Recording - November 2017 - 16

Trick Out
YOUR STUDIO

GIK Impression
Series Acoustic
Panels

$55-$175 depending on thickness/size/quantity;
available in bundles at www.gikacoustics.com
By Paul Vnuk Jr.
Back in our November 2011 issue, I wrote a Fade Out called
"Hey! Treat Your Room, Stupid!", where I discussed the benefits
of room treatment and how it is equally if not more important
than gear purchases, although admittedly not as fun.
I professionally treated my room seven years ago and rather
than going the DIY route, I wisely chose to use the products
and services of Atlanta's GIK Acoustics. I say 'wisely' since after
I spec'ed out the price of materials, the learning curve, and the
time and sweat involved (i.e. I have zero construction skills),
the GIK panels were a bargain. Besides, I got the hand-holding
and expert advice of GIK's owners, the husband and wife team
of Glenn Kuras and Shelly Williams.
In my 12' 6" x 18'' 2" x 7' 7" converted office space I went with
six of the company's 242 Acoustic panels and seven of their 244 Bass
traps. Long story short, the sonic results of the GIK panels in my
room resulted in more accurate imaging, a dryer focused sound, and
a tighter controlled low end... yielding a mix space I could trust.
I also make use of one of the company's PIB Portable Isolation
Booths (reviewed November 2016) as a full-size absorber/
isolation panel when cutting vocals, acoustic guitar, sax and
strings, and I use it in folded-gobo mode when tracking drums
and electric guitars to control boom and tighten bleed. I mention
the PIB because the panels on review this month are a logical
outgrowth and marriage of the PIB and GIK's 242 Panels.

Impressionism

The new Impression panels are, at their core, 242 Acoustic
Panels. Each panel consists of Knauf ECOSE ridged fiberglass
inside a wood frame and covered head to toe, front and rear,
in tight stretched fabric. Added to that on the front is a thin
wood veneer, which is what is similar to that of the PIB. The
16

RECORDING November 2017

new Impression panel design isn't just for looks; it combines
two acoustic treatments-absorption and diffusion-into
one product.
Visually the Impression Panels are available in one of nine
standard GIK fabrics (with custom colors also available for an
upcharge) and the front panel is available in one of six Art Deco
inspired patterns: Bubble, Checkerboard, Digiwave, 3-D Cubes,
Gatsby Arches, and Mod Geometric. There are also five veneer
choices of Blonde, Black, White, Gray Elm, and Mahogany. See
the GIK website for details. The panels are also available in three
sizes/shapes-Square (23 x 23 inches), Narrow (11.5 x 45.5),
or Rectangle (23 x 45.5)-and three thicknesses: 2", 4", or 6".
I was sent a pair of the rectangular panels in Blonde
Mod-Geometric with red fabric. At Glenn's suggestion I
placed them at the front of my room, behind monitors in my
mix position in place of two of my 244 bass traps. To not lose
the control of the bass trapping, I placed those panels along
the bottom of my wall in a horizontal position.
The effect? My room was brighter... visually, that is, since all
of my other panels are coffee brown. The new panels looked
great, especially since red and wood are the accent colors
in my room. (Props to my wife, who's an interior decorator.)
Sonically I was not expecting a huge change, since my room
has been GIK treated already, but I was pleasantly surprised
to hear a subtle but significant difference. Up until now, all of
my panels were essentially of the absorption variety. The
Impressions' veneer fascia helped to liven up my mix position
ever so slightly and add more life and definition to the high
end-not so much a brightness as a gentle controlled liveliness.
Bottom line, I plan on adding two more of these panels in
the not-so-distant future to my first reflection points, and then
repurposing my older 242 panels into a ceiling cloud. All of
this will be with Glenn and GIK's advice, which is a great
place to remind you that before you blindly start buying and
tossing up treatments, you should contact the folks at GIK.
Give them some room dimensions, email them some pics, and
get their advice on product choice and placement.
Before you buy your next new compressor or EQ, do
yourself a favor and "Treat your room!" If not, buying all
that gear and not being able to hear the results properly
will be kind of, well... stupid.


http://www.gikacoustics.com

Table of Contents for the Digital Edition of Recording - November 2017

Contents
Recording - November 2017 - Intro
Recording - November 2017 - Cover1
Recording - November 2017 - Cover2
Recording - November 2017 - 1
Recording - November 2017 - 2
Recording - November 2017 - 3
Recording - November 2017 - 4
Recording - November 2017 - 5
Recording - November 2017 - Contents
Recording - November 2017 - 7
Recording - November 2017 - 8
Recording - November 2017 - 9
Recording - November 2017 - 10
Recording - November 2017 - 11
Recording - November 2017 - 12
Recording - November 2017 - 13
Recording - November 2017 - 14
Recording - November 2017 - 15
Recording - November 2017 - 16
Recording - November 2017 - 17
Recording - November 2017 - 18
Recording - November 2017 - 19
Recording - November 2017 - 20
Recording - November 2017 - 21
Recording - November 2017 - 22
Recording - November 2017 - 23
Recording - November 2017 - 24
Recording - November 2017 - 25
Recording - November 2017 - 26
Recording - November 2017 - 27
Recording - November 2017 - 28
Recording - November 2017 - 29
Recording - November 2017 - 30
Recording - November 2017 - 31
Recording - November 2017 - 32
Recording - November 2017 - 33
Recording - November 2017 - 34
Recording - November 2017 - 35
Recording - November 2017 - 36
Recording - November 2017 - 37
Recording - November 2017 - 38
Recording - November 2017 - 39
Recording - November 2017 - 40
Recording - November 2017 - 41
Recording - November 2017 - 42
Recording - November 2017 - 43
Recording - November 2017 - 44
Recording - November 2017 - 45
Recording - November 2017 - 46
Recording - November 2017 - 47
Recording - November 2017 - 48
Recording - November 2017 - 49
Recording - November 2017 - 50
Recording - November 2017 - 51
Recording - November 2017 - 52
Recording - November 2017 - 53
Recording - November 2017 - 54
Recording - November 2017 - 55
Recording - November 2017 - 56
Recording - November 2017 - 57
Recording - November 2017 - 58
Recording - November 2017 - 59
Recording - November 2017 - 60
Recording - November 2017 - 61
Recording - November 2017 - 62
Recording - November 2017 - 63
Recording - November 2017 - 64
Recording - November 2017 - 65
Recording - November 2017 - 66
Recording - November 2017 - 67
Recording - November 2017 - 68
Recording - November 2017 - 69
Recording - November 2017 - 70
Recording - November 2017 - 71
Recording - November 2017 - 72
Recording - November 2017 - Cover3
Recording - November 2017 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com