Recording - May 2014 - 47
end is common on condensers, but I was
relieved to hear that it's not a harsh or splatty sound like many overseas budget mics
can give. This was highlighted when I was
doing tambourine and shaker overdubs on
a song from about 3 feet back. Many mics,
even more expensive ones, will produce a
"chuffy," almost distorted sound on said
sources, while the Magneto did not.
On the other side of the sonic spectrum
the mic's low end is fairly subtle and
equally weighted with the mids. The
Magneto has little to no proximity effect
until you get right up on the mic, about an
inch away. Fortunately, it's perfectly OK
to get right up close to the mic for singing
and voiceover duties; thanks to its internal
foam windscreen the Magneto does
indeed handle plosives well.
All in all, the Magneto was adept at most
of the sources I threw at it. On drum kit duty,
it did well at capturing the cymbals, high
toms and snare in a nice detailed way. On
jangly acoustic guitar it was nice and even,
and captured the tone and strums well.
About the only thing that I did not like it on
at all was heavy electric guitar, where I prefer more mid and low-end oomph. The
Magneto's tonal balance was just not well
suited to the task. Oh, well.
Bottom line
If you are waiting for the reviewerly
wrap-up where I say, "This mic bests mics
costing twice the price", I'm sorry to disappoint you, but not this time. After all, sE
has provided me with a perfect counterexample to that very statement in the
original X1 mic, which is roughly twice
the price of the Magneto and has a richer and fuller sound; you can look forward
to my review of that mic in a coming
issue, as well as the X1R ribbon, which
offers its own advantages for the price.
But what I can say is that across the
board, entry-level microphones continue
to get better and better, as well as more
affordable. I can think of more than a few
$200-$300 mics that were "unbelievable for the money" over the last decade
that do not sound as good as what the
Magneto now offers in 2014 for $119.
With the Magneto, sE has definitely hit
the mark in both quality and price point, creating a large-diaphragm condenser that is
perfect for the budding engineer, the
singer/songwriter working on home demos,
podcasters, and even amateur video editors
who need a decent affordable option to get
their feet wet, as well as being a nice step
up from many dynamic mics. If you've wanted to maximize every dollar in your first condenser mic purchase, the Magneto bears
serious consideration... even in pink.
Price: $119 street
More from: sE Electronics,
www.seelectronics.com
RECORDING May 2014
47
http://www.ftc.edu
http://www.ftc.edu
http://www.pearlmanmicrophones.com
http://www.pearlmanmicrophones.com
http://www.seelectronics.com
Recording - May 2014
Table of Contents for the Digital Edition of Recording - May 2014
Contents
Recording - May 2014 - Cover1
Recording - May 2014 - Cover2
Recording - May 2014 - 1
Recording - May 2014 - 2
Recording - May 2014 - 3
Recording - May 2014 - 4
Recording - May 2014 - 5
Recording - May 2014 - Contents
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Recording - May 2014 - Cover3
Recording - May 2014 - Cover4
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