Recording - August 2014 - 31
mic like a Shure SM57 or an Audix i5. It
also plays very nicely with a Royer R-121
up on the grille; the two ribbons together,
one modern and one leaning toward a
more classic sound, make a great choice
for huge clean jazz guitar and slightly overdriven blues tones. However, as is the case
with many other ribbons, I found M mode
too big for closeup acoustic guitar work
and even a bit much for banjo when said
instruments need to seat well in a mix.
Flipping the switch: V mode
In V mode, the bottom end rolls off drastically and the mic becomes more intimate
and able to cut through a mix. Please note
that unlike many multi-voiced condenser
mics, this is not a "brightness" switch. The
high end retains its silky ribbon roundness
while the low end clears out. In V mode,
rather than a huge low-end proximity, you
get easygoing clarity instead.
This setting is very nice for both male and
female pop vocals, as well as for acoustic guitars and yes, banjo. Sources retain a smooth
natural tonality, but are much easier to place
into a modern mix without excessive eq.
In either mode, the 44-A has an excellent
off-axis rejection that can be used to great
effect. Its deep side nulls are fantastic for
applications like tracking multiple musicians
in a room, or tracking a musician who sings
and plays an instrument simultaneously.
The proximity effect in M mode is smooth
and even and extends out a good couple of
feet, as you'd find with most old large-ribbon
designs. In V mode, however, the proximity
effect only kicks in when you are less than an
inch or so from the mic. Of course, as with
most ribbons, I don't recommend getting right
up on the mic with any source that can produce bursts of air (they can damage the ribbon), but I will say that I was quite pleased by
how close a well-trained vocal talent could
get for singing and/or voiceover work.
Bottom line
This is a very beautiful microphone that
hints at classic tone, but is not hampered
by it. It is smooth and well-rounded, actually a tad tighter and more focused-sounding than much of the competition. I was
most impressed by the fact that it does its
own thing and as such lives comfortably
alongside AEA, Royer, Coles, and-yes-
RCA mics, providing its own signature
without simply aping their sounds.
With the two available voicings there is
no source it cannot excel in capturing, and
it could easily be a studio's one and only
ribbon mic. When you add the shockmount and case, this is one classy package all around, and an excellent investment for almost any serious studio.
Price: $1899
More from: Cloud Microphones,
cloudmicrophones.com
http://www.ftc.edu
http://www.antelopeaudio.com
http://www.antelopeaudio.com
http://www.cloudmicrophones.com
Recording - August 2014
Table of Contents for the Digital Edition of Recording - August 2014
Contents
Recording - August 2014 - Cover1
Recording - August 2014 - Cover2
Recording - August 2014 - 1
Recording - August 2014 - 2
Recording - August 2014 - 3
Recording - August 2014 - 4
Recording - August 2014 - 5
Recording - August 2014 - Contents
Recording - August 2014 - 7
Recording - August 2014 - 8
Recording - August 2014 - 9
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Recording - August 2014 - 11
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Recording - August 2014 - Cover3
Recording - August 2014 - Cover4
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