Recording - April 2017 - 43
notes on particular strings, and then you
can jam over the top of your loops with a
chosen sound on the jamstik+. It's not going
to replace Ableton Live any time soon, but
it will be great fun for beginners.
DAW integration
When you use the jamstik+ as a
controller in your own music software,
it presents itself as a standard MIDI
device. Each string transmits on its own
MIDI channel; you can also elect to have
it only work on a single channel, which
simplifies the MIDI stream but also limits
how you can play polyphonically.
What's interesting is that there aren't
just notes played when you pick or
strum the instrument (and pitch bends
if enabled), there are also a matrix of
MIDI Control Change commands that
are sent every time you fret or release a
note. With some clever programming,
you could set up your DAW to use this
information in a variety of ways; this is
how two-hand tapping is implemented, for
example. There's no fancy system-exclusive
stuff here; all the data are out where
you can use them.
The L word
Latency is always a concern where
controllers of this type are concerned,
and it's the one area where some users
will find the jamstik+ perfectly acceptable
and others will have trouble with it.
Zivix claims 10 to 11 ms latency, which
feels about right in our tests (tip of the
hat to Allen Goodman for his help here).
However, Zivix claims that a person can't
perceive a lag of under 30 ms, and
any professional musician or engineer
knows that's a very generous number...
the real figure is certainly under 10 ms
for almost any experienced musician,
and probably under 5 ms for most.
What that means is, there's a definite
delay between picking a note and hearing
it. You can compensate for it when
playing chords, but it plays havoc with
fancy melodic lines. This appears to be
a function of the pitch-sensing circuitry
inside the controller-latencies don't
improve appreciably if you switch from
Bluetooth to a wired connection.
This won't make it impossible for an
amateur to use the jamstik+ as a teaching
tool, nor will it stop enterprising guitarists
from using it to enter notes into a DAW
(especially with a bit of recording quantization). Realtime soloing with any
speed will prove frustrating, though...
there are better tools for experienced
guitarists who want the full nuance of a
guitar when working with a DAW. (That
shouldn't be a surprise, given that with
only five frets, one's playing will naturally
be a bit constrained.)
Conclusions
The jamstik+ is compact, well built,
and does a good job as a MIDI controller
once the user makes allowances for
latency. If you're a guitarist who finds
a piano keyboard baffling and you'd
like a quicker way to enter notes in your
DAW, one that's compact and very
portable (and easy for a novice to set
up), the jamstik+ is well worth a try.
http://www.gracedesign.com
Table of Contents for the Digital Edition of Recording - April 2017
Contents
Recording - April 2017 - Intro
Recording - April 2017 - Cover1
Recording - April 2017 - Cover2
Recording - April 2017 - 1
Recording - April 2017 - 2
Recording - April 2017 - 3
Recording - April 2017 - 4
Recording - April 2017 - 5
Recording - April 2017 - Contents
Recording - April 2017 - 7
Recording - April 2017 - 8
Recording - April 2017 - 9
Recording - April 2017 - 10
Recording - April 2017 - 11
Recording - April 2017 - 12
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Recording - April 2017 - 15
Recording - April 2017 - 16
Recording - April 2017 - 17
Recording - April 2017 - 18
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Recording - April 2017 - 20
Recording - April 2017 - 21
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Recording - April 2017 - 25
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Recording - April 2017 - 27
Recording - April 2017 - 28
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Recording - April 2017 - Cover3
Recording - April 2017 - Cover4
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