Recording - October 2011 - 77
is where plug-in presets are stored. By default (in Pro Tools), they go into the plugins settings folder on the main hard drive. I like to save the settings in their own folder inside each song’s session folder. That way they’re always there no matter what system I’m using. Conclusion Drums weren’t the only consideration on Pieces. I imported a lot of the same processing on the vocals and two-mix bus compression from song to song, so they too would have some consistency to them. While I created the track mixes in Pro Tools, I finally mixed the whole project down to 1 /2" tape; that’s an approach worth considering if you’re set up for it, as it certainly adds a sonic “glue” that brings all the songs together. Since the process of making music has changed so dramatically in the past couple of years, we have to be careful and pay attention to detail. By no means should what I have suggested in this article be taken to mean that I think everything should sound exactly the same, because I don’t. But at the appropriate times it’s nice when a collection of songs have elements to them that maintain an underlying sonic flow. I know, I know... these days we’re back in 1955 where it’s all about the single in mainstream music. I get that. But I still like to make records, and I know a lot of artists that do too. So why not go the extra yard and make it sound like one? Check out www.ndvmusic.com for more info on Nick D’Virgilio and his new EP Pieces. Mark Hornsby (hornsby@recordingmag. com) is a music producer, audio engineer, musician and marketing consultant based out of Nashville, TN. For more information, check out: www.markhornsby.com.
Drum recording setups for Pieces
“Mary Jane”, “It Don’t Come Easy” and “Childhood’s End” Recorded at Java Jive Studio, Nashville, TN (shown in black & white photo) by Mark Hornsby Drum Set: Gretsch USA, Meinl Byzance Cymbals Kick: Shure Beta 52A Yamaha SubKick: Direct Snare Top: Shure SM57 or Telefunken M80 Snare Bottom: Shure SM57 or Telefunken M80 Hi-hat: AKG C 460 B Toms: Sennheiser MD 421s Overheads: Shure KSM44s Room mics: Telefunken M16s or Neumann TLM 103s “Hold The Line” Recorded at The Garage, Ontario, CA by Nick D’Virgilio Drum Set: Gretsch USA, Meinl Byzance Cymbals Kick: AKG D112 Snare Top: Shure SM57 Snare Bottom: AKG C 1000 Toms: Electro-Voice N/D468 & N/D868 Overheads: AKG C 414s Room mic: Telefunken AK47 “Beautiful” Recorded at Studio Sismique, Quebec City, Canada (shown in color photo) by Yves Drolet Drum Set: Mapex Orion, Meinl Byzance Cymbals Kick: Electro-Voice RE20 Yamaha SubKick: Direct Snare Top: Shure SM57 Snare Bottom: Shure SM57 Toms: Sennheiser MD 421s Overheads: Neumann U 87s Room mics: AKG C 414s
RECORDING OCTOBER 2011
77
http://www.ndvmusic.com
http://www.recordingmag.com
http://www.markhornsby.com
Recording - October 2011
Table of Contents for the Digital Edition of Recording - October 2011
Recording - October 2011
Fade In
Contents
Talkback
Fast Forward
Postcards From The World Of Recording
Grace Design m103
Adobe Audition CS5.5
Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Blue Reactor Multi-Pattern Condenser Mic
Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Millennia Media HV-35 500-Series Mic Preamp
Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Pulse Techniques EQP-1A3
Audix CX212B Multi-Pattern Condenser Mic
A-Designs HM2 Compressor “The Nail”
It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Electro-Voice RE320 Dynamic Mic
Alesis iO Dock
Putting Together The Pieces
Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Readers’ Tapes
Advertiser Index
Fade Out
Recording - October 2011 - Recording - October 2011
Recording - October 2011 - Cover2
Recording - October 2011 - 1
Recording - October 2011 - Fade In
Recording - October 2011 - 3
Recording - October 2011 - Contents
Recording - October 2011 - 5
Recording - October 2011 - Talkback
Recording - October 2011 - 7
Recording - October 2011 - Fast Forward
Recording - October 2011 - 9
Recording - October 2011 - 10
Recording - October 2011 - 11
Recording - October 2011 - Postcards From The World Of Recording
Recording - October 2011 - 13
Recording - October 2011 - 14
Recording - October 2011 - 15
Recording - October 2011 - 16
Recording - October 2011 - 17
Recording - October 2011 - 18
Recording - October 2011 - 19
Recording - October 2011 - 20
Recording - October 2011 - 21
Recording - October 2011 - 22
Recording - October 2011 - 23
Recording - October 2011 - 24
Recording - October 2011 - 25
Recording - October 2011 - Grace Design m103
Recording - October 2011 - 27
Recording - October 2011 - 28
Recording - October 2011 - 29
Recording - October 2011 - Adobe Audition CS5.5
Recording - October 2011 - 31
Recording - October 2011 - 32
Recording - October 2011 - 33
Recording - October 2011 - 34
Recording - October 2011 - 35
Recording - October 2011 - 36
Recording - October 2011 - 37
Recording - October 2011 - Radial Engineering Workhorse and 500-Series Modules: JDV-Pre, Shuttle, EXTC, and PhazeQ
Recording - October 2011 - 39
Recording - October 2011 - 40
Recording - October 2011 - 41
Recording - October 2011 - 42
Recording - October 2011 - 43
Recording - October 2011 - 44
Recording - October 2011 - 45
Recording - October 2011 - Blue Reactor Multi-Pattern Condenser Mic
Recording - October 2011 - 47
Recording - October 2011 - Great River Electronics / Harrison 32EQ 500-Series Equalizer Module
Recording - October 2011 - 49
Recording - October 2011 - 50
Recording - October 2011 - 51
Recording - October 2011 - Millennia Media HV-35 500-Series Mic Preamp
Recording - October 2011 - 53
Recording - October 2011 - Telefunken Elektroakustik AK-47 MkII Tube Condenser Mic
Recording - October 2011 - 55
Recording - October 2011 - Pulse Techniques EQP-1A3
Recording - October 2011 - 57
Recording - October 2011 - Audix CX212B Multi-Pattern Condenser Mic
Recording - October 2011 - 59
Recording - October 2011 - A-Designs HM2 Compressor “The Nail”
Recording - October 2011 - 61
Recording - October 2011 - It’s Your Music—Know Your Rights. Chapter 19: Album Release Checklist
Recording - October 2011 - 63
Recording - October 2011 - 64
Recording - October 2011 - 65
Recording - October 2011 - Electro-Voice RE320 Dynamic Mic
Recording - October 2011 - 67
Recording - October 2011 - 68
Recording - October 2011 - 69
Recording - October 2011 - 70
Recording - October 2011 - 71
Recording - October 2011 - 72
Recording - October 2011 - 73
Recording - October 2011 - Alesis iO Dock
Recording - October 2011 - 75
Recording - October 2011 - Putting Together The Pieces
Recording - October 2011 - 77
Recording - October 2011 - Reviewed & Revisited: Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites
Recording - October 2011 - 79
Recording - October 2011 - Readers’ Tapes
Recording - October 2011 - Advertiser Index
Recording - October 2011 - 82
Recording - October 2011 - 83
Recording - October 2011 - 84
Recording - October 2011 - 85
Recording - October 2011 - 86
Recording - October 2011 - 87
Recording - October 2011 - Fade Out
Recording - October 2011 - Cover3
Recording - October 2011 - Cover4
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