Recording - January 2014 - 23
With the house kit, I use a Shure Beta 52 inside the kick (there's a hole in the
front head), with the mic placed about a third of the way in, with the microphone
pointed (more or less) to where the head meets the shell. On the outside of the kick,
I use a Yamaha Subkick, a handy piece of equipment that is essentially a speaker
mounted inside a drum shell. The inside mic is routed to a Daking preamp and a
Daking compressor, while the Subkick goes to a Great River NV preamp.
A Shure SM57 is on the top of the snare with the capsule about an inch above
the head, looking down at an angle, with an AKG C480B underneath the snare
and an inch away from the bottom head. The 57 goes to another Daking preamp and a Daking compressor. The bottom snare mic goes to a Phoenix Audio
DRS-2 preamp (the polarity is flipped on the bottom snare line). Another 480B is used on the hihat, which uses one of the console preamps on
the studio's D&R Cinemix console.
I've been using Sennheiser MD 421 mics on
toms for quite a few years; though my microphones haven't changed over the years, the number of toms I typically see has. 20 years ago,
most of the drum sets in Nashville studios had
two rack toms and one floor tom-10" and 12"
rack toms and a 14" floor tom. But that has
changed. The tom mics (however many there
may be) go through the console preamps and
into Pro Tools. As a general rule, the tom mics
don't point down at the head, but more across
the drum; this leaves more room for the drummers
to play without hitting one of my microphones.
For overheads, my default is a pair of Shure
KSM44 mics set to a cardioid pattern, and
placed 69" up and 24" apart, centered over the
kick drum. I've been using a Studio Electronics
Pre2 for overheads.
Finally, there's a room mic. For this purpose, I
use a Neumann TLM 103 placed at the opposite
end of the room and approximately 10 feet in
the air. (Another reason to love Latch Lake mic
stands.) The room mic goes through another
channel of Great River NV preamp.
Variations
Most of the variants to this basic setup happen
on the drummer's side; for some projects, I'll have
the drummer bring a kit that suits the project
http://www.trunorthmusicandsound.com
http://www.lewitt-audio.com
http://www.lewitt-audio.com
Recording - January 2014
Table of Contents for the Digital Edition of Recording - January 2014
Contents
Recording - January 2014 - Cover1
Recording - January 2014 - Cover2
Recording - January 2014 - 1
Recording - January 2014 - 2
Recording - January 2014 - 3
Recording - January 2014 - 4
Recording - January 2014 - 5
Recording - January 2014 - Contents
Recording - January 2014 - 7
Recording - January 2014 - 8
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Recording - January 2014 - Cover3
Recording - January 2014 - Cover4
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