Recording - January 2016 - 6

Become our Facebook fan at
www.facebook.com/RecordingMag

RECORDING MAGAZINE JANUARY

Follow us on Twitter at
www.twitter.com/recordingmag

Reviews
22
24

56

Telefunken Elektroakustik M60 FET
Condenser Mic.

Soundware Showcase: Toontrack
Progressive and Post-Rock EZX Expansions
and MIDI Grooves for EZdrummer.
Two new sets of drum kits and grooves, one with a
wide variety of complexity and timbre, the other a
fascinating peek into a new way to build rhythm tracks.

Telefunken's first solid-state condenser harks back
to classic sounds while breaking new ground. Also:
a mini-interview with designer Ryan Loftus.

REVIEWS BY MIKE METLAY

REVIEW BY PAUL VNUK JR.

24

26

Senal ASM-6 Active Studio Monitor.

58

A new name in the pro audio world brings forth a
truly impressive monitor with a sound all its own.

The original Iris made quite a splash, but this new
version offers so many changes and improvements
that it's basically a whole new virtual instrument.

REVIEW BY MIKE METLAY

REVIEW BY MIKE METLAY

SPL Iron Mastering Compressor.

72

This nouveau-classic dynamics processor uses
unusual tubes, serious transformers, and multiple
rectifier settings to handle your instruments or
master bus with style.

42

REVIEW BY PAUL VNUK JR.

38

Soundware Showcase:
Spitfire Audio HZ Percussion.

For Your Bookshelf.
Complete Audio Mastering: Practical Techniques, by
Gebre Waddell.
REVIEW BY SCOTT DORSEY

FeatuRes
10

2015 AES Convention Report.
A quick look at forthcoming pro audio gear from
the 139th AES in New York.

If the name Hans Zimmer doesn't make you sit up
and take notice of these three cinematic percussion
libraries, their exquisite sounds surely will.

16

Soundware Showcase: iZotope Iris 2.

REPORT BY MIKE METLAY, PAUL VNUK JR., DIANA
SMETHURST, AND GILES REAVES

REVIEWS BY JON HILLMAN

16
40

AEA Nuvo Stereo Kit.

While it would have been best to capture a great
kit in a great room with great mics, sometimes we
have no choice but to get clever in rescuing the
drum tracks we have...

What do you get the well-dressed pair of ribbon
mics? If they're AEA's N8 or N22, how about a
carrying case with a brilliantly designed set of
stereo miking tools?

10

REVIEW BY PAUL VNUK JR.

42
40

REVIEW BY PAUL VNUK JR.

44

REVIEW BY GILES REAVES

46

BY BRIAN MARSHAK

60

First Steps. Part 13: What Do Filters And
Gates Have In Common?
Nothing, really... but we're going to quickly cover
them both as we wrap up our discussion of signal
processing during the tracking process. Read on!
BY PAUL J. STAMLER

70

2015 Annual Index.
Wow, we covered a lot of ground last year! Here's a
quick reference to find that article, interview, or
product review you wanted to reread...

RegulaRs
4

Fade In.

8

Talkback.

We wrap up our look at the many mics in Shure's
new PG ALTA entry-level lineup with this compact
and easy-to-use snare/tom condenser mic.

62

Readers' Tracks.

REVIEW BY PAUL VNUK JR.

63

REVIEWS BY MIKE METLAY

50

Bringing Sampled Drums To Life.
A well-established LA producer shows us how we
don't always need a live drummer to create rhythm
tracks that can fool-and awe-the pros.

iOS Music Tools:
New Sounds For The New Year.
Virtual instruments galore for your iOS music-making
experience, from Omenie/Wizdom Music, KV331
Audio, and iMusicAlbum.

32

32

Plug-In Outlet:
Sound Radix Drum Leveler.
The digital world makes possible all sorts of cool
ways to work with audio, and this drum dynamics
control plug-in is a real eye-opener.

72

BY SVEN-ERIK SEAHOLM

Plug-In Outlet: Zynaptiq UNMIX::DRUMS.
Raise or lower the volume of the drums... from
inside a fully-mixed stereo track? We try out
Zynaptiq's latest plug-in for doing the seemingly
impossible.

"My Drums Sound Like Crap! NOW What?"

Shure PGA98D.

BY MARTY PETERS

Advertiser Index.
COVER DESIGN BY SCOTT SIMMONDS


http://www.facebook.com/RecordingMag http://www.twitter.com/recordingmag

Table of Contents for the Digital Edition of Recording - January 2016

Contents
Recording - January 2016 - Cover1
Recording - January 2016 - Cover2
Recording - January 2016 - 1
Recording - January 2016 - 2
Recording - January 2016 - 3
Recording - January 2016 - 4
Recording - January 2016 - 5
Recording - January 2016 - Contents
Recording - January 2016 - 7
Recording - January 2016 - 8
Recording - January 2016 - 9
Recording - January 2016 - 10
Recording - January 2016 - 11
Recording - January 2016 - 12
Recording - January 2016 - 13
Recording - January 2016 - 14
Recording - January 2016 - 15
Recording - January 2016 - 16
Recording - January 2016 - 17
Recording - January 2016 - 18
Recording - January 2016 - 19
Recording - January 2016 - 20
Recording - January 2016 - 21
Recording - January 2016 - 22
Recording - January 2016 - 23
Recording - January 2016 - 24
Recording - January 2016 - 25
Recording - January 2016 - 26
Recording - January 2016 - 27
Recording - January 2016 - 28
Recording - January 2016 - 29
Recording - January 2016 - 30
Recording - January 2016 - 31
Recording - January 2016 - 32
Recording - January 2016 - 33
Recording - January 2016 - 34
Recording - January 2016 - 35
Recording - January 2016 - 36
Recording - January 2016 - 37
Recording - January 2016 - 38
Recording - January 2016 - 39
Recording - January 2016 - 40
Recording - January 2016 - 41
Recording - January 2016 - 42
Recording - January 2016 - 43
Recording - January 2016 - 44
Recording - January 2016 - 45
Recording - January 2016 - 46
Recording - January 2016 - 47
Recording - January 2016 - 48
Recording - January 2016 - 49
Recording - January 2016 - 50
Recording - January 2016 - 51
Recording - January 2016 - 52
Recording - January 2016 - 53
Recording - January 2016 - 54
Recording - January 2016 - 55
Recording - January 2016 - 56
Recording - January 2016 - 57
Recording - January 2016 - 58
Recording - January 2016 - 59
Recording - January 2016 - 60
Recording - January 2016 - 61
Recording - January 2016 - 62
Recording - January 2016 - 63
Recording - January 2016 - 64
Recording - January 2016 - 65
Recording - January 2016 - 66
Recording - January 2016 - 67
Recording - January 2016 - 68
Recording - January 2016 - 69
Recording - January 2016 - 70
Recording - January 2016 - 71
Recording - January 2016 - 72
Recording - January 2016 - Cover3
Recording - January 2016 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com