Recording - January 2015 - 14

AES/EBU channels of input and output, and the E22 ($795) with two analog
and two AES/EBU channels of I/O.
Mackie (mackie.com) introduced the DL32R ($2499.99), a rackmountable
32-channel mixer with recallable preamp settings, DSP such as per-channel EQ
and compression as well as three send/return reverb and delay
processors, 32-channel recording to USB 2.0 and 24-channel
recording to USB drives (soon to be 32), all controlled from the
Master Fader app on an iPad.

Harrison Consoles (harrisonconsoles.com): The
32cs is a rackmount channel strip with the sound of
the Harrison 32 Series mixing console. It includes a
transformer-coupled mic preamp, switchable filters
and 4-band EQ, with switchable insert point and a
built-in monitoring section with headphone output.
Also new: version 3 of the Mixbus DAW ($219).
IsoAcoustics (isoacoustics.com): previewed the
Arista (price and availability TBA), an aluminum ministand for small desktop monitors.
iZotope (izotope.com): Ozone 6 and Ozone 6
Advanced ($249 and $999) offer plug-in and standalone options with five upgraded mastering effects: Equalizer, Maximizer,
Exciter, Dynamics, and Stereo Imaging. Ozone 6 Advanced includes a powerful Dynamic EQ with loudness-controlled tone shaping, Mid/Side processing,
Auto-Scale and Inverse modes, and much more, as well as the Insight metering
suite and individual plug-in versions of all modules. Look for a review soon.

McDSP (mcdsp.com) announced that VST versions of its plug-in
line will be forthcoming in 2015.
Merging Technologies (merging.com, dist. by Independent
Audio, independentaudio.com): The Hapi (price varies by configuration) is a 1U rackmount digital I/O converter, a smaller version of the well-regarded Horus. It offers 8 channels of AES/EBU
I/O, optical ADAT or S/PDIF, word clock, and two option cards
for a variety of other input and output choices, supporting up to
384 kHz sample rates as well as DXD and DSD.
Millennia Media (mil-media.com): showed two portable versions of the well-liked HV-3 preamp in rugged meal casings with
protected controls and optional battery power: the HV-32P
($1200), a dual channel preamp with 15 dB pad, phantom
power, and Ribbon mode (higher gain and phantom lockout), and the HV-35P
($800), a single-channel version with Hi-Z instrument input, highpass filter, and
polarity flip in addition to phantom, pad, and Ribbon controls.

JBL Professional (jblpro.com) announced the 7 Series of passive monitors (prices TBA), intended for centrally controlled multichannel post rooms,
mobile recording trucks, and broadcast facilities. The LSR705i with its 5"
woofer and the LSR708i with its 8" woofer are meant to be powered by 8channel Crown power amps for controllability and light weight.
Kush Audio (thehouseofkush.com): The Tweaker ($1495) is a rackmount
single channel compressor with detented controls. A Sidechain Shaper
allows for focused control of dynamics, and a Curve control simultaneously adjusts ratio and knee. Other controls include Drive and wet/dry Mix.
Little Labs (littlelabs.com) is now shipping the Pepper ($660), an instrument interface and direct box with flexible routing and impedance matching to connect line-level gear with guitar pedals. Look for a review soon.
Lindell Audio has launched a new series of plug-ins (lindellplugins.com).
Modeled after Lindell's hardware 500 Series modules, the plugins include the 6X-500 preamp/EQ, 7X-500 FET compressor,
and PEX-500 passive EQ ($99.99 each, bundled as ChannelX
for $249.99).
Locomotive Audio (locomotiveaudio.com) is a new company
offering hand-wired analog signal processors with a vintage feel.
The first two Locomotive products are the 286A dual-channel tube
mic preamp and DI ($2895), and the 14B tube compressor
($2695), using the same input tube rebiasing concept as the
Fairchild 670 and Gates Sta-Level. Look for reviews soon.
Louder Than Liftoff (louderthanliftoff.com) showed three modules for the 500 Series Colour Palette platform: the Implode (an
1176-style limiter in "all buttons in" mode. $129), Pentode (a
saturation/harmonics "gigantifier" with a Raytheon 6418 subminiature tube, $99), and Pulse (a 2-track tape deck echo emulation, $99). Also on display: The Silver Bullet (price TBA), a
stereo rackmount analog preamp/"mojo" processor with EQ.
Lynx Studio Technology (lynxstudio.com) released two new
PCI Express cards, the E44 ($1095) with four analog and four
14

