Recording - July 2016 - 39
session. You know it's a great emulation
when you get lost in what you're playing-
not caught up on the tone sounding like a
software amp.
After playing for awhile on these settings,
I listened back to the recordings and compared them side by side. The main difference that jumped out at me was the real
amp had more of a throaty growl, or bite,
in the low-mid range, and a lack of highend. The UAD version had a more even frequency response, with a flatter mid-range
and neutral high-end. These are subtle differences; the overall tone is the closest I've
heard an emulation get to the real thing.
Before moving onto a new tone, I wanted
to see if I could achieve even closer results
by making simple EQ adjustments in the
3a
plug-in's channel strip. This really brought
the emulation to the next level for me! The
tone got much warmer with the high-end
adjustment, and more punchy with a bump
in the midrange (compare the red-circled
knobs in Figs. 2b and 2c). The low end is
just a touch tighter on the real amp, but
overall, it's an unbelievable resemblance.
Next, I dialed up one of my go-to lead
tones on the JMP 2203. The settings are pictured in (Figures 3a and 3b). Presence 0,
Bass 5, Mid 7, Treble 0, Master Volume 5,
Preamp 10, and plugged into the high sensitivity input (make sure to have ear plugs
readily available for these settings on the
real amp-ouch!). Every time I dial up settings similar to this on my JMP 2203, well,
let's just say it's a good reminder of the
3b
sheer power these 100W Marshalls have.
This is one of the meanest, most Led-Zep
tones I've ever been able to get. After warming up the tubes with Hendrix licks at blistering volumes, it was time to record the amp
and UAD and see how they stacked up.
Once again, the emulation is very impressive. It has a more neutral response than the
tone of the amp that I recorded, but it's all
there. A lot of digital amps can show their
true colors when being pushed this hard;
they end up sounding thin and harsh. This is
not the case with UAD's JMP 2203; it's a
very musical and responsive representation
of the JMP. With some minor EQ adjustment
on the channel strip, I had it dialed in and it
definitely held its own next to the original.
While there is no substitute for the real JMP
http://www.cras.edu
http://www.audiorecordingschool.com/consumer.html
Table of Contents for the Digital Edition of Recording - July 2016
Contents
Recording - July 2016 - Intro
Recording - July 2016 - Cover1
Recording - July 2016 - Cover2
Recording - July 2016 - 1
Recording - July 2016 - 2
Recording - July 2016 - 3
Recording - July 2016 - 4
Recording - July 2016 - 5
Recording - July 2016 - Contents
Recording - July 2016 - 7
Recording - July 2016 - 8
Recording - July 2016 - 9
Recording - July 2016 - 10
Recording - July 2016 - 11
Recording - July 2016 - 12
Recording - July 2016 - 13
Recording - July 2016 - 14
Recording - July 2016 - 15
Recording - July 2016 - 16
Recording - July 2016 - 17
Recording - July 2016 - 18
Recording - July 2016 - 19
Recording - July 2016 - 20
Recording - July 2016 - 21
Recording - July 2016 - 22
Recording - July 2016 - 23
Recording - July 2016 - 24
Recording - July 2016 - 25
Recording - July 2016 - 26
Recording - July 2016 - 27
Recording - July 2016 - 28
Recording - July 2016 - 29
Recording - July 2016 - 30
Recording - July 2016 - 31
Recording - July 2016 - 32
Recording - July 2016 - 33
Recording - July 2016 - 34
Recording - July 2016 - 35
Recording - July 2016 - 36
Recording - July 2016 - 37
Recording - July 2016 - 38
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Recording - July 2016 - 40
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Recording - July 2016 - 70
Recording - July 2016 - 71
Recording - July 2016 - 72
Recording - July 2016 - Cover3
Recording - July 2016 - Cover4
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