Recording - March 2017 - 12

WINTER
2

|

0

|

1

|

7

NAMM

BAE (baeaudio.com) has announced a new subsidiary
brand, UK Sound. The new line will specialize in bringing
high-quality audio gear to a more approachable price
DPA Microphones (dpamicrophones.com) showed its wide
point; its first product is the 1173 ($1000), a rackmount
range of d:vote instrument miking solutions, as well as a handy
preamp/compressor that combines the classic Neve 1073
modular mounting system for the d:screet line of miniature mics.
preamplification circuit with a FET compressor that nods to
the Universal Audio 1176.
D. W. Fearn (dwfearn.com) announced the reissue of its original
2-channel tube DI, the VT-1/F, which will replace the VT-3 in the
Barefoot Sound (barefootsound.com, on display at
company's lineup, price/shipping details coming soon.
Vintage King, vintageking.com) showed the new Footprint01
($3495/pair), a very small and powerful 3-way monitor with
Dynamount (dynamount.com) announced significant price
dual opposing side-firing woofers and MEME speaker emulation
drops on its line of robotically controlled automatic mic mounting
technology. Look for a review soon.
systems, bringing hands-free mic positioning within reach of even
more studios.
Bettermaker (bettermaker.eu, dist. by TransAudio Group,
transaudiogroup.com) was displaying its Mastering Limiter
Dynaudio (dynaudiousa.com) debuted the LYD 48 ($1549
(price and availability TBA), a rack unit offering a full analog
each), a 3-way monitor with an 8" woofer, 4" midrange, and
signal path with touchscreen-based digital control.
1" dome tweeter, triamplified with Class D amplification and
featuring a 3-way Sound Balance tonality control and 24/96
Big Bear Audio (bigbearaudio.com, dist. by Wave
internal audio path.
Distribution, wavedistro.com) showed the MP1 ($399),
a 500 Series mic preamp/DI that's unique for its interchangeable "Color" circuit boards. The MP1+ ($599) adds
a Lundahl output transformer and ELMA stepped attenuator.
Bitwig (bitwig.com) announced version 2 of its audio
performance DAW and demonstrated its seamless integration
with a touchscreen Windows PC.
Blue (bluemic.com) debuted two new headphones with
built-in amplification: the dynamic-driver Sadie ($399.99)
and planar magnetic Ella ($699.99).
Boz Digital Labs (bozdigitallabs.com) showed the Manic
Compressor ($149), a parallel compressor with an architecture designed for heavy and drastic compression, and the
new Transgressor ($99), aplug-in that allows for separate
processing of attack transients and sustain in each drum hit.
Chandler Limited (chandlerlimited.com) was premiering the
REDD microphone, which had its world-exclusive first review
in last month's issue of Recording.
Dynaudio LYD 48
Cloud Microphones (cloudmicrophones.com) introduced
the Cloudlifter CL-Zi ($379), a phantom-powered "mic activator"
that provides up to 25 dB of clean gain for low-output dynamic or ribbon mics, along with variable impedance, highpass filtering, and gain control for a
wide variety of tone options. The CL-Zi combines
all of these mic-friendly features found in the
CL-Z and adds instrument DI capability as well.
Crane Song (cranesong.com) has upgraded
the Egret 8-channel D/A and summing mixer
($5599) to use its new fifth-generation Quantum D/A converters, resulting in substantially
reduced jitter and improved sound.
Cymatic Audio (cymaticaudio.com) announced Dante network compatibility as
an upgrade to the AudioLan card for the
Cloud Cloudlifter CL-Zi
uTrack24 multitrack hardware recorder/
player ($999).

