Recording - January 2015 - 57

The single most-used adjective I see in reviews and online
describing the D6 is "aggressive." As I mentioned, it has
helped define the modern kick drum sound, especially when it
comes to hard rock, metal and punk... although I have used it
on R&B, Christian pop, jazz fusion and more. Essentially what
Audix has done is to pre-tailor the microphone to ignore the frequencies that we engineers usually filter out at the board anyway. Thanks to its high SPL handling, it always yields a clean,
non-distorted sound.
I have two favorite positions for the D6. One is right up on the
beater head in multiple mic situations, as few microphones can
capture the beater click the way a D6 does. When using the D6
in a single mic setup, I prefer it in the sound hole, where it captures the top end of the beater in a slightly more subdued way

and blends it with an amazing amount of sub-thumping low end.
In addition to kick drum, the D6 is one of my favorite bass cabinet mics, where again it captures a stellar low end but also highlights the upper end tone of the bass strings nicely. It's also great
on floor tom, djembe, and anything else with a larger bottom!
At $200 this is a microphone that every sound engineer should
have in their bag of tricks, and if you want to be one of the lucky
750, think about grabbing one of the new limited-edition units at
$229. From all of us at Recording, congratulations on your first
30 years, Audix!
Price: $229
More from: Audix, www.audixusa.com

Ableton Live Packs: The Loop Loft Hip Hop Drums and Drumdrops A Fistful Of Drumkits
B Y M I K E M E T L AY

Created by Ableton and many third-party
vendors, Live Packs are easily-installed expansion libraries that can incorporate audio samples, loops, MIDI data, Drum Racks, Effect
Racks, presets for any of Live's instruments,
Max For Live patches, and/or automation
data. We recently got to try two exceptional
drum Live Packs, created by The Loop Loft and
Drumdrops and sold on Ableton's website.
Hip Hop Drums is a fantastic collection of hip
hop rhythm creation tools from The Loop Loft,
whose loop libraries were most recently
reviewed in our January 2014 issue. The package contains sounds, effects, and mixes for six
different hip hop "songs" from 91 to 150 BPM.
Hip Hop Drums takes advantage of all of
Live 9's mixing and grouping tricks-so
much so that it's practically a tutorial on how
to build seamless and powerful rhythms in
Live. Several different approaches are
offered for getting drum sounds, and they all
work beautifully.
For example, there are three Effects Racks-
Classic, Tweaker 1, and Tweaker 2-which

contain multiple nested Live effects that are set up to create a huge number of different
sounds. There's tape delay, serial and parallel compression, sub boost, flanging, bit
reduction, and a hear-it-to-believe-it effect called Hi Frequency Mess that contains EQ,
filtered delay, and Beat Repeat. There are simple Macro controls for all of these modules, and they can be put on any audio Clip, not just the ones in the Live Pack.
The Pack includes Drum Racks where each piece of the kit has its own audio
channel and sample playback, which are then grouped together for easy mixing-
complete with their own built-in multiple effects sends/returns and dynamics control
on each individual piece. These can be loaded on their own or automatically
added when you drop in MIDI clips that require them.
You can load individual audio clips with or without effects presets attached to
them, set up your own Drum Racks with one-shot samples from the library, or-for
the ultimate in crazy-load a Construction Kit, which features a channel with audio
clips routed into a channel of effects presets selected by loading clips, which in turn
routes into a third channel to capture the audio of your performance. Phew!
Hip Hop Drums has great-feeling loops and exquisitely flexible effects that go
from subtle to nasty with the turn of a knob. It's great for all sorts of electronica, hip
hop, and R&B beats, and as a tutorial in how to get Live to do the impossible, it's
worth the asking price and then some.
From venerable sound library company Drumdrops comes A Fistful Of Drumkits.
It's a deep and focused collection of drum samples and kits with nary a loop in
sight-the emphasis here is on the absolute best drum sounds possible, for you to
play with your own grooves.
There are some 1000 samples in this Live Pack, spread out over three different
drum kits with a number of variations. Each kit is presented as a Drum Rack with
29 to 31 different drum articulations including a wide variety of hi-hat, cymbal,
and snare styles, all multisampled with up to 16 levels of dynamics for maximum
realism.
The Big Dub Kit is a Rogers Big R kit with two different Ludwig snares, an Acrolite
or a Black Magic. The Heavy Rock Kit, a Mapex, has a choice of three Mapex
snares, a Black Panther Steel, Phosphor Bronze, or Machete, complete with flams.
The Vintage 1963 Kit, a Premier Outfits 54, is presented in four variations: snare
damped or undamped (which affects rimshot as well), each of which is recorded cleanly or in a Valve & Tape version, remixed through vintage tube gear and captured to
1
/2" tape. The latter sound is my favorite of all the kits-it's huge, warm, and dripping
with attitude.
All of these kits sound fantastic, though. They're recorded on a beautiful collection of new and vintage mics-AEA, AKG, Audix, B&K (DPA Microphones), Coles,
Earthworks, Electro-Voice, Microtech Gefell, Lomo, Neumann, RĂ˜DE, Sennheiser,
Shure, Sontronics, and a Yamaha NS10 speaker cone wired backwards-through
vintage consoles and processing gear. A PDF that comes with the Live Pack has 21
pages of droolworthy data on the gear, studios used, engineers, and players.
If you're building rhythms in Live and you want to work with a beautifully multisampled and lovingly assembled set of drums that range from clean and crisp to
fat, punchy, and filthy, you're going to love A Fistful Of Drumkits.
Prices: Hip Hop Drums, $49; A Fistful Of Drumkits, $69
More from: Ableton, www.ableton.com; The Loop Loft, www.thelooploft.com;
Drumdrops, www.drumdrops.com
RECORDING January 2015

