Recording - April 2015 - 57

This is all point-to-point wiring done by hand,
and there really is no circuit board to speak
of. It features a custom Russian hand-wound
transformer and the aforementioned tube, a
6G1P glass triode.
Like other tube mics, this one comes as part
of a kit that includes a power supply and multipin cable. The power supply is Russianmade and toroidal transformer-based, sporting a high-quality enamel finish similar to the
mic's. The kit also includes a custom-designed
screw-in shockmount, and the mic lives in a
wooden box made from hardwood from the
forests of Siberia.
The mic has a 20 Hz to 20 kHz frequency
response, a 16mV/PA sensitivity, a 270 ohm
impedance, and a self-noise of 20 dBA. The
frequency plot included with my review mic
shows it to be fairly flat across the lows and
mids, with upper peaks at 5 kHz and 13 kHz
and a gentle low-end bump between 40 and
50 Hz.
In use
Taking the mic for a spin as soon as it
arrived, I started with a simple and quick 3song singer/songwriter demo session that I
already had scheduled. The sources for the
demo session were a Breedlove acoustic/
electric guitar and one male and one female
vocalist. While the mic was used for all
vocal tracking, I only tracked the acoustic
guitar on the Soyuz for one of the three

songs, choosing to use the direct pickup output of the guitar on the other two for the
sake of saving time (since these demos were
going to be fleshed out later). Later, when I
mixed the songs down, the guitarist lamented that he wished I had stuck with the Soyuz
for the whole session. His exclamation was
that the SU-017 paired with the Breedlove
acoustic guitar was "money!"
The sound of the SU-017 trends towards a
rich classic tonal quality, with a wonderfully
even midrange and just a hint of forward
push on the upper mids and top end.
Compared to the two U47-inspired mics I
have in my studio, the Pearlman TM-47
(reviewed September 2014) and an
Australian BeesNeez T-1 Tribute mic, I would
say that the Soyuz is definitely in the same
sonic ball park, but in a more focused way.
At the top end, the SU-017 is clear and
open, but in no way is it peaky or harsh. The
big difference between these mics in their
lows and mids. The T-1 is the thickest, with the
most pronounced proximity effect of the
group, with the TM-47 coming in close
behind. In contrast, the proximity effect on the
SU-017 is very minimal and controlled, and
the tone stays consistent across the board until
you get to about an inch off the capsule. Its
not bass-shy, just more solid and controlled
than the other two mics.
Overall I would say that the SU-017 hints
at vintage flavor, but never succumbs to it.

This is a mic that sounds controlled, full, and
focused up close on acoustic guitar and
voice, but also makes a nice focused drum
overhead thanks to its controlled low end. I
wish I had a pair for recording stereo drum
overheads.
If you are looking for a gritty, vibey, oldschool vintage mic, this one may not be for
you. On the other hand, if you want a full,
focused microphone capable of capturing
any source with an open yet controlled top
end, look no further. All in all it's a very hi-fi
sounding mic.
Conclusions
The SU-017 is a mic that takes full advantage of vintage craftsmanship, high-end materials and design principles, but is not another
vintage clone. The SU-017 is just plain sonically impressive, especially because it is quite
a feat for a mic to "do its own thing" in this
day and age with hundreds of mic choices.
A mic of this quality comes with a healthy
$3500 street price tag, but this is a mic that
can easily be a flagship in your arsenal. It will
capture most sources with flying colors and
should last a lifetime and beyond.
Price: $3499.99
More from: Soyuz Microphones,
www.soyuzmicrophones.com; distributed by
MV Pro Audio, www.mvproaudio.com.


http://www.soyuzmicrophones.com http://www.mvproaudio.com http://www.greatriverelectronics.com http://www.greatriverelectronics.com

Recording - April 2015

Table of Contents for the Digital Edition of Recording - April 2015

Recording - April 2015 - Cover1
Recording - April 2015 - Cover2
Recording - April 2015 - 1
Recording - April 2015 - 2
Recording - April 2015 - 3
Recording - April 2015 - 4
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