Recording - February 2012 - 79

Within a pattern, your recorded data (either MIDI notes or audio) is contained in Clips whose size is set in numbers of measures. You can shorten, extend, duplicate, copy and paste clips, create new clips from old ones (so you can edit one instance of a clip without affecting all of them), and move them around—although the latter is slightly non-intuitive, as you can’t slide a clip forward or backward in time, you must delete it from its current location and then tap where it should be re-inserted. The Clips View is a pianoroll editor where notes can be moved, added, moved, deleted, or have their velocities tweaked—the controls are very basic but cover the essentials. Finally, in the Arrange View, you can put together several different Patterns and decide in what order they play back to create a complete song: Intro, Verse, Chorus and Break are the defaults, but patterns can be renamed, duplicated, etc., to build up a full arrangement. You can also set a project’s tempo, swing value, and time signature (3/1 to 11/12, no less). The Export options include working with a single pattern or an entire song, exporting a mixdown as an audio (WAV) or MIDI file, or exporting multitrack data—Audio and Drums tracks as WAV files, plus a MIDI file with all Sound and Chord track data inside it. Exporting requires that you have a Dropbox account (dropbox.com); once uploaded, you can bring the data into any DAW to do more with it. While there are some fiddly processes and the overall user interface can be very cluttered, requiring small fingers and a delicate touch to hit some buttons reliably, energyXT for iOS does what it promises to do, and offers a few niceties (non-DAW-specific track export, audio recording) that aren’t seen on some competing iOS composition programs. If you like working with Soundfonts and are looking for a straightforward pattern-based sequencer to capture ideas, energyXT will do the job nicely, as long as you don’t expect a tiny version of its very capable Windows/Mac/Linux ancestor.—MM



http://www.dropbox.com http://www.stedmancorp.com http://www.realtraps.com http://www.stedmancorp.com

Recording - February 2012

Table of Contents for the Digital Edition of Recording - February 2012

Recording - February 2012
Fade In
Contents
Talkback
Fast Forward
Electric Lady Connections
Lewitt Audio LCT 640 Condenser Microphone
Sebastian Arocha Morton: The Singer and The Song—Going For The Perfect Match
Kel Audio Song Sparrow Condenser Microphone.
KRK Systems RP10-3 Powered Mid Field Studio Monitors
The Mixing Workshop: Tips For Mixing Vocals
Harrison Lineage 8-Channel Microphone Preamplifier.
M-Audio Fast Track C600 Audio Interface.
Sing, Sing a Song: Recording Inexperienced Singers
Earthworks SR40V Condenser Microphone
Stellar Singing From Small Studios
RØDE Limited Edition Black Classic II Tube Condenser Microphone.
Recording’s Showcase of Sounds
Recording Fundamentals. Chapter 2: Introduction To Audio—Part One (What is Sound?)
Plug-In Outlet
Reviewed and Revisited: Apogee Duet 2
iOS Music Tools: DAWs From Laptop To Pocket
Readers’ Tapes
Advertiser Index
Fade Out
Recording - February 2012 - Intro
Recording - February 2012 - Recording - February 2012
Recording - February 2012 - Cover2
Recording - February 2012 - 1
Recording - February 2012 - Fade In
Recording - February 2012 - 3
Recording - February 2012 - Contents
Recording - February 2012 - 5
Recording - February 2012 - Talkback
Recording - February 2012 - 7
Recording - February 2012 - Fast Forward
Recording - February 2012 - 9
Recording - February 2012 - 10
Recording - February 2012 - 11
Recording - February 2012 - 12
Recording - February 2012 - 13
Recording - February 2012 - Electric Lady Connections
Recording - February 2012 - 15
Recording - February 2012 - 16
Recording - February 2012 - 17
Recording - February 2012 - 18
Recording - February 2012 - 19
Recording - February 2012 - 20
Recording - February 2012 - 21
Recording - February 2012 - 22
Recording - February 2012 - 23
Recording - February 2012 - Lewitt Audio LCT 640 Condenser Microphone
Recording - February 2012 - 25
Recording - February 2012 - Sebastian Arocha Morton: The Singer and The Song—Going For The Perfect Match
Recording - February 2012 - 27
Recording - February 2012 - 28
Recording - February 2012 - 29
Recording - February 2012 - 30
Recording - February 2012 - 31
Recording - February 2012 - 32
Recording - February 2012 - 33
Recording - February 2012 - Kel Audio Song Sparrow Condenser Microphone.
Recording - February 2012 - 35
Recording - February 2012 - KRK Systems RP10-3 Powered Mid Field Studio Monitors
Recording - February 2012 - 37
Recording - February 2012 - The Mixing Workshop: Tips For Mixing Vocals
Recording - February 2012 - 39
Recording - February 2012 - 40
Recording - February 2012 - 41
Recording - February 2012 - Harrison Lineage 8-Channel Microphone Preamplifier.
Recording - February 2012 - 43
Recording - February 2012 - M-Audio Fast Track C600 Audio Interface.
Recording - February 2012 - 45
Recording - February 2012 - 46
Recording - February 2012 - 47
Recording - February 2012 - Sing, Sing a Song: Recording Inexperienced Singers
Recording - February 2012 - 49
Recording - February 2012 - Earthworks SR40V Condenser Microphone
Recording - February 2012 - 51
Recording - February 2012 - Stellar Singing From Small Studios
Recording - February 2012 - 53
Recording - February 2012 - RØDE Limited Edition Black Classic II Tube Condenser Microphone.
Recording - February 2012 - 55
Recording - February 2012 - Recording’s Showcase of Sounds
Recording - February 2012 - 57
Recording - February 2012 - Recording Fundamentals. Chapter 2: Introduction To Audio—Part One (What is Sound?)
Recording - February 2012 - 59
Recording - February 2012 - 60
Recording - February 2012 - 61
Recording - February 2012 - Plug-In Outlet
Recording - February 2012 - 63
Recording - February 2012 - 64
Recording - February 2012 - 65
Recording - February 2012 - 66
Recording - February 2012 - 67
Recording - February 2012 - 68
Recording - February 2012 - 69
Recording - February 2012 - 70
Recording - February 2012 - 71
Recording - February 2012 - 72
Recording - February 2012 - 73
Recording - February 2012 - Reviewed and Revisited: Apogee Duet 2
Recording - February 2012 - 75
Recording - February 2012 - iOS Music Tools: DAWs From Laptop To Pocket
Recording - February 2012 - 77
Recording - February 2012 - 78
Recording - February 2012 - 79
Recording - February 2012 - Readers’ Tapes
Recording - February 2012 - Advertiser Index
Recording - February 2012 - 82
Recording - February 2012 - 83
Recording - February 2012 - 84
Recording - February 2012 - 85
Recording - February 2012 - 86
Recording - February 2012 - 87
Recording - February 2012 - Fade Out
Recording - February 2012 - Cover3
Recording - February 2012 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com