57


http://www.audixusa.com http://www.ableton.com http://www.thelooploft.com http://www.drumdrops.com

Recording - January 2015

Table of Contents for the Digital Edition of Recording - January 2015

Contents
Recording - January 2015 - Cover1
Recording - January 2015 - Cover2
Recording - January 2015 - 1
Recording - January 2015 - 2
Recording - January 2015 - 3
Recording - January 2015 - 4
Recording - January 2015 - 5
Recording - January 2015 - Contents
Recording - January 2015 - 7
Recording - January 2015 - 8
Recording - January 2015 - 9
Recording - January 2015 - 10
Recording - January 2015 - 11
Recording - January 2015 - 12
Recording - January 2015 - 13
Recording - January 2015 - 14
Recording - January 2015 - 15
Recording - January 2015 - 16
Recording - January 2015 - 17
Recording - January 2015 - 18
Recording - January 2015 - 19
Recording - January 2015 - 20
Recording - January 2015 - 21
Recording - January 2015 - 22
Recording - January 2015 - 23
Recording - January 2015 - 24
Recording - January 2015 - 25
Recording - January 2015 - 26
Recording - January 2015 - 27
Recording - January 2015 - 28
Recording - January 2015 - 29
Recording - January 2015 - 30
Recording - January 2015 - 31
Recording - January 2015 - 32
Recording - January 2015 - 33
Recording - January 2015 - 34
Recording - January 2015 - 35
Recording - January 2015 - 36
Recording - January 2015 - 37
Recording - January 2015 - 38
Recording - January 2015 - 39
Recording - January 2015 - 40
Recording - January 2015 - 41
Recording - January 2015 - 42
Recording - January 2015 - 43
Recording - January 2015 - 44
Recording - January 2015 - 45
Recording - January 2015 - 46
Recording - January 2015 - 47
Recording - January 2015 - 48
Recording - January 2015 - 49
Recording - January 2015 - 50
Recording - January 2015 - 51
Recording - January 2015 - 52
Recording - January 2015 - 53
Recording - January 2015 - 54
Recording - January 2015 - 55
Recording - January 2015 - 56
Recording - January 2015 - 57
Recording - January 2015 - 58
Recording - January 2015 - 59
Recording - January 2015 - 60
Recording - January 2015 - 61
Recording - January 2015 - 62
Recording - January 2015 - 63
Recording - January 2015 - 64
Recording - January 2015 - 65
Recording - January 2015 - 66
Recording - January 2015 - 67
Recording - January 2015 - 68
Recording - January 2015 - 69
Recording - January 2015 - 70
Recording - January 2015 - 71
Recording - January 2015 - 72
Recording - January 2015 - Cover3
Recording - January 2015 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com