RECORDING January 2015

Moog (moogmusic.com): In the "ultimate geek fantasy" department,
the Emerson Moog Modular System is a painstaking recreation of Keith
Emerson's highly customized modular synth using original construction
and machining methods. A mere $150,000!
Neumann (neumann.com) attracted a lot of attention with its
painstakingly accurate reissue of the classic U 47 fet condenser microphone ($3999.95). Look for a review soon. Also new were a pair of
active monitors: the KH 420 ($4899.95 each), a 3-way design with
a 1" tweeter, 3" midrange, and 10" woofer, for frequency response
down to 26 Hz (±3 dB), and the KH 310 D ($2749.95 each), a version of the KH 310 A reviewed in our January 2014 issue with added
digital input and time alignment delay.
Phoenix Audio (phoenixaudio.com) showed the Nice DI/500 (price
TBA), a 500 Series module version of the company's Nice DI Class A
active direct box.
PMC Monitors (pmc-speakers.com) was on hand with the QB1-A,
a gigantic studio main monitor with a whopping 4825W/channel.
On a more reasonable level were the small twotwo Series monitors,
which we'll review soon.


http://www.mackie.com http://www.mcdsp.com http://www.harrisonconsoles.com http://www.merging.com http://www.independentaudio.com http://www.isoacoustics.com http://www.mil-media.com http://www.izotope.com http://www.jblpro.com http://www.thehouseofkush.com http://www.littlelabs.com http://www.lindellplugins.com http://www.moogmusic.com http://www.locomotiveaudio.com http://www.neumann.com http://www.louderthanliftoff.com http://www.phoenixaudio.com http://www.pmc-speakers.com http://www.lynxstudio.com

Recording - January 2015

Table of Contents for the Digital Edition of Recording - January 2015

Contents
Recording - January 2015 - Cover1
Recording - January 2015 - Cover2
Recording - January 2015 - 1
Recording - January 2015 - 2
Recording - January 2015 - 3
Recording - January 2015 - 4
Recording - January 2015 - 5
Recording - January 2015 - Contents
Recording - January 2015 - 7
Recording - January 2015 - 8
Recording - January 2015 - 9
Recording - January 2015 - 10
Recording - January 2015 - 11
Recording - January 2015 - 12
Recording - January 2015 - 13
Recording - January 2015 - 14
Recording - January 2015 - 15
Recording - January 2015 - 16
Recording - January 2015 - 17
Recording - January 2015 - 18
Recording - January 2015 - 19
Recording - January 2015 - 20
Recording - January 2015 - 21
Recording - January 2015 - 22
Recording - January 2015 - 23
Recording - January 2015 - 24
Recording - January 2015 - 25
Recording - January 2015 - 26
Recording - January 2015 - 27
Recording - January 2015 - 28
Recording - January 2015 - 29
Recording - January 2015 - 30
Recording - January 2015 - 31
Recording - January 2015 - 32
Recording - January 2015 - 33
Recording - January 2015 - 34
Recording - January 2015 - 35
Recording - January 2015 - 36
Recording - January 2015 - 37
Recording - January 2015 - 38
Recording - January 2015 - 39
Recording - January 2015 - 40
Recording - January 2015 - 41
Recording - January 2015 - 42
Recording - January 2015 - 43
Recording - January 2015 - 44
Recording - January 2015 - 45
Recording - January 2015 - 46
Recording - January 2015 - 47
Recording - January 2015 - 48
Recording - January 2015 - 49
Recording - January 2015 - 50
Recording - January 2015 - 51
Recording - January 2015 - 52
Recording - January 2015 - 53
Recording - January 2015 - 54
Recording - January 2015 - 55
Recording - January 2015 - 56
Recording - January 2015 - 57
Recording - January 2015 - 58
Recording - January 2015 - 59
Recording - January 2015 - 60
Recording - January 2015 - 61
Recording - January 2015 - 62
Recording - January 2015 - 63
Recording - January 2015 - 64
Recording - January 2015 - 65
Recording - January 2015 - 66
Recording - January 2015 - 67
Recording - January 2015 - 68
Recording - January 2015 - 69
Recording - January 2015 - 70
Recording - January 2015 - 71
Recording - January 2015 - 72
Recording - January 2015 - Cover3
Recording - January 2015 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com