Recording - October 2011 - 75
or CoreMIDI, or if it’s designed to work with a proprietary interface (especially a TRRS guitar box), you may be out of luck. I worked with the iO Dock for several weeks using many different apps, and never ran into a situation where the app was designed for CoreAudio/CoreMIDI and didn’t work flawlessly with the iO Dock. In particular, Apple’s own GarageBand worked seamlessly with the iO Dock, making it a cinch to record guitar and vocal parts or to play the built-in Instruments with an external keyboard. The preamps won’t win awards for vintage tube vibe, but they are very clean and have a fair bit of gain... and they provide plenty of phantom power for even finicky condenser mics, thanks to the iO Dock’s wall-wart, which is rated for an astonishing 3 Amperes of current draw. The audio outs get good and loud and sound great. Direct monitoring works as advertised, as does the video output. MIDI works very well, but your latency and the level to which it is implemented is strongly dependent on how careful the app designers were. And the footswitch jack sends MIDI Start and Stop commands as promised—there doesn’t appear to be a way to reprogram it, although I suppose you could repurpose those commands in a clever enough app. In a nutshell, the iO Dock does in fact do precisely what it promises: it turns the iPad into a tabletop audio and MIDI device with good-quality inputs and outputs. If I have any complaint to aim at the iO Dock itself (rather than at developers offering inconsistent MIDI support—don’t worry, they’ll get theirs when I review their apps in upcoming issues!), it is that many apps either (a) rely on changes in the iPad’s orientation to do certain things, or (b) are ported from the iPhone and are therefore designed to only work in Portrait mode. In the latter case, your app will be sideways on the screen; in the former case, you won’t be able to do certain things without, well, picking up and turning or shaking the iO Dock, cables and all— not very practical! I see some disgruntled users buying a dock-connector extension cable to combine the iO Dock’s connectivity with the need to wave the iPad around. If you do this, be sure that the cable you’re getting has all the pin connections intact; the cheaper ones let you charge or sync your iPad but won’t pass audio. The verdict As an affordable way to turn the iPad into a practical studio device, the iO Dock delivers on all counts. For the cost of a decent-quality USB audio interface, it provides stereo audio interfacing, MIDI, and more, and it does so neatly and reliably. Thumbs up. Price: $199 More from: Alesis, www.alesis.com.
RECORDING OCTOBER 2011
75
http://www.kelaudio.com
http://www.kelaudio.com
http://www.ftc.edu
http://www.ftc.edu
http://www.alesis.com
Recording - October 2011
Table of Contents for the Digital Edition of Recording - October 2011
Recording - October 2011
Fade In
Contents
Talkback
Fast Forward
Postcards From The World Of Recording
Grace Design m103
Adobe Audition CS5.5
Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Blue Reactor Multi-Pattern Condenser Mic
Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Millennia Media HV-35 500-Series Mic Preamp
Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Pulse Techniques EQP-1A3
Audix CX212B Multi-Pattern Condenser Mic
A-Designs HM2 Compressor “The Nail”
It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Electro-Voice RE320 Dynamic Mic
Alesis iO Dock
Putting Together The Pieces
Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Readers’ Tapes
Advertiser Index
Fade Out
Recording - October 2011 - Recording - October 2011
Recording - October 2011 - Cover2
Recording - October 2011 - 1
Recording - October 2011 - Fade In
Recording - October 2011 - 3
Recording - October 2011 - Contents
Recording - October 2011 - 5
Recording - October 2011 - Talkback
Recording - October 2011 - 7
Recording - October 2011 - Fast Forward
Recording - October 2011 - 9
Recording - October 2011 - 10
Recording - October 2011 - 11
Recording - October 2011 - Postcards From The World Of Recording
Recording - October 2011 - 13
Recording - October 2011 - 14
Recording - October 2011 - 15
Recording - October 2011 - 16
Recording - October 2011 - 17
Recording - October 2011 - 18
Recording - October 2011 - 19
Recording - October 2011 - 20
Recording - October 2011 - 21
Recording - October 2011 - 22
Recording - October 2011 - 23
Recording - October 2011 - 24
Recording - October 2011 - 25
Recording - October 2011 - Grace Design m103
Recording - October 2011 - 27
Recording - October 2011 - 28
Recording - October 2011 - 29
Recording - October 2011 - Adobe Audition CS5.5
Recording - October 2011 - 31
Recording - October 2011 - 32
Recording - October 2011 - 33
Recording - October 2011 - 34
Recording - October 2011 - 35
Recording - October 2011 - 36
Recording - October 2011 - 37
Recording - October 2011 - Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Recording - October 2011 - 39
Recording - October 2011 - 40
Recording - October 2011 - 41
Recording - October 2011 - 42
Recording - October 2011 - 43
Recording - October 2011 - 44
Recording - October 2011 - 45
Recording - October 2011 - Blue Reactor Multi-Pattern Condenser Mic
Recording - October 2011 - 47
Recording - October 2011 - Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Recording - October 2011 - 49
Recording - October 2011 - 50
Recording - October 2011 - 51
Recording - October 2011 - Millennia Media HV-35 500-Series Mic Preamp
Recording - October 2011 - 53
Recording - October 2011 - Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Recording - October 2011 - 55
Recording - October 2011 - Pulse Techniques EQP-1A3
Recording - October 2011 - 57
Recording - October 2011 - Audix CX212B Multi-Pattern Condenser Mic
Recording - October 2011 - 59
Recording - October 2011 - A-Designs HM2 Compressor “The Nail”
Recording - October 2011 - 61
Recording - October 2011 - It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Recording - October 2011 - 63
Recording - October 2011 - 64
Recording - October 2011 - 65
Recording - October 2011 - Electro-Voice RE320 Dynamic Mic
Recording - October 2011 - 67
Recording - October 2011 - 68
Recording - October 2011 - 69
Recording - October 2011 - 70
Recording - October 2011 - 71
Recording - October 2011 - 72
Recording - October 2011 - 73
Recording - October 2011 - Alesis iO Dock
Recording - October 2011 - 75
Recording - October 2011 - Putting Together The Pieces
Recording - October 2011 - 77
Recording - October 2011 - Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Recording - October 2011 - 79
Recording - October 2011 - Readers’ Tapes
Recording - October 2011 - Advertiser Index
Recording - October 2011 - 82
Recording - October 2011 - 83
Recording - October 2011 - 84
Recording - October 2011 - 85
Recording - October 2011 - 86
Recording - October 2011 - 87
Recording - October 2011 - Fade Out
Recording - October 2011 - Cover3
Recording - October 2011 - Cover4
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