Recording - March 2017 - 6

RECORDING

Become our Facebook fan at
www.facebook.com/RecordingMag

March 2017

Follow us on Twitter at
www.twitter.com/recordingmag

Reviews
34 Slate Media Technology Slate Control.

A powerful rack/remote monitor control and routing
solution with all the trimmings.

REVIEW BY PAUL VNUK JR.

10

Interviews
26 JBL Celebrates 70 Years Of Monitor Design.
We talk to JBL's Peter Chaikin and Mark Gander
about the company's storied history and exciting
new innovations in speaker design.

36 ATC SCM12 Pro Monitors and ATC P1
	
Pro	Amplifier.
	

INTERVIEW BY MIKE METLAY

The	power	and	glory	of	ATC	in	a	package	that	fits	into		
any small control room.
REVIEWS BY PAUL VNUK JR.

38 Prism Sound CALLIA USB Audio
	
DAC/Preamplifier.
	

Features
10 2017 Winter NAMM Show Report.

We go deep and report on all the cool new gear
on display in Anaheim.

The	famed	UK	maker's	first	"audiophile"	product		 	
is also a dandy listening solution for studios that want
something a cut above.

REPORT BY MIKE METLAY WITH PAUL VNUK JR.,
ALEX HAWLEY, AND ALLEN GOODMAN

REVIEW BY PAUL VNUK JR.

26

40 Ears On: Fostex TR-Series Dynamic Headphones.
A new dynamic driver design comes in three earcup
versions-open, semi-open, and closed-to satisfy
every application on either side of the glass.

REVIEWS BY MIKE METLAY

42 Mackie XR824 Professional Studio Monitors.
	
36

Nearly	two	decades	after	its	first	groundbreaking		 	
monitor, Mackie's latest speakers have a lot to love,
with features both familiar and new.

30 Where Do My Monitors Go?

	

It seems like a simple question, but understanding
the acoustics of speaker placement can yield
great results with no extra cost... just move your
speakers	to	improve	your	sound!
BY JAMES LINDENSCHMIDT

52 Where Did My Low End Go?

In this audio detective story, we discover that the
difference between a great-sounding room and
a thin, wimpy bass response is only a matter of time...

REVIEW BY MIKE METLAY

BY BRUCE BLACK

44 Drawmer MC3.1 Monitor Controller.
	

The MC2.1 has a larger sibling, a desktop design
whose	extra	features	nicely	fill	out	our	wish	list.
REVIEW BY PAUL VNUK JR.

46 RHA Dacamp L1.
40

	

You can have amazing sound from any source, thanks
to	this	portable	D/A	and	headphone	amplifier.
REVIEW BY MIKE METLAY

48 Fluid Audio FPX7.

	

Do you like coaxial monitor designs? Do you like
monitors that use folded-ribbon tweeters? Did you
ever wonder what a monitor that combined both
technologies	might	offer?	Read	and	find	out!
REVIEW BY MIKE METLAY

44

50 Reviewed & Revisited: Ultrasone PRO 900i.

Regulars
4

Fade In.

8

Talkback.

64 Readers' Tracks.
BY MARTY PETERS

72 Fade Out.

The Importance Of Going Outside.

GUEST EDITORIAL BY AARON J. TRUMM

65 Advertiser Index.

This upgraded model features the remarkable offset
drivers that make its soundstaging unlike anything
else you'll hear in a headphone, guaranteed.

REVIEW BY MIKE METLAY

62 Once Over-Reviews In Brief.

48

Ultimate Ears UE 4 Pro in-ear monitors; Samson QH4
headphone amp; iConnectivity iConnectAUDIO2+
audio/MIDI interface.

