Recording - August 2017 - 41
screaming and some judicious touches of
room sound. You may not have that option
if you're working in a small venue (under
500 seats), and you definitely won't if
you're playing at a bar or coffee shop.
It's not easy to find a room that sounds
really good, but it's not impossible either.
This is the time to make a list of the places
the band plays, and to listen critically to
its sound in each venue. The hope is that
you'll end up with a short list of three or
four rooms where the sound of the band
is at its best, and be able to record gigs in
some or all of them. An almost-perfect set
on Friday can be augmented by fantastic
recordings of encores from Saturday, and
a flubbed song from Thursday can be
replaced with a killer take from Sunday.
3
RULE THREE
UNDERSTAND
THE GIG
The next step is to look
hard at what a live gig is like for the
band and for the audience.
For the band: Who's on stage, what are
they playing, how is the set arranged? Are
instruments swapped frequently? Does the
band cover for each other when someone
needs to tune up, or do they do breaks
with patter between songs? How many
vocalists are there? What's the balance of
miked vs. direct instruments?
For the audience: What's the genre of
music? How is the set usually structured?
Are there short sets with intermissions,
long sets, encores, breaks? What's the
energy flow in the audience like? (An
appropriately enthusiastic audience for
a bluegrass gig will not sound quite the
same as an appropriately enthusiastic
audience for a metal gig. Just saying.)
4
RULE FOUR
ASSEMBLE THE
TOOLS TO DO THE
JOB RIGHT
There are lots of ways to record a band
in a room. There are tradeoffs between
ease of use, quality of sound, ability to
work with tracks after the fact, reliability
in the heat of battle, and cost. Everything
you've considered up until now feeds
into this next stage, which is where the
hard gear-geek work gets done. It is also
when you begin your negotiations with
Mr. FOH Guy...
First and foremost: would a well-made
stereo recording of the band in the room
be sufficient for your purposes, or are you
going to need multitrack recordings of all
sources to mix later?
For some gigs and musical genres, like
acoustic jazz, classical music, bluegrass,
or traditional country, a stereo recording
might be perfect if the PA system has a
great sound (or if there's no PA at all and
the audience is listening to unamplified
music). Set up a couple of pairs of mics to
capture the band and the audience, and
mix to taste. Of course, this eliminates any
ability to edit specific tracks and weds
you to the sound of the room. One violent
coughing fit or squeaky chair leg kills
your chances of releasing a song, unless
you're really good with editing software.
http://www.cloudmicrophones.com
Table of Contents for the Digital Edition of Recording - August 2017
Contents
Recording - August 2017 - Intro
Recording - August 2017 - Cover1
Recording - August 2017 - Cover2
Recording - August 2017 - 1
Recording - August 2017 - 2
Recording - August 2017 - 3
Recording - August 2017 - 4
Recording - August 2017 - 5
Recording - August 2017 - Contents
Recording - August 2017 - 7
Recording - August 2017 - 8
Recording - August 2017 - 9
Recording - August 2017 - 10
Recording - August 2017 - 11
Recording - August 2017 - 12
Recording - August 2017 - 13
Recording - August 2017 - 14
Recording - August 2017 - 15
Recording - August 2017 - 16
Recording - August 2017 - 17
Recording - August 2017 - 18
Recording - August 2017 - 19
Recording - August 2017 - 20
Recording - August 2017 - 21
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Recording - August 2017 - 24
Recording - August 2017 - 25
Recording - August 2017 - 26
Recording - August 2017 - 27
Recording - August 2017 - 28
Recording - August 2017 - 29
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Recording - August 2017 - 31
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Recording - August 2017 - Cover3
Recording - August 2017 - Cover4
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