Recording - June 2012 - 41
There are lots of great libraries in the Camel Audio line, but Dream Voices may well be its flagship. As a showcase for just how much a simple vocal can be twisted into something entirely new by Alchemy’s programming engine, or as a lovely presentation of truly new and arresting music from four beautiful voices, it simply shines. Himalaya: Vintage Unlike Dream Voices, whose raw vocal material was programmed into Alchemy presets by a dozen developers, this library is named for its sole sound designer (Himalaya) and the tools he used to create it—vintage synthesizers and electronic music gear. A 325 MB download that expands to over 600 MB of content, the raw waveforms in this library come not only from synthesizers like the Minimoog, MiniKorg 700, and Oberheim OBXa, but also the Hohner Clavinet, ARP Solina string synthesizer, Roland VP-330 vocoder/string synth, and Mellotron. The Vintage library showcases Alchemy’s ability to take even prosaic synth timbres and turn them into something new and special. Resynthesis, granular synthesis, and all the rest of Alchemy’s powers are used to take these vintage sounds into a new millennium. Among my favorites: the smoothly evolving Omega Lights, where trebly, scritchy synth tones overlay gradually swelling bass layers; Solina Phaser, a rich string sound that could have come right off a Jean-Michel Jarre album (I know he uses an Eminent 310, but still); and, of course, Melltron Choir, where a Mellotron choir tape is resynthesized into a gurgling, ominous pad rich with still-recognizable vocal harmonics. I’m a sucker for Mellotron sounds, and I was tickled to find the famous choir, flute, and violin tapes, multisampled on every key and available as raw material for everything Alchemy can throw at static waveforms—granular synthesis processing on flutes, for example. Alchemy wasn’t designed as a simple analog synth, and using it to play basic synth timbres may seem like a waste of such a powerful engine. But the sounds in this collection are rich, compelling, and blend beautifully into a mix, and at this price it’s hard to argue with such an impressive collection of sweet tones... even before you move a control or tweak a modulator to send those seemingly straightforward sounds rocketing into another dimension. Biolabs: Dark Space Smaller in scope (75 presets vs. 150) and cost ($35 vs. $59) than the previously mentioned libraries, Dark Space still packs a heck of a wallop. Created by veteran synth programmer biomechanoid, this 600 MB download unfolds into a landscape best suited to horror movies. The raw sample material
http://www.radialeng.com
http://www.radialeng.com
Recording - June 2012
Table of Contents for the Digital Edition of Recording - June 2012
Recording - June 2012
Fade In
Contents
Talkback
Fast Forward
Finale 2012 As A Tool For Sample Playback
Mark De Clive-Lowe
Applied Acoustics Systems Chromaphone.
Reviewed and Revisited: PreSonus Studio One 2.0.
Toontrack EZkeys Grand Piano
Recording Fundamentals. Chapter 6: Introduction to Microphones—Part Three (From Proximity To Plosives)
Recording’s Showcase Of Sounds
Steven Slate Drums 4.0.
Sample Magic Electro and Hed Kandi: Disco House Samples
MOTU MachFive3
Reviewed and Revisited: audiobro LA Scoring Strings 2.0.
Milab DC-96B and DC-96C Condenser Microphones
Sennheiser MK 4 Condenser Microphone
Olympus LS-20M and LS-100 Portable Recorders
Readers’ Tapes
Advertiser Index
Fade Out
Recording - June 2012 - Recording - June 2012
Recording - June 2012 - Cover2
Recording - June 2012 - 1
Recording - June 2012 - 2
Recording - June 2012 - 3
Recording - June 2012 - Fade In
Recording - June 2012 - 5
Recording - June 2012 - Contents
Recording - June 2012 - 7
Recording - June 2012 - Talkback
Recording - June 2012 - 9
Recording - June 2012 - Fast Forward
Recording - June 2012 - 11
Recording - June 2012 - Finale 2012 As A Tool For Sample Playback
Recording - June 2012 - 13
Recording - June 2012 - 14
Recording - June 2012 - 15
Recording - June 2012 - 16
Recording - June 2012 - 17
Recording - June 2012 - 18
Recording - June 2012 - 19
Recording - June 2012 - Mark De Clive-Lowe
Recording - June 2012 - 21
Recording - June 2012 - 22
Recording - June 2012 - 23
Recording - June 2012 - Applied Acoustics Systems Chromaphone.
Recording - June 2012 - 25
Recording - June 2012 - Reviewed and Revisited: PreSonus Studio One 2.0.
Recording - June 2012 - 27
Recording - June 2012 - 28
Recording - June 2012 - 29
Recording - June 2012 - Toontrack EZkeys Grand Piano
Recording - June 2012 - 31
Recording - June 2012 - 32
Recording - June 2012 - 33
Recording - June 2012 - Recording Fundamentals. Chapter 6: Introduction to Microphones—Part Three (From Proximity To Plosives)
Recording - June 2012 - 35
Recording - June 2012 - 36
Recording - June 2012 - 37
Recording - June 2012 - Recording’s Showcase Of Sounds
Recording - June 2012 - 39
Recording - June 2012 - 40
Recording - June 2012 - 41
Recording - June 2012 - 42
Recording - June 2012 - 43
Recording - June 2012 - 44
Recording - June 2012 - 45
Recording - June 2012 - Steven Slate Drums 4.0.
Recording - June 2012 - 47
Recording - June 2012 - Sample Magic Electro and Hed Kandi: Disco House Samples
Recording - June 2012 - 49
Recording - June 2012 - MOTU MachFive3
Recording - June 2012 - 51
Recording - June 2012 - Reviewed and Revisited: audiobro LA Scoring Strings 2.0.
Recording - June 2012 - 53
Recording - June 2012 - Milab DC-96B and DC-96C Condenser Microphones
Recording - June 2012 - 55
Recording - June 2012 - Sennheiser MK 4 Condenser Microphone
Recording - June 2012 - 57
Recording - June 2012 - 58
Recording - June 2012 - 59
Recording - June 2012 - 60
Recording - June 2012 - 61
Recording - June 2012 - Olympus LS-20M and LS-100 Portable Recorders
Recording - June 2012 - 63
Recording - June 2012 - Readers’ Tapes
Recording - June 2012 - Advertiser Index
Recording - June 2012 - 66
Recording - June 2012 - 67
Recording - June 2012 - 68
Recording - June 2012 - 69
Recording - June 2012 - 70
Recording - June 2012 - 71
Recording - June 2012 - Fade Out
Recording - June 2012 - Cover3
Recording - June 2012 - Cover4
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