Recording - August 2012 - 19
in the Play Tab > Performance window. These are not editable, but the sends are individually controllable by the small horizontal sliders on each channel. The next button down hides or shows the master fader, and following that are buttons that let you hide or show all of the individual channels, “group” faders, by instrumental section (all woodwinds, or all strings, or all rhythm), virtual instrument channels, and the four FX bus channels. Only the virtual instrument channels and the Sibelius Player channel have sends to the FX channels. The mixer is not automatable. Anything of that nature must be done by placing appropriate markings in the score, as it should be in this kind of application. That way you get to hear a representation of what a player is going to do with your music, rather than what an engineer might do after it’s been recorded. One option worth mentioning before leaving the mixer is that in the Play > Performance window you have the option of having mixer faders scale note velocity as well as volume. I can think of times when that would be really helpful, such as when you’re trying different versions of an instrument and the velocity curve maps don’t match well. A little tweak with this option might just do the trick. And for more audio control... There is good news for those itching for more control: Sibelius can slave to apps like Pro Tools and Digital Performer via ReWire (along with tempo maps if needed), and its output can be routed to a stereo audio or to aux channels in your DAW for further processing and automation. Granted, the fact that Sibelius only outputs a stereo pair is somewhat limiting for audio purposes, but there is nothing to stop you from outputting individual instruments or groups using the solo buttons on the Sibelius mixer and recording them separately in your DAW of choice. Up next I will load up Sibelius 7 with my expensive virtual instruments and then try to deliver some serious, finished work. Will it stand up to the test? Stay tuned. Jerome Gilmer (gilmer@recordingmag .com) is a composer and producer working out of Denver, who writes original music for film, video, corporate projects, and records. For more information, visit his website at www.gilmermusic.com.
RECORDING August 2012
19
http://www.radialeng.com
http://www.gilmermusic.com
Recording - August 2012
Table of Contents for the Digital Edition of Recording - August 2012
Recording - August 2012
Fade In
Contents
Talkback
Fast Forward
Sibelius 7 As A Tool For Sample Playback. Part 1: The Sibelius Sounds and Mixer
AEA RPQ500
The Player’s The Thing
Plug-in Outlet: Softube’s Newest Emulations
Peavey MuseBox
Computer Composition—A Workflow Report
PreSonus AudioBox 44VSL
Recording Fundamentals. Chapter 8: The Music Production Process—Who Does What
Reviewed and Revisited: Universal Audio 1176 Classic Limiter Plug-In Collection
Plug-in Outlet: Zynaptiq UNVEIL
Plugin Alliance BIG 4 Bundle
The Making of Quartet
Readers' Tapes
Advertiser Index
Fade Out
Recording - August 2012 - Recording - August 2012
Recording - August 2012 - Cover2
Recording - August 2012 - 1
Recording - August 2012 - 2
Recording - August 2012 - 3
Recording - August 2012 - Fade In
Recording - August 2012 - 5
Recording - August 2012 - Contents
Recording - August 2012 - 7
Recording - August 2012 - Talkback
Recording - August 2012 - 9
Recording - August 2012 - Fast Forward
Recording - August 2012 - 11
Recording - August 2012 - Sibelius 7 As A Tool For Sample Playback. Part 1: The Sibelius Sounds and Mixer
Recording - August 2012 - 13
Recording - August 2012 - 14
Recording - August 2012 - 15
Recording - August 2012 - 16
Recording - August 2012 - 17
Recording - August 2012 - 18
Recording - August 2012 - 19
Recording - August 2012 - AEA RPQ500
Recording - August 2012 - 21
Recording - August 2012 - The Player’s The Thing
Recording - August 2012 - 23
Recording - August 2012 - 24
Recording - August 2012 - 25
Recording - August 2012 - 26
Recording - August 2012 - 27
Recording - August 2012 - Plug-in Outlet: Softube’s Newest Emulations
Recording - August 2012 - 29
Recording - August 2012 - 30
Recording - August 2012 - 31
Recording - August 2012 - Peavey MuseBox
Recording - August 2012 - 33
Recording - August 2012 - 34
Recording - August 2012 - 35
Recording - August 2012 - Computer Composition—A Workflow Report
Recording - August 2012 - 37
Recording - August 2012 - 38
Recording - August 2012 - 39
Recording - August 2012 - PreSonus AudioBox 44VSL
Recording - August 2012 - 41
Recording - August 2012 - Recording Fundamentals. Chapter 8: The Music Production Process—Who Does What
Recording - August 2012 - 43
Recording - August 2012 - 44
Recording - August 2012 - 45
Recording - August 2012 - Reviewed and Revisited: Universal Audio 1176 Classic Limiter Plug-In Collection
Recording - August 2012 - 47
Recording - August 2012 - Plug-in Outlet: Zynaptiq UNVEIL
Recording - August 2012 - 49
Recording - August 2012 - 50
Recording - August 2012 - 51
Recording - August 2012 - 52
Recording - August 2012 - 53
Recording - August 2012 - 54
Recording - August 2012 - 55
Recording - August 2012 - Plugin Alliance BIG 4 Bundle
Recording - August 2012 - 57
Recording - August 2012 - 58
Recording - August 2012 - 59
Recording - August 2012 - The Making of Quartet
Recording - August 2012 - 61
Recording - August 2012 - 62
Recording - August 2012 - 63
Recording - August 2012 - Readers' Tapes
Recording - August 2012 - Advertiser Index
Recording - August 2012 - 66
Recording - August 2012 - 67
Recording - August 2012 - 68
Recording - August 2012 - 69
Recording - August 2012 - 70
Recording - August 2012 - 71
Recording - August 2012 - Fade Out
Recording - August 2012 - Cover3
Recording - August 2012 - Cover4
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