Recording - June 2014 - 49
So each bar for each instrument in an
arrangement has a single BarForm of
eight steps, and each step has its own
BeatForm, with one or more actual hits
shown as diamonds topped by bars to
indicate velocity-the longer the bar, the
harder the hit. This can be as simple as
four-on-the-floor kick and snare on the two
and four, or as complex as multiple triplet
fills, fast crush rolls, and stutters. You can
quickly change these patterns and come
up with new ideas by drawing or deleting
hits with the pencil tool, or more commonly by using the various "Molecule
Tools" that LR provides to change up
BeatForms and BarForms.
The basic tool for altering rhythms is the
Beat Builder. It comes with both Liquid
Rhythm Intro and the full version, and it
gives you a solid set of options for changing up your rhythms, bar by bar. You can
select any bar or bars, then use the Beat
Builder to rebuild that bar; if you like
what you've done, you can quickly duplicate the bar to fill up your arrangement,
and go in by hand later to subtly tweak
later bars so they're not overly repetitive.
In Beat Builder, you can scroll down a
list of BarForms to change the rhythmic
feel. LR will suggest proper BarForms for
your instrument type (some work better for
kick and others for hi-hat, for example),
or you can have a list of favorites, or
choose from the whole darned list if you
wish. Once you've done that, then you
can go to each individual beat and select
what BeatForm appears there, adding
triplets, off-time hits, rolls, and so on. You
can click the "Surprise Me!" button at the
BeatForm level to randomize your choices and generate something entirely new.
Once you've created a bar of music, you
can then use Molecule Tools to tweak it. The
most powerful and musical of these, and the
only one that's available in both Liquid
Rhythm and Liquid Rhythm Intro, is Accent
Modifiers. You can set, move, or randomize
velocities and/or groove timing (ahead of
or behind the beat) for hits that occur at
accent points or after them, what LR calls
"Strong," "Medium", and "Weak" points. A
two-count (shown in blue) will have a Strong
(accent) hit followed by a Weak hit, and a
three-count (shown in red) will have a
Strong, then a Medium, then a Weak. This
lets you add variation in ways that are musically sensible rather than creating a mess...
http://www.aphex.com
http://www.aphex.com
Recording - June 2014
Table of Contents for the Digital Edition of Recording - June 2014
Contents
Recording - June 2014 - Cover1
Recording - June 2014 - Cover2
Recording - June 2014 - 1
Recording - June 2014 - 2
Recording - June 2014 - 3
Recording - June 2014 - 4
Recording - June 2014 - 5
Recording - June 2014 - Contents
Recording - June 2014 - 7
Recording - June 2014 - 8
Recording - June 2014 - 9
Recording - June 2014 - 10
Recording - June 2014 - 11
Recording - June 2014 - 12
Recording - June 2014 - 13
Recording - June 2014 - 14
Recording - June 2014 - 15
Recording - June 2014 - 16
Recording - June 2014 - 17
Recording - June 2014 - 18
Recording - June 2014 - 19
Recording - June 2014 - 20
Recording - June 2014 - 21
Recording - June 2014 - 22
Recording - June 2014 - 23
Recording - June 2014 - 24
Recording - June 2014 - 25
Recording - June 2014 - 26
Recording - June 2014 - 27
Recording - June 2014 - 28
Recording - June 2014 - 29
Recording - June 2014 - 30
Recording - June 2014 - 31
Recording - June 2014 - 32
Recording - June 2014 - 33
Recording - June 2014 - 34
Recording - June 2014 - 35
Recording - June 2014 - 36
Recording - June 2014 - 37
Recording - June 2014 - 38
Recording - June 2014 - 39
Recording - June 2014 - 40
Recording - June 2014 - 41
Recording - June 2014 - 42
Recording - June 2014 - 43
Recording - June 2014 - 44
Recording - June 2014 - 45
Recording - June 2014 - 46
Recording - June 2014 - 47
Recording - June 2014 - 48
Recording - June 2014 - 49
Recording - June 2014 - 50
Recording - June 2014 - 51
Recording - June 2014 - 52
Recording - June 2014 - 53
Recording - June 2014 - 54
Recording - June 2014 - 55
Recording - June 2014 - 56
Recording - June 2014 - 57
Recording - June 2014 - 58
Recording - June 2014 - 59
Recording - June 2014 - 60
Recording - June 2014 - 61
Recording - June 2014 - 62
Recording - June 2014 - 63
Recording - June 2014 - 64
Recording - June 2014 - 65
Recording - June 2014 - 66
Recording - June 2014 - 67
Recording - June 2014 - 68
Recording - June 2014 - 69
Recording - June 2014 - 70
Recording - June 2014 - 71
Recording - June 2014 - 72
Recording - June 2014 - Cover3
Recording - June 2014 - Cover4
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