Recording - December 2013 - 46

make comments. Placed in a car or home CD
changer, it quickly became apparent to all that
un-mastered refs were quieter than commercial
releases. This pushed engineers to use more
severe compression to produce mixes at mastered levels from the onset. Mastering engineers, still accustomed to increasing overall
loudness through dynamics processing, subsequently made the loud mixes even louder. The
loudness war exploded.

How it's done
Leaving the history lesson for a moment and returning to the nuts and bolts of compression, it should be noted that since the majority of audio production is stereo, bus
limiting is typically 2-channel. Surround sound projects often employ multichannel
dynamics processing as well, so the following stereo-focused suggestions might
apply to your surround projects, too.
Bus compression configuration depends on the equipment used. When mixing
analog, a 2-channel processor is typically patched across the console's master bus
inserts or between the stereo outputs of the desk and the stereo recorder. In digital
situations, placement of the compressor/limiter is similar, but software based.
When mixing in-the-box-that is, entirely within a digital audio workstation-a
plug-in is typically instantiated across the insert of the master fader.
Like in all things audio, the choice of dynamics processor used is subjective and
varies between mix engineers. A few hardware and software models are popular
and the web is stuffed with forums full of opinion. If you are shopping for a bus
compression solution, there is plenty of information out there. In almost all cases, it
is important to use a stereo unit with linked left and right thresholds. Bus compression is far more transparent when gain reduction is the same across the stereo spectrum, so be sure both channels are linked. Use of two unlinked mono units is not
recommended.

Fig 2

Dynamic processing can
make a mix punchier, louder,
and more controlled.



http://www.cloudmicrophones.com http://www.cloudmicrophones.com

Recording - December 2013

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Contents
Recording - December 2013 - Cover1
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Recording - December 2013 - 1
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Recording - December 2013 - 3
Recording - December 2013 - 4
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Recording - December 2013 - Contents
Recording - December 2013 - 7
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Recording - December 2013 - Cover3
Recording - December 2013 - Cover4
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