Recording - November 2016 - 55
Once you published your record, you
had to pay royalties for each copy of
each song that went out the door. This
meant, in turn, that you needed to track
sales (and promo shipments) pretty carefully, and write a royalty check to the
song's publisher, usually monthly. The
royalty rates were set by statute.
These days it's a lot simpler. The
National Music Publishers Association, a
trade group representing some 800 companies, has set up the Harry Fox Agency,
a clearinghouse to handle royalty payments. If you want to record something
that you don't own, you can go to the
agency's website,
harryfox.com/license_music, fill out some
electronic forms, tell them how many
copies you plan to put out (including promos), and use your handy plastic to pay
royalties on the whole caboodle at once.
Tracking monthly sales, except for downloads and streaming, is happily a thing
of the past; the whole process is frontloaded, and the days of writing royalty
checks for $0.45 are mostly behind us.
Speaking of that, how much are royalties, anyway? The current mechanical
royalty rate for physical formats (LPs,
cassettes, CDs) and permanent digital
downloads, set by act of Congress, is
9.10¢ per copy for songs 5 minutes or
shorter. For songs longer than 5 minutes,
the rate is 1.75¢ per minute or fraction
thereof, per copy distributed. That
applies to any songs still under copyright, whether by Irving Berlin, Bob
Dylan, or Beyoncé.
Unfortunately, the situation for royalties on music used by streaming
providers is pretty hairy; info about that
is at tinyurl.com/streamingrates. But if
you want to sell a clip from someone
else's song as a ringtone? That's pretty
simple; it'll run you 24¢ per copy sold,
payable via the Harry Fox Agency.
Just a snip?
What if you want to use a note or drum
hit from an existing recording in your sampler? Unfortunately, you're out of luck;
you'll have to pay for it, just like you have
to pay to record copyrighted material, but
there's no clearinghouse like the Harry
Fox Agency to smooth the way. (For any
eager young MBA seeking a career
move, there's definitely an opening here.)
Instead, you need to do the legwork of
finding out who owns the rights to the performance (which might be the performer,
or the record company that issued it, or
someone else who bought the rights). Then
you have to negotiate the amount with
them, because Congress in its wisdom has
RECORDING NOVEMBER 2016
55
http://www.harryfox.com/license_music
http://www.gikacoustics.com
http://www.tinyurl.com/streamingrates
http://www.recordingmag.com
Table of Contents for the Digital Edition of Recording - November 2016
Contents
Recording - November 2016 - Intro
Recording - November 2016 - Cover1
Recording - November 2016 - Cover2
Recording - November 2016 - 1
Recording - November 2016 - 2
Recording - November 2016 - 3
Recording - November 2016 - 4
Recording - November 2016 - 5
Recording - November 2016 - Contents
Recording - November 2016 - 7
Recording - November 2016 - 8
Recording - November 2016 - 9
Recording - November 2016 - 10
Recording - November 2016 - 11
Recording - November 2016 - 12
Recording - November 2016 - 13
Recording - November 2016 - 14
Recording - November 2016 - 15
Recording - November 2016 - 16
Recording - November 2016 - 17
Recording - November 2016 - 18
Recording - November 2016 - 19
Recording - November 2016 - 20
Recording - November 2016 - 21
Recording - November 2016 - 22
Recording - November 2016 - 23
Recording - November 2016 - 24
Recording - November 2016 - 25
Recording - November 2016 - 26
Recording - November 2016 - 27
Recording - November 2016 - 28
Recording - November 2016 - 29
Recording - November 2016 - 30
Recording - November 2016 - 31
Recording - November 2016 - 32
Recording - November 2016 - 33
Recording - November 2016 - 34
Recording - November 2016 - 35
Recording - November 2016 - 36
Recording - November 2016 - 37
Recording - November 2016 - 38
Recording - November 2016 - 39
Recording - November 2016 - 40
Recording - November 2016 - 41
Recording - November 2016 - 42
Recording - November 2016 - 43
Recording - November 2016 - 44
Recording - November 2016 - 45
Recording - November 2016 - 46
Recording - November 2016 - 47
Recording - November 2016 - 48
Recording - November 2016 - 49
Recording - November 2016 - 50
Recording - November 2016 - 51
Recording - November 2016 - 52
Recording - November 2016 - 53
Recording - November 2016 - 54
Recording - November 2016 - 55
Recording - November 2016 - 56
Recording - November 2016 - 57
Recording - November 2016 - 58
Recording - November 2016 - 59
Recording - November 2016 - 60
Recording - November 2016 - 61
Recording - November 2016 - 62
Recording - November 2016 - 63
Recording - November 2016 - 64
Recording - November 2016 - 65
Recording - November 2016 - 66
Recording - November 2016 - 67
Recording - November 2016 - 68
Recording - November 2016 - 69
Recording - November 2016 - 70
Recording - November 2016 - 71
Recording - November 2016 - 72
Recording - November 2016 - Cover3
Recording - November 2016 - Cover4
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