Recording - June 2015 - 45

On top of global Envelope Attack and
Release, Reverb, and Expression
paramters, each word or syllable has its
own Start time, Length, Volume, Attack,
and Speed parameters, making it possible to finely tweak the performance slot
by slot. Of course, everything is completely automatable in your DAW as well.
With all this power comes the burden
of actually tweaking every little detail in
order to coax things into a fluid, emotive
performance. While I think the workflow
could improve in a few places, the results
speak for themselves. You could say you
hired live vocalists and few would question it.

here I come!). The level of detail with the pre-recorded
phrases alone, which includes over 60 minutes of real
Gregorian chanting, is worth your attention.
Shevannai sounds absolutely lovely. A critical part of
the sound is the absence of vibrato in the recordings.
Seeing 'non vibrato' in a score makes a lot of vocalists
nervous, but the intonation and timbre found here is quite
impressive. I can easily see Shevannai becoming a
weapon of choice for all things fantasy or ethereal.
Getting performances just right, with all the legato
overlaps, velocities, expression automation, and other
parameters, can take some tedious work. However, once
dialed in, these instruments land firmly on the side of
believability. If you're looking to wield the power of the
human voice in your productions, Altus, Cantus, and
Shevannai might be just what you're looking for.

General impressions
I found Altus particularly interesting,
given that the countertenor is a relatively
unfamiliar sound to my, and I suspect
most, ears. The timbre and character is
striking, and easily calls to mind the
intended Medeival/Renaissance flavor. I
definitely look forward to surprising my
clients and audience with Altus, and have
little doubt it will be effective.
Cantus makes me wish I had a time
machine to beat Marty O'Donnell to the
punch on the iconic Halo videogame
soundtrack. It's completely convincing,
and a lot of fun to use in devious ways
(minor harmony staccato Latin phrases,

Jon Hillman (hillman@recordingmag.com) is a game audio
composer and sound designer living and working in northern
Colorado. Learn more at jonhillman.com.

Delivery: Boxed or Download, Altus 1.3 GB, Cantus 2.71 GB, Shevannai 2.52 GB
Format: Windows 7+ and Mac OS X 10.8+, loads in Native Instruments
Kontakt 5 (lateset version recommended) or in free Kontakt Player
Copy Protection: Requires Kontakt, uses NI Service Center serial number
Licensing: Sounds can be used royalty-free in original music recordings; no
resale or repackaging in products for resale permitted
Documentation: PDF user manual
Prices: Altus $159, Cantus $199, Shevannai $159
More from: Best Service, www.bestservice.de/en/



http://www.jonhillman.com http://www.bestservice.de/en/ http://www.sonnox.com http://www.sonnox.com

Recording - June 2015

Table of Contents for the Digital Edition of Recording - June 2015

Contents
Recording - June 2015 - Cover1
Recording - June 2015 - Cover2
Recording - June 2015 - 1
Recording - June 2015 - 2
Recording - June 2015 - 3
Recording - June 2015 - 4
Recording - June 2015 - 5
Recording - June 2015 - Contents
Recording - June 2015 - 7
Recording - June 2015 - 8
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Recording - June 2015 - Cover3
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