Recording - January 2012 - 71

L INDEX
Aug Education—What’s On Your Mind? A survey of current teaching options Sep Surviving a Triple Computer Upgrade, 2011 Style Managing Large Sample Libraries Oct Postcards from the World Of Recording Putting Together the Pieces (a round-the-world album collaboration) Nov Mixing and the Stereo Field The Mixing Workshop: Better Mixes Through Creative Editing, Part 1 How To Be Successful In Today’s Music Business—Part 1 Mid-Side Stereo Recording Organize Your Mix Session Dec How To Be Successful In Today’s Music Business—Part 2 Guerrilla Audio For Video Apr May Jun Jul Aug Sep Oct Chapter Chapter Chapter Chapter Chapter Chapter Chapter 13: The Role of the Producer, Part 1 14: The Role of the Producer, Part 2 15: Licensing Music for Film and TV 16: Licensing Music for Video Games 17: Composing Music for Motion Pictures 18: Digital Distribution Issues 19 (and last): Album Release Checklist

Fade Out
Jan Feb

Columns
Jan Mar Apr Jun Jan Feb Mar

DAW Details

Computer data buses explained Windows 7 in the field Dealing with latency Smart Tools in Cakewalk SONAR X1 Chapter 10: Managers, Part 1 Chapter 11: Managers, Part 2 Chapter 12: The Role of the Agent

Live Mixing—It’s Good For You!, by Paul Vnuk Jr. Miking Wisdom At Sennheiser’s Skywalker Sound Academy, by Brent Heintz Mar About Getting Paid, by Scott Dorsey May Who On Earth Was Kevin Gilbert?, by Mark Hornsby Jun Be Careful What You Wish For, by Brian Gadson Jul ASCAP’s “I Create Music” EXPO 2011, by Brent Heintz Aug Sweetwater’s Gearfest 2011, by Paul Vnuk Jr. Sep Can There Ever Be Too Much Music?, by Michael Nickolas Oct Everybody Wants To Modify Everything These Days, by Scott Dorsey Nov Hey! Treat Your Room, Stupid!, by Paul Vnuk Jr. Dec Pro Tools 10: The Apocalypse That Wasn’t, by Mike Metlay

It’s Your Music—Know Your Rights

ANNUALINDEX2011
Jul Sep Oct Dec Vir2 Instruments Electri6ity Spectrasonics Omnisphere 1.5* Vienna Symphonic Library Vienna Instruments Pro and Dimension Brass Fable Sounds Broadway Big Band Kontakt Edition and Broadway Lites* Madrona Labs Aalto Vir2 Instruments Violence Best Service Forest Kingdom RealSamples Luthéal Piano U-He Triple Cheese Puremagnetik Devil07 and MalletPak One

Computer Software and Plug-Ins (including Plug-In Outlet)
Feb SoundToys Decapitator Universal Audio EP-34 Tape Echo Mar Sony Sound Forge Pro 10* Avid Pro Tools 9* iZotope Nectar Apr Cakewalk SONAR X1* Slate Digital Trigger Platinum WaveMachine Labs Drumagog 5.0 May Universal Audio FATSO Jr/Sr Antares Auto-Tune 7* Jun elysia alpha compressor and niveau filter Jul IK Multimedia AmpliTube 3.5 Sep PSP Audioware N2O Softube Tube-Tech Classic Channel Tone2 Warmverb Little Endian SpectrumWorx iZotope Stutter Edit 2C Audio Breeze, Audio Damage Eos, Valhalla DSP ValhallaRoom, and EASTWEST Quantum Leap Spaces Oct Adobe Audition CS5.5 for Mac OS X* Nov Sonnox Fraunhofer Pro-Codec Softube TSAR-1 reverb iZotope RX 2* Dec Toontrack EZmix and EZmix Packs Valhalla DSP ValhallaShimmer Audio Damage Discord3 and PanStation Slate Digital Virtual Console Collection

iOS Music Tools
Jul Tools for Guitarists: Agile Partners, Alesis, Frank Mantek, Peavey, Studio Devil, and TheGigEasy Aug Tools for Education: macProVideo.com, SuperMegaUltraGroovy, and ASK Video Nov Tools for Composers: Blip Interactive NanoStudio and Apple GarageBand for iOS Dec Holiday Treats: Audanika, Audiofile Engineering, Frontier Design Group, Griffin Technology, Korg, and NuForce

