Recording - May 2014 - 16
I would set the mic about 4 inches away and directed at the point
where the dust dome at the speaker's center meets the cone-similar to placing an SM57 in front of a guitar amp.
The RE20 was originally intended as a broadcast mic and you
have no doubt seen them in pictures, featured prominently in front
of radio personalities and their on-air guests. It has very little of the
proximity effect that can muddy the lower mid response, so it
sounds smooth throughout the mic's frequency range, with a tight
and controlled low end. This also makes it an ideal choice for kick
drums and toms, too, as discussed by Paul J. Stamler in the April
2014 article "From The Outside In", and later in this issue you can
read what Eleanor Goldfield has to say about putting it in front of
a guitar amp. It's a very versatile mic!
Drums-as one multi-miked instrument
Miking a drum kit can be a mysterious process, fraught with
frustration and unsatisfying results for a lot of us. Many attempt
to capture its sound with an army of mics from top to bottom,
often resulting in a mess of EQ and phasing issues that can suck
all of the life and personality out of the drums. This can also lead
to overprocessing as a result of trying to use gates, compression
and excessive EQ in an effort to fix these problems. The solution
can be found in adopting a "less-is-more" approach.
Bob's kit consisted of 10" and 14" Pearl maple shell toms and a
matching 22" bass drum. The snares were a DW 13" maple drum
and a Pork Pie 14" brass model. Heads were Remo Coated
Ambassadors on the toms and CS Coated Black Dots on the snares.
His cymbals were an 18" Zildjian K Custom Session Ride, and a 16"
Zildjian Custom Session Crash. His hi-hat was a Zildjian New Beat.
Bob set up his kit and I placed two Shure KSM44 side-address
large-diaphragm multi-pattern condenser microphones in a
spaced pair 3 feet in front of the kit at its outer edges, with the
capsules pointed at a slight downward angle. These were also
tilted inward a little toward the snare, to avoid the "hole-in-the-
http://www.cloudmicrophones.com
http://www.cloudmicrophones.com
Recording - May 2014
Table of Contents for the Digital Edition of Recording - May 2014
Contents
Recording - May 2014 - Cover1
Recording - May 2014 - Cover2
Recording - May 2014 - 1
Recording - May 2014 - 2
Recording - May 2014 - 3
Recording - May 2014 - 4
Recording - May 2014 - 5
Recording - May 2014 - Contents
Recording - May 2014 - 7
Recording - May 2014 - 8
Recording - May 2014 - 9
Recording - May 2014 - 10
Recording - May 2014 - 11
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Recording - May 2014 - Cover3
Recording - May 2014 - Cover4
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