Recording - December 2016 - 43
no load on pickups. Piezo-equipped guitars will love the V5!
Tone it
The Tone circuit is best described by
checking out the chart at right, taken from
the V5 literature. The first six settings-the
TONE-BANK™ settings from the U5-are
tailored to be source-specific. Both settings
2 and 3 are wonderful for direct tracking
of bass, and while setting 4 is suggested
for acoustics, strings, electric and bass guitars, and keyboards, I loved it on vocals
with the abovementioned SM7B!
The other four settings are made to be
more microphone-focused. They include
two different highpass filter curves, one
of which is also available with something called Air-Lift, a gentle high-end
boost that I found especially nice on
darker ribbon mics.
Reamplify it
Reamplification with the V5 is very simple. Start by tracking your guitar, bass,
or even your keyboard through the V5 to
your DAW. The Thru lets you track clean
while letting the talent hear an amp to
inspire their playing, and I found the
direct input to be clean and powerful
enough to do a beautiful job tracking
low-output electric pianos like my Fender
Rhodes. Then send that signal out of your
DAW to the V5's line input, and the -18 dB 1/4" out is sent to your amp at the appropriate input impedance level. Mic up your amp and you're good to go!
I recently used the V5 for a bass tracking session where we tracked a Fender Jazz Bass
direct through Tone setting 3 and then re-amped that out to a 1959 Fender Bassman
miked with a Neumann U 47 fet. The bass player who often works at my studio felt that
when the two signals, direct with Tone 3 plus miked with the Neumann, were combined,
it was hands down the best bass sound he had ever gotten at my studio.
Conclusions
It's hard not to be impressed by this box, especially because it does so many
things and does them all exceptionally well. The V5 can be equally at home in a
high-profile pro studio, or as a great single centerpiece for a home or project studio,
tackling your mic and instrument tracking needs with ease.
The Avalon V5 is not inexpensive, but its price is certainly not out of line considering all it does. This is one great sounding, beautiful looking, and impeccably built
and designed piece of gear, and a worthy sibling to the U5 and M5 in the Avalon
family.
Price: $1345 * More from: Avalon Design, www.avalondesign.com
http://www.avalondesign.com
http://cras.edu/gainful-employment
Table of Contents for the Digital Edition of Recording - December 2016
Contents
Recording - December 2016 - Intro
Recording - December 2016 - Cover1
Recording - December 2016 - Cover2
Recording - December 2016 - 1
Recording - December 2016 - 2
Recording - December 2016 - 3
Recording - December 2016 - 4
Recording - December 2016 - 5
Recording - December 2016 - Contents
Recording - December 2016 - 7
Recording - December 2016 - 8
Recording - December 2016 - 9
Recording - December 2016 - 10
Recording - December 2016 - 11
Recording - December 2016 - 12
Recording - December 2016 - 13
Recording - December 2016 - 14
Recording - December 2016 - 15
Recording - December 2016 - 16
Recording - December 2016 - 17
Recording - December 2016 - 18
Recording - December 2016 - 19
Recording - December 2016 - 20
Recording - December 2016 - 21
Recording - December 2016 - 22
Recording - December 2016 - 23
Recording - December 2016 - 24
Recording - December 2016 - 25
Recording - December 2016 - 26
Recording - December 2016 - 27
Recording - December 2016 - 28
Recording - December 2016 - 29
Recording - December 2016 - 30
Recording - December 2016 - 31
Recording - December 2016 - 32
Recording - December 2016 - 33
Recording - December 2016 - 34
Recording - December 2016 - 35
Recording - December 2016 - 36
Recording - December 2016 - 37
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Recording - December 2016 - 40
Recording - December 2016 - 41
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Recording - December 2016 - 46
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Recording - December 2016 - 72
Recording - December 2016 - Cover3
Recording - December 2016 - Cover4
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