Miscellaneous
Mar Jun Roland Juno-Gi keyboard workstation/audio recorder Primacoustic FlexiBooth wall-mounted folding iso booth Auralex MudGuard mic reflection control baffle RealTraps MegaTraps corner bass traps Aug For Your Bookshelf—12 book reviews For Your e-Bookshelf—3 ebook reviews Course Technology PTR Ableton Live 8 Course Clips Master DVD FaderPro Are You Able? instructional video for Ableton Live Sep Alesis iO Dock iPad docking system for audio/video/MIDI Nov For Your Bookshelf—3 book reviews Dec You Rock Guitar USB/MIDI controller/game controller Zoom Q3HD Handy Video Recorder RocknRoller Multi-Cart

Soundware (including Recording’s Showcase Of Sounds)
Apr MOTU BPM FXpansion Geist Synthogy Ivory II* Cinesamples VOXOS Epic Choirs Zildjian Gen16 Digital Vault ConcreteFX Kubik XILS-Lab XILS 3 and PolyKB II Applied Acoustics Systems AAS Player and Sound Bank Series Puremagnetik PM-70, Vespine, LadyVox, Waveframe, and MicroTron Tapes 1–3 Audio Damage Phosphor

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RECORDING JANUARY 2012

71


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Recording - January 2012

Table of Contents for the Digital Edition of Recording - January 2012

Recording - January 2012
Fade In
Contents
Talkback
Fast Forward
2011 AES Convention Report
“How I Like To Record My Drums”
Neumann KH 120 A Monitors
Mojave Audio MA-300 Multi-Pattern Tube Condenser Microphone
Recording Drums—Then and Now
Recording Fundamentals. Chapter 1: What Is Good?
Drumming and Drummers and Mics—Oh My!
Mixing Live Drum Tracks
Arturia Analog Experience: The Laboratory 49
Readers’ Tapes
Advertiser Index
iOS Music Tools: Analog Synthesis on iOS
2011 Annual Index
Fade Out
Recording - January 2012 - intro
Recording - January 2012 - Recording - January 2012
Recording - January 2012 - Cover2
Recording - January 2012 - 1
Recording - January 2012 - Fade In
Recording - January 2012 - 3
Recording - January 2012 - Contents
Recording - January 2012 - 5
Recording - January 2012 - Talkback
Recording - January 2012 - 7
Recording - January 2012 - Fast Forward
Recording - January 2012 - 9
Recording - January 2012 - 2011 AES Convention Report
Recording - January 2012 - 11
Recording - January 2012 - 12
Recording - January 2012 - 13
Recording - January 2012 - 14
Recording - January 2012 - 15
Recording - January 2012 - 16
Recording - January 2012 - 17
Recording - January 2012 - “How I Like To Record My Drums”
Recording - January 2012 - 19
Recording - January 2012 - 20
Recording - January 2012 - 21
Recording - January 2012 - 22
Recording - January 2012 - 23
Recording - January 2012 - Neumann KH 120 A Monitors
Recording - January 2012 - 25
Recording - January 2012 - Mojave Audio MA-300 Multi-Pattern Tube Condenser Microphone
Recording - January 2012 - 27
Recording - January 2012 - Recording Drums—Then and Now
Recording - January 2012 - 29
Recording - January 2012 - 30
Recording - January 2012 - 31
Recording - January 2012 - 32
Recording - January 2012 - 33
Recording - January 2012 - 34
Recording - January 2012 - 35
Recording - January 2012 - 36
Recording - January 2012 - 37
Recording - January 2012 - Recording Fundamentals. Chapter 1: What Is Good?
Recording - January 2012 - 39
Recording - January 2012 - Drumming and Drummers and Mics—Oh My!
Recording - January 2012 - 41
Recording - January 2012 - 42
Recording - January 2012 - 43
Recording - January 2012 - 44
Recording - January 2012 - 45
Recording - January 2012 - 46
Recording - January 2012 - 47
Recording - January 2012 - Mixing Live Drum Tracks
Recording - January 2012 - 49
Recording - January 2012 - 50
Recording - January 2012 - 51
Recording - January 2012 - 52
Recording - January 2012 - 53
Recording - January 2012 - 54
Recording - January 2012 - 55
Recording - January 2012 - Arturia Analog Experience: The Laboratory 49
Recording - January 2012 - 57
Recording - January 2012 - Readers’ Tapes
Recording - January 2012 - Advertiser Index
Recording - January 2012 - iOS Music Tools: Analog Synthesis on iOS
Recording - January 2012 - 61
Recording - January 2012 - 62
Recording - January 2012 - 63
Recording - January 2012 - 64
Recording - January 2012 - 65
Recording - January 2012 - 66
Recording - January 2012 - 67
Recording - January 2012 - 68
Recording - January 2012 - 69
Recording - January 2012 - 2011 Annual Index
Recording - January 2012 - 71
Recording - January 2012 - Fade Out
Recording - January 2012 - Cover3
Recording - January 2012 - Cover4
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