Recording - April 2017 - 23

said, it's to be expected when marrying PreSonus hardware
to a different DAW.
It was nice to be able to track with the Fat Channel
processing; I found myself leaning on that more and more
throughout my test sessions to fine-tune my tones on the
way in. It's just a matter of getting used to the workflow of
switching through the different programs during a session.

Sound

The PreSonus XMAX mic preamplifiers sound great. I was
able to cleanly track a rock trio over a couple of days (utilizing
the DP88 for more inputs), and the sound quality easily stood
up to interfaces at twice its price point. Great transient
response, overall very tight and detailed, without very much
coloration. The XMAX preamps are paired with Burr-Brown
192 kHz A/D and D/A converters with 118 dB dynamic
range. To me, the preamps on the Studio 192 Mobile are
its biggest selling points. They are workhorse preamps that
stand up next to the best of 'em!
I did find round-trip latency times a bit sluggish-making it
more difficult to track guitar through an amp simulator while
playing along with a live drummer, for example. It's still quite
usable, but not nearly the best latency performance available
for musicians that rely heavily on virtual instruments. This
latency is due in part to the Fat Channel processing, which
cannot be bypassed and which adds a few milliseconds to
the round-trip time... not a lot, but enough to feel.
If that's not a huge concern for the way you work, though,
everything else about this interface really shines. Users who
primarily record live instruments in a room, rather than
performances with virtual instruments or amp simulators, will
be captivated by its clarity and detailed mic preamp sound.

Wrap-Up

The Studio 192 Mobile is a solid next-generation interface.
With USB 3, plentiful I/O-especially with the option to add
more XMAX mic preamps with the DP88-and top shelf
Burr-Brown conversion up to 192 kHz, there isn't a lot this interface can't handle. The XMAX mic preamps are detailed and
clean, especially when working in conjunction with the Fat
Channel processing.
The Studio 192 interfaces are especially sweet for Studio
One users. With the built-in Fat Channel DSP and seamless
integration with the DAW, they allow you to work more
efficiently than ever. In other DAWs, while the UC Surface
software takes some getting used to, it is still a very powerful
companion for an interface in this price range. When you
put it all together, this is one powerful rig for a mobile
recording system.

PRICE: Studio 192 Mobile, $599.95;
DP88, $599.95 (Studio 192, $899.95)
MORE FROM: PreSonus, www.presonus.com
RECORDING April 2017

23



http://www.presonus.com

Table of Contents for the Digital Edition of Recording - April 2017

Contents
Recording - April 2017 - Intro
Recording - April 2017 - Cover1
Recording - April 2017 - Cover2
Recording - April 2017 - 1
Recording - April 2017 - 2
Recording - April 2017 - 3
Recording - April 2017 - 4
Recording - April 2017 - 5
Recording - April 2017 - Contents
Recording - April 2017 - 7
Recording - April 2017 - 8
Recording - April 2017 - 9
Recording - April 2017 - 10
Recording - April 2017 - 11
Recording - April 2017 - 12
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Recording - April 2017 - 17
Recording - April 2017 - 18
Recording - April 2017 - 19
Recording - April 2017 - 20
Recording - April 2017 - 21
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Recording - April 2017 - 23
Recording - April 2017 - 24
Recording - April 2017 - 25
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Recording - April 2017 - 27
Recording - April 2017 - 28
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Recording - April 2017 - Cover3
Recording - April 2017 - Cover4
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