REVIEWS BY MIKE METLAY

46


http://www.facebook.com/RecordingMag http://www.twitter.com/recordingmag

Table of Contents for the Digital Edition of Recording - March 2017

Contents
Recording - March 2017 - Intro
Recording - March 2017 - Cover1
Recording - March 2017 - Cover2
Recording - March 2017 - 1
Recording - March 2017 - 2
Recording - March 2017 - 3
Recording - March 2017 - 4
Recording - March 2017 - 5
Recording - March 2017 - Contents
Recording - March 2017 - 7
Recording - March 2017 - 8
Recording - March 2017 - 9
Recording - March 2017 - 10
Recording - March 2017 - 11
Recording - March 2017 - 12
Recording - March 2017 - 13
Recording - March 2017 - 14
Recording - March 2017 - 15
Recording - March 2017 - 16
Recording - March 2017 - 17
Recording - March 2017 - 18
Recording - March 2017 - 19
Recording - March 2017 - 20
Recording - March 2017 - 21
Recording - March 2017 - 22
Recording - March 2017 - 23
Recording - March 2017 - 24
Recording - March 2017 - 25
Recording - March 2017 - 26
Recording - March 2017 - 27
Recording - March 2017 - 28
Recording - March 2017 - 29
Recording - March 2017 - 30
Recording - March 2017 - 31
Recording - March 2017 - 32
Recording - March 2017 - 33
Recording - March 2017 - 34
Recording - March 2017 - 35
Recording - March 2017 - 36
Recording - March 2017 - 37
Recording - March 2017 - 38
Recording - March 2017 - 39
Recording - March 2017 - 40
Recording - March 2017 - 41
Recording - March 2017 - 42
Recording - March 2017 - 43
Recording - March 2017 - 44
Recording - March 2017 - 45
Recording - March 2017 - 46
Recording - March 2017 - 47
Recording - March 2017 - 48
Recording - March 2017 - 49
Recording - March 2017 - 50
Recording - March 2017 - 51
Recording - March 2017 - 52
Recording - March 2017 - 53
Recording - March 2017 - 54
Recording - March 2017 - 55
Recording - March 2017 - 56
Recording - March 2017 - 57
Recording - March 2017 - 58
Recording - March 2017 - 59
Recording - March 2017 - 60
Recording - March 2017 - 61
Recording - March 2017 - 62
Recording - March 2017 - 63
Recording - March 2017 - 64
Recording - March 2017 - 65
Recording - March 2017 - 66
Recording - March 2017 - 67
Recording - March 2017 - 68
Recording - March 2017 - 69
Recording - March 2017 - 70
Recording - March 2017 - 71
Recording - March 2017 - 72
Recording - March 2017 - Cover3
Recording - March 2017 - Cover4
http://www.nxtbook.com/musicmaker/musicmaker/recording_202003
http://www.nxtbook.com/musicmaker/musicmaker/recording_202002
http://www.nxtbook.com/musicmaker/musicmaker/recording_202001
http://www.nxtbook.com/musicmaker/musicmaker/recording_201912
http://www.nxtbook.com/musicmaker/musicmaker/recording_201911
http://www.nxtbook.com/musicmaker/musicmaker/recording_201910
http://www.nxtbook.com/musicmaker/musicmaker/recording_201909
http://www.nxtbook.com/musicmaker/musicmaker/recording_201908
http://www.nxtbook.com/musicmaker/musicmaker/recording_201907
http://www.nxtbook.com/musicmaker/musicmaker/recording_201906
http://www.nxtbook.com/musicmaker/musicmaker/recording_201905
http://www.nxtbook.com/musicmaker/musicmaker/recording_201904
http://www.nxtbook.com/musicmaker/musicmaker/recording_201903
http://www.nxtbook.com/musicmaker/musicmaker/recording_201902
http://www.nxtbook.com/musicmaker/musicmaker/recording_201901
http://www.nxtbook.com/musicmaker/musicmaker/recording_201812
http://www.nxtbook.com/musicmaker/musicmaker/recording_201811
http://www.nxtbook.com/musicmaker/musicmaker/recording_201810
http://www.nxtbook.com/musicmaker/musicmaker/recording_201809
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
http://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
http://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
http://www.nxtbook.com/nxtbooks/musicmaker/nxtd
http://www.nxtbookMEDIA.com