: Spectrasonics Omnisphere 1.5
iZotope Stutter Edit
Make Room For Your Music
Once Over—Reviews In Brief
Recording’sShowcase of Sound
It’s Your Music—Know Your Rights. Chapter 18: Digital Distribution Issues
Readers’ Tapes
Advertiser Index
Fade Out
Recording - September 2011 - Recording - September 2011
Recording - September 2011 - Cover2
Recording - September 2011 - 1
Recording - September 2011 - Fade In
Recording - September 2011 - 3
Recording - September 2011 - 4
Recording - September 2011 - 5
Recording - September 2011 - Contents
Recording - September 2011 - 7
Recording - September 2011 - Fast Forward
Recording - September 2011 - 9
Recording - September 2011 - 10
Recording - September 2011 - 11
Recording - September 2011 - Surviving A Triple Music Computer Upgrade, 2011 Style
Recording - September 2011 - 13
Recording - September 2011 - 14
Recording - September 2011 - 15
Recording - September 2011 - 16
Recording - September 2011 - 17
Recording - September 2011 - 18
Recording - September 2011 - 19
Recording - September 2011 - 20
Recording - September 2011 - 21
Recording - September 2011 - 22
Recording - September 2011 - 23
Recording - September 2011 - Zoom R8
Recording - September 2011 - 25
Recording - September 2011 - Managing Large Sample Libraries
Recording - September 2011 - 27
Recording - September 2011 - 28
Recording - September 2011 - 29
Recording - September 2011 - Universal Audio 4-710d
Recording - September 2011 - 31
Recording - September 2011 - 32
Recording - September 2011 - 33
Recording - September 2011 - Plug-In Outlet
Recording - September 2011 - 35
Recording - September 2011 - 36
Recording - September 2011 - 37
Recording - September 2011 - 38
Recording - September 2011 - 39
Recording - September 2011 - Reviewed And Revisited: Spectrasonics Omnisphere 1.5
Recording - September 2011 - 41
Recording - September 2011 - iZotope Stutter Edit
Recording - September 2011 - 43
Recording - September 2011 - Make Room For Your Music
Recording - September 2011 - 45
Recording - September 2011 - 46
Recording - September 2011 - 47
Recording - September 2011 - 48
Recording - September 2011 - 49
Recording - September 2011 - 50
Recording - September 2011 - 51
Recording - September 2011 - 52
Recording - September 2011 - 53
Recording - September 2011 - 54
Recording - September 2011 - 55
Recording - September 2011 - Once Over—Reviews In Brief
Recording - September 2011 - 57
Recording - September 2011 - Recording’sShowcase of Sound
Recording - September 2011 - 59
Recording - September 2011 - 60
Recording - September 2011 - 61
Recording - September 2011 - It’s Your Music—Know Your Rights. Chapter 18: Digital Distribution Issues
Recording - September 2011 - 63
Recording - September 2011 - Readers’ Tapes
Recording - September 2011 - Advertiser Index
Recording - September 2011 - 66
Recording - September 2011 - 67
Recording - September 2011 - 68
Recording - September 2011 - 69
Recording - September 2011 - 70
Recording - September 2011 - 71
Recording - September 2011 - Fade Out
Recording - September 2011 - Cover3
Recording - September 2011 - Cover4
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