Recording - January 2012 - 8

New And Upgraded Software From Cakewalk
Cakewalk’s new SONAR X1 Expanded adds tools and features to SONAR X1 Producer, including fully modular capability for SONAR’s ProChannel console strip, letting users build channel strips with any combination of installed modules and save them as favorites and defaults; a new Saturation Knob module (designed in conjunction with Softube) that provides simple-to-use tube saturation; an expanded FX Chains 2.0 plug-in interface with user-definable skins and remote-controllable parameter knobs/sliders; SoundCloud integration for easy web publishing of finished songs; MusicXML notation export; and more. The PC4K S-Type Expander/Gate Module is a ProChannel module that offers modeled vintage gate/expander sound. It can be toggled between Gate and Expander modes and offers standardized controls for Threshold, Ratio, and Range, with switches for Fast Attack and Sidechain Input. Z3TA+ has been updated to version 2. This powerful waveshaping synthesizer plug-in now features new waveshaping modes, new filter modes, graphically controlled envelopes, LFOs, and arpeggiator, enhanced effects, adaptive pitch bend (notes bend within mode, which is learned in real time based on performance), improved sound quality, Scala tuning file support, Preset Search, 1000 new presets, and much more. All of these new expansions and products are available bundled together with the SONAR X1 Producer DAW, as the SONAR X1 Production Suite. Prices: SONAR X1 Expanded and PC4K Module, $49 each; PC4K bundled with SONAR X1 Expanded, $79; Z3TA+ 2.1, $99; SONAR X1 Production Suite, $499 More from: Cakewalk, www.cakewalk.com

Steven Slate Drums Version 4 Announced
Steven Slate Drums has announced version 4 of the popular drum sound library and virtual instrument. The new version includes a brand-new custom sampling interface, plus dozens of new drum kits called the Deluxe Series, bringing the total number of available kits to over 100. The Deluxe Series kits are recorded without post-processing for extremely detailed and authentic sound and playability, and include multiple Rock and Pop kits, a Jazz Stick and Brush kit, plus vintage kits from the 1950s and 1960s, as well as five kits for urban dance and Electro genres. Price: $299.99 More from: Steven Slate Drums, www.stevenslatedrums.com
8
RECORDING JANUARY 2012



http://www.cakewalk.com http://www.stevenslatedrums.com

Recording - January 2012

Table of Contents for the Digital Edition of Recording - January 2012

Recording - January 2012
Fade In
Contents
Talkback
Fast Forward
2011 AES Convention Report
“How I Like To Record My Drums”
Neumann KH 120 A Monitors
Mojave Audio MA-300 Multi-Pattern Tube Condenser Microphone
Recording Drums—Then and Now
Recording Fundamentals. Chapter 1: What Is Good?
Drumming and Drummers and Mics—Oh My!
Mixing Live Drum Tracks
Arturia Analog Experience: The Laboratory 49
Readers’ Tapes
Advertiser Index
iOS Music Tools: Analog Synthesis on iOS
2011 Annual Index
Fade Out
Recording - January 2012 - intro
Recording - January 2012 - Recording - January 2012
Recording - January 2012 - Cover2
Recording - January 2012 - 1
Recording - January 2012 - Fade In
Recording - January 2012 - 3
Recording - January 2012 - Contents
Recording - January 2012 - 5
Recording - January 2012 - Talkback
Recording - January 2012 - 7
Recording - January 2012 - Fast Forward
Recording - January 2012 - 9
Recording - January 2012 - 2011 AES Convention Report
Recording - January 2012 - 11
Recording - January 2012 - 12
Recording - January 2012 - 13
Recording - January 2012 - 14
Recording - January 2012 - 15
Recording - January 2012 - 16
Recording - January 2012 - 17
Recording - January 2012 - “How I Like To Record My Drums”
Recording - January 2012 - 19
Recording - January 2012 - 20
Recording - January 2012 - 21
Recording - January 2012 - 22
Recording - January 2012 - 23
Recording - January 2012 - Neumann KH 120 A Monitors
Recording - January 2012 - 25
Recording - January 2012 - Mojave Audio MA-300 Multi-Pattern Tube Condenser Microphone
Recording - January 2012 - 27
Recording - January 2012 - Recording Drums—Then and Now
Recording - January 2012 - 29
Recording - January 2012 - 30
Recording - January 2012 - 31
Recording - January 2012 - 32
Recording - January 2012 - 33
Recording - January 2012 - 34
Recording - January 2012 - 35
Recording - January 2012 - 36
Recording - January 2012 - 37
Recording - January 2012 - Recording Fundamentals. Chapter 1: What Is Good?
Recording - January 2012 - 39
Recording - January 2012 - Drumming and Drummers and Mics—Oh My!
Recording - January 2012 - 41
Recording - January 2012 - 42
Recording - January 2012 - 43
Recording - January 2012 - 44
Recording - January 2012 - 45
Recording - January 2012 - 46
Recording - January 2012 - 47
Recording - January 2012 - Mixing Live Drum Tracks
Recording - January 2012 - 49
Recording - January 2012 - 50
Recording - January 2012 - 51
Recording - January 2012 - 52
Recording - January 2012 - 53
Recording - January 2012 - 54
Recording - January 2012 - 55
Recording - January 2012 - Arturia Analog Experience: The Laboratory 49
Recording - January 2012 - 57
Recording - January 2012 - Readers’ Tapes
Recording - January 2012 - Advertiser Index
Recording - January 2012 - iOS Music Tools: Analog Synthesis on iOS
Recording - January 2012 - 61
Recording - January 2012 - 62
Recording - January 2012 - 63
Recording - January 2012 - 64
Recording - January 2012 - 65
Recording - January 2012 - 66
Recording - January 2012 - 67
Recording - January 2012 - 68
Recording - January 2012 - 69
Recording - January 2012 - 2011 Annual Index
Recording - January 2012 - 71
Recording - January 2012 - Fade Out
Recording - January 2012 - Cover3
Recording - January 2012 - Cover4
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