Recording - July 2012 - 11

AKG Adds Stereo Mics To Its Perception Line
AKG has debuted the Perception 170 stereo microphone set. The new mic set has a factory-matched pair of Perception 170 small-diaphragm condenser mics with mic clips. The set is suitable for stereo miking including near-coincident arrays, and works well on acoustic instruments and drums and percussion. The new mic has a 1/2" diaphragm and a cardioid polar pattern, with a rear-mounted 20 dB pad switch, 155 dB max SPL handling, and a 20 Hz–20 kHz frequency response with a 6 dB presence peak at 10 kHz. Price: $249 • More from: AKG, www.akg.com

Peavey Ships MuseBox DSP Engine
Peavey Electronics has shipped the MuseBox, a plug-and-play software-powered musical instrument and effects module designed in concert with Muse Research, makers of the well-known RECEPTOR line of DSP plug-in engines. The MuseBox provides a compact and musician-friendly platform for plug-in-based virtual instruments and effects for studio and stage use. The MuseBox feaures dual front-panel XLR/TRS inputs for guitar or mic with phantom power, stereo 1/4" TRS outputs on the rear panel plus a front-panel headphone jack, 24-bit/48 kHz audio support, and the ability to work with an external VGA monitor, mouse, and keyboard to access its built-in graphical user interface for preset design. A rear-panel CompactFlash card slot allows for future expansion upon the MuseBox’s built-in sound library, which includes over 4 GB of virtual instruments and effects plug-ins from makers like Univers-Sons, Applied Acoustics Systems, Camel Audio, Wave Arts, MuTech, ForeFront, and many others, as well as Peavey’s ReValver amp modeling software. The bundle is worth over $900 and comes preinstalled and preauthorized, ready to use. As we went to press, we received one of the first shipping MuseBoxes—look for a review in a forthcoming issue. Price: $1399.99 ($999.99 street) More from: Peavey Electronics, www.peavey.com/musebox

Roland Debuts Portable Vocal Processor And Headphones
The VE-5 Vocal Performer is a new processor from Roland intended for easy vocal signal processing and looping controllable by the vocalist, whether in the studio or on stage. It’s a portable and lightweight processor designed for tabletop use or connected to a mic stand for easy access, and includes a variety of vocal effects taken from the VE-20 processor. The VE-5 offers reverb, delay, doubling/harmony, dynamics control, pitch correction, and SFX effects, plus a Phrase Looper for realtime looping vocal performances. It can be battery powered, features an Aux input for mixing external audio with the vocalist, and has an internal mic as well as XLR output and combination XLR/TRS mic input. Also new from Roland: the RH-A7 open-air headphones, available in black, white, and black/red; intended for easy communication with session companions rather than sonic isolation, its open-air design offers high-quality sound reproduction and is particularly well suited to monitoring while playing digital pianos, with its 40mm drivers offering a frequency response of 10 Hz–25 kHz.

Prices: VE-5, $382.50; RH-A7, $119 More from: Roland, www.rolandus.com
RECORDING JULY 2012

11


http://www.akg.com http://www.peavey.com/musebox http://www.rolandus.com

Recording - July 2012

Table of Contents for the Digital Edition of Recording - July 2012

Recording - July 2012
Fade In
Contents
Talkback
Fast Forward
Recording Frank Gambale’s Soulmine
Zoom G3 and G5.
Radial Engineering ProRMP and Reamp JCR Passive Reampers and X-AMP, JDX, and Tank Driver 500-Series Modules
Recording Electric Guitars
Plug-in Outlet
Hybrid Analog/Digital Recording
Chandler Limited Germ 500 MkII, Little Devil Preamp, Germanium Drive, and Little Devil Colored Boost
Korg Pandora mini
Recording Fundamentals. Chapter 7: The Music Production Process— An Overview from A to Z
Sneak Preview: Fender Mustang Floor
Reamping—Your Second Bite At The Apple
Apogee MiC and JAM
Little Labs Redeye 3D
Stereo Microphone Techniques
Telefunken Elektroakustik M80 and M81 Dynamic Microphones
Scott Petito on Guitar Recording
Readers’ Tapes
Advertiser Index
Fade Out
Recording - July 2012 - Recording - July 2012
Recording - July 2012 - Cover2
Recording - July 2012 - 1
Recording - July 2012 - 2
Recording - July 2012 - 3
Recording - July 2012 - Fade In
Recording - July 2012 - 5
Recording - July 2012 - Contents
Recording - July 2012 - 7
Recording - July 2012 - Talkback
Recording - July 2012 - 9
Recording - July 2012 - Fast Forward
Recording - July 2012 - 11
Recording - July 2012 - Recording Frank Gambale’s Soulmine
Recording - July 2012 - 13
Recording - July 2012 - 14
Recording - July 2012 - 15
Recording - July 2012 - Zoom G3 and G5.
Recording - July 2012 - 17
Recording - July 2012 - 18
Recording - July 2012 - 19
Recording - July 2012 - Radial Engineering ProRMP and Reamp JCR Passive Reampers and X-AMP, JDX, and Tank Driver 500-Series Modules
Recording - July 2012 - 21
Recording - July 2012 - 22
Recording - July 2012 - 23
Recording - July 2012 - Recording Electric Guitars
Recording - July 2012 - 25
Recording - July 2012 - 26
Recording - July 2012 - 27
Recording - July 2012 - Plug-in Outlet
Recording - July 2012 - 29
Recording - July 2012 - Hybrid Analog/Digital Recording
Recording - July 2012 - 31
Recording - July 2012 - 32
Recording - July 2012 - 33
Recording - July 2012 - Chandler Limited Germ 500 MkII, Little Devil Preamp, Germanium Drive, and Little Devil Colored Boost
Recording - July 2012 - 35
Recording - July 2012 - Korg Pandora mini
Recording - July 2012 - 37
Recording - July 2012 - Recording Fundamentals. Chapter 7: The Music Production Process— An Overview from A to Z
Recording - July 2012 - 39
Recording - July 2012 - 40
Recording - July 2012 - 41
Recording - July 2012 - 42
Recording - July 2012 - 43
Recording - July 2012 - Sneak Preview: Fender Mustang Floor
Recording - July 2012 - 45
Recording - July 2012 - Reamping—Your Second Bite At The Apple
Recording - July 2012 - 47
Recording - July 2012 - Apogee MiC and JAM
Recording - July 2012 - 49
Recording - July 2012 - Little Labs Redeye 3D
Recording - July 2012 - 51
Recording - July 2012 - 52
Recording - July 2012 - 53
Recording - July 2012 - 54
Recording - July 2012 - 55
Recording - July 2012 - Stereo Microphone Techniques
Recording - July 2012 - 57
Recording - July 2012 - 58
Recording - July 2012 - 59
Recording - July 2012 - Telefunken Elektroakustik M80 and M81 Dynamic Microphones
Recording - July 2012 - 61
Recording - July 2012 - Scott Petito on Guitar Recording
Recording - July 2012 - 63
Recording - July 2012 - Readers’ Tapes
Recording - July 2012 - Advertiser Index
Recording - July 2012 - 66
Recording - July 2012 - 67
Recording - July 2012 - 68
Recording - July 2012 - 69
Recording - July 2012 - 70
Recording - July 2012 - 71
Recording - July 2012 - Fade Out
Recording - July 2012 - Cover3
Recording - July 2012 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com