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2012 ANNUAL INDEX
Jan Feb “How I Like To Record My Drums”: Pat Bautz, Al Bouchard, Chet McCracken, Steve Bowman Electric Lady Connections: John Storyk, Eddie Kramer, Michael H. Brauer Sebastian Arocha Morton: Matching The Singer and The Song Emmylou Harris and her creative team: Jay Joyce, Jason Hall, Giles Reaves Ronan Chris Murphy: Advice for the Singer/Songwriter Lynne Arriale’s Solo—A Piano Solo Recording Of Note Jason Gutierrez records Fanny Franklin’s Get Wet Mike Pappas on Miking A Symphony Orchestra For A Commercial Mark De Clive-Lowe on producing hits Recording Frank Gambale’s Soulmine with Robert M. Biles Jim Roach on strategies for success Celeste Lear on independent production, mixing, and motivation Howie Weinberg masters an album mixed by Paul Vnuk Jr. Q&A With The Masters: David Glasser and Brad Blackwood on preparation for mastering Blue-Collar Mastering: Chris Sonia of Dauntless Mastering James Abdo’s BrokenWorks Productions
Recording Fundamentals Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Chapter 1: What Is Good? Chapter 2: Introduction To Audio—Part 1 (What Is Sound?) Chapter 3: Introduction To Audio—Part 2 (Where Do The Mics Go?) Chapter 4: Introduction To Microphones—Part 1 (History And Design) Chapter 5: Introduction To Microphones—Part 2 (Directionality) Chapter 6: Introduction To Microphones—Part 3 (From Proximity To Plosives) Chapter 7: The Music Production Process—An Overview from A to Z Chapter 8: The Music Production Process—Who Does What Chapter 9: Signal Flow—Part 1 Chapter 10: Signal Flow—Part 2 Chapter 11: Signal Flow—Part 3 Chapter 12: Monitors—Part 1
Jun Jul Sep Oct Nov
Fade Out Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Listening—The First Step On The Road To Great Recordings, by Kelly Dueck Take A TAXI To The Top, by Brent Heintz Words And Ideas From PreSonuSphere, by Mike Metlay Do You Need To Hire A Studio Drummer?, by Steve Bowman Listening To Learn, by Mike Metlay Solutions Are Easy—Finding The Right Problem Can Be Tricky!, by Mike Metlay Recording Acoustic Guitars: An Audiophile’s Approach, by Mark Waldrep Misused Words, by Scott Dorsey Engineering Quiz—How Do You Measure Up?, by Jon Bare Where Do We Go From Here?, by Mike Metlay Taking A Historical VU, by Scott Dorsey To Master Or Not To Master, That Is The Question, by Mark Waldrep
JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY
Jan Feb Mar Apr May Jun Jul 2011 AES Convention Report Recording Drums—Then And Now Drumming and Drummers and Mics—Oh My! Mixing Live Drum Tracks Sing, Sing a Song: Recording Inexperienced Singers Stellar Singing From Small Studios The Mixing Workshop: Tips For Mixing Vocals Songwriters—Turn Your Songs Into Money! From Songwriting To Final Master: A Recording Project A Demo In A Day 2012 Winter NAMM Show Report Noises In—Noises Out The Science And Art Of Ambisonics Do It Yourself: Make Your Own Check Mix Monitor Miking Instruments: The Lost Art SXSW 2012 Show Report Finale 2012 As A Tool For Sample Playback Recording Electric Guitars Hybrid Analog/Digital Recording Reamping—Your Second Bite At The Apple Stereo Microphone Techniques Scott Petito on Guitar Recording Sibelius 7 As A Tool For Sample Playback. Part 1: The Sibelius Sounds and Mixer The Player’s The Thing Computer Composition—A Workflow Report The Making of Bruce Kaphan’s Quartet State Of The DAW 2012 When A Musician Needs A Music Video... A Silver Celebration: 25 Years of Recording! Approaching The Mix Mixing—Rethinking The Process DIY Mastering Sibelius 7 As A Tool For Sample Playback. Part 2: Adding Third-Party Virtual Instruments A Time To Give: Techniques for Capturing Family Histories PreSonuSphere 2012 Report
(*indicates items Reviewed & Revisited) Mixers/Recorders/Desktop Workstations Mar Jun Sep Dec BOSS MICRO BR BR-80 Digital Recorder Olympus LS-20M and LS-100 Portable Recorders Yamaha 01V96i* Unit Audio Micro-Unit passive summing mixer Microphones Jan Feb Mojave Audio MA-300 Lewitt Audio LCT 640 Kel Audio Song Sparrow Earthworks SR40V RØDE Limited Edition Black Classic II May Kel Audio HM-7U and HM-3C AKG Perception 120 USB mic Earthworks SR20 Audio-Technica AT4050ST stereo mic Jun Milab DC-96B and DC-96C Sennheiser MK 4
RECORDING January 2013
Table of Contents for the Digital Edition of Recording - January 2013
Recording - January 2013
Table of Contents
2012 AES Convention Report.
Universal Audio Apollo.
ADAM Audio F5 and F7 Monitors.
Earthworks ZDT 1022 Mic Preamp.
Trident HG3 Close Field Monitoring System.
AKG K702 65th Anniversary Edition Headphones.
Grace Design m903 Reference Headphone Amplifier.
Monitors & Monitoring.
Lauten Atlantis FC-387 Condenser Microphone.
Recording Fundamentals. Chapter 13: Monitors Part 2.
PreSonus BlueTube DP V2.
Getting Into Your Head.
Shure SE215 Sound Isolating Earphones.
iOS Music Tools: Last-Minute Audio Gifts!
Sennheiser HD800 Headphones.
2012 Annual Index.
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Recording - January 2013 - Fade In.
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Recording - January 2013 - Table of Contents
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Recording - January 2013 - Talkback.
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Recording - January 2013 - 2012 AES Convention Report.
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Recording - January 2013 - Universal Audio Apollo.
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Recording - January 2013 - ADAM Audio F5 and F7 Monitors.
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Recording - January 2013 - Earthworks ZDT 1022 Mic Preamp.
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Recording - January 2013 - Trident HG3 Close Field Monitoring System.
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Recording - January 2013 - AKG K702 65th Anniversary Edition Headphones.
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Recording - January 2013 - Grace Design m903 Reference Headphone Amplifier.
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Recording - January 2013 - Monitors & Monitoring.
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Recording - January 2013 - Lauten Atlantis FC-387 Condenser Microphone.
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Recording - January 2013 - Recording Fundamentals. Chapter 13: Monitors Part 2.
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Recording - January 2013 - PreSonus BlueTube DP V2.
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Recording - January 2013 - Getting Into Your Head.
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Recording - January 2013 - Shure SE215 Sound Isolating Earphones.
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Recording - January 2013 - Readers’ Tapes.
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Recording - January 2013 - iOS Music Tools: Last-Minute Audio Gifts!
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Recording - January 2013 - Sennheiser HD800 Headphones.
Recording - January 2013 - Advertiser Index.
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Recording - January 2013 - 2012 Annual Index.
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Recording - January 2013 - Fade Out.
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