Barefoot Footprint01
BAE/UK Sound 1173
12

RECORDING MARCH 2017


http://www.baeaudio.com http://www.dpamicrophones.com http://www.dwfearn.com http://www.barefootsound.com http://www.vintageking.com http://www.dynamount.com http://www.bettermaker.eu http://www.transaudiogroup.com http://www.dynaudiousa.com http://www.bigbearaudio.com http://www.wavedistro.com http://www.bitwig.com http://www.bluemic.com http://www.bozdigitallabs.com http://www.chandlerlimited.com http://www.cloudmicrophones.com http://www.cranesong.com http://www.cymaticaudio.com

Table of Contents for the Digital Edition of Recording - March 2017

Contents
Recording - March 2017 - Intro
Recording - March 2017 - Cover1
Recording - March 2017 - Cover2
Recording - March 2017 - 1
Recording - March 2017 - 2
Recording - March 2017 - 3
Recording - March 2017 - 4
Recording - March 2017 - 5
Recording - March 2017 - Contents
Recording - March 2017 - 7
Recording - March 2017 - 8
Recording - March 2017 - 9
Recording - March 2017 - 10
Recording - March 2017 - 11
Recording - March 2017 - 12
Recording - March 2017 - 13
Recording - March 2017 - 14
Recording - March 2017 - 15
Recording - March 2017 - 16
Recording - March 2017 - 17
Recording - March 2017 - 18
Recording - March 2017 - 19
Recording - March 2017 - 20
Recording - March 2017 - 21
Recording - March 2017 - 22
Recording - March 2017 - 23
Recording - March 2017 - 24
Recording - March 2017 - 25
Recording - March 2017 - 26
Recording - March 2017 - 27
Recording - March 2017 - 28
Recording - March 2017 - 29
Recording - March 2017 - 30
Recording - March 2017 - 31
Recording - March 2017 - 32
Recording - March 2017 - 33
Recording - March 2017 - 34
Recording - March 2017 - 35
Recording - March 2017 - 36
Recording - March 2017 - 37
Recording - March 2017 - 38
Recording - March 2017 - 39
Recording - March 2017 - 40
Recording - March 2017 - 41
Recording - March 2017 - 42
Recording - March 2017 - 43
Recording - March 2017 - 44
Recording - March 2017 - 45
Recording - March 2017 - 46
Recording - March 2017 - 47
Recording - March 2017 - 48
Recording - March 2017 - 49
Recording - March 2017 - 50
Recording - March 2017 - 51
Recording - March 2017 - 52
Recording - March 2017 - 53
Recording - March 2017 - 54
Recording - March 2017 - 55
Recording - March 2017 - 56
Recording - March 2017 - 57
Recording - March 2017 - 58
Recording - March 2017 - 59
Recording - March 2017 - 60
Recording - March 2017 - 61
Recording - March 2017 - 62
Recording - March 2017 - 63
Recording - March 2017 - 64
Recording - March 2017 - 65
Recording - March 2017 - 66
Recording - March 2017 - 67
Recording - March 2017 - 68
Recording - March 2017 - 69
Recording - March 2017 - 70
Recording - March 2017 - 71
Recording - March 2017 - 72
Recording - March 2017 - Cover3
Recording - March 2017 - Cover4
http://www.nxtbook.com/musicmaker/musicmaker/recording_202003
http://www.nxtbook.com/musicmaker/musicmaker/recording_202002
http://www.nxtbook.com/musicmaker/musicmaker/recording_202001
http://www.nxtbook.com/musicmaker/musicmaker/recording_201912
http://www.nxtbook.com/musicmaker/musicmaker/recording_201911
http://www.nxtbook.com/musicmaker/musicmaker/recording_201910
http://www.nxtbook.com/musicmaker/musicmaker/recording_201909
http://www.nxtbook.com/musicmaker/musicmaker/recording_201908
http://www.nxtbook.com/musicmaker/musicmaker/recording_201907
http://www.nxtbook.com/musicmaker/musicmaker/recording_201906
http://www.nxtbook.com/musicmaker/musicmaker/recording_201905
http://www.nxtbook.com/musicmaker/musicmaker/recording_201904
http://www.nxtbook.com/musicmaker/musicmaker/recording_201903
http://www.nxtbook.com/musicmaker/musicmaker/recording_201902
http://www.nxtbook.com/musicmaker/musicmaker/recording_201901
http://www.nxtbook.com/musicmaker/musicmaker/recording_201812
http://www.nxtbook.com/musicmaker/musicmaker/recording_201811
http://www.nxtbook.com/musicmaker/musicmaker/recording_201810
http://www.nxtbook.com/musicmaker/musicmaker/recording_201809
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
http://www.nxtbook.com/nxtbooks/musicmaker/nxtd
http://www.nxtbookMEDIA.com