Recording - December 2017 - 16
DARRELL
THORP
of it. They wanted a sort of triplet feel, so they just threw a
delay on the drums, and that sound carried through to the final
version. That triplet echo was mostly on the kick drum, with a bit
of snare, and a little bit of the mono overhead added in, done
while tracking. We did redo it a couple times to mess with the
sound. I don't remember if Taylor played to that sound or not.
The drum flange was done at mix time, though; I heard the
fill and said to Greg, "This would be so rad if we could do
some tape flanging," And he just said, "Go for it!" I had a
tape machine in the room, so-
That was real tape flange? You're my hero!
Yeah, that's the real deal. [laughs]
ENGINEER AND PRODUCER
One thing I get asked about a lot by clients is the
relationship between the engineer and the producer.
Some bands claim to co-produce their albums even when
they're just starting out; other times, engineers take on
the producer role if no one else will; and then there's the
goes for the (concrete and) gold
inside the recording of the
latest foo fighters album
producer who just says, "You're the engineer, shut up and
hit Record!" In your experience, how do you balance the
engineer, the producer, and the artist in the control room?
Being the engineer, I think that my job is all about sonic
expression. I'm in the studio as part of a team that makes sure
that the artist feels inspired to create.
I feel that in this day and age, a lot of artists coming up don't
have the same career path that I have, working in a lot of great
studios and learning from a lot of great engineers how to record
really well on the fly and have it sound finished. When that happens,
the artist records a track, comes into the control room to hear it
for the first time, and it sounds like a record to them... and they're
inspired to go out and record another part and they knock it out,
because they're feeling the interpretation coming out of the
speakers. As an engineer, I strive to make that happen all the time.
As for working with producers: I am very lucky that people
tend to hire me because I have a specific sonic thumbprint. At
the same time, though, when the producer says, "I want this,"
my response has to be, "Well, let's see if we can figure out how
to get that." Sometimes what they're asking for is very simple;
other times it may take some work to figure out precisely what
they want, which is totally fine.
http://primacoustic.com
http://www.primacoustic.com
Table of Contents for the Digital Edition of Recording - December 2017
Contents
Recording - December 2017 - Intro
Recording - December 2017 - Cover1
Recording - December 2017 - Cover2
Recording - December 2017 - 1
Recording - December 2017 - 2
Recording - December 2017 - 3
Recording - December 2017 - 4
Recording - December 2017 - 5
Recording - December 2017 - Contents
Recording - December 2017 - 7
Recording - December 2017 - 8
Recording - December 2017 - 9
Recording - December 2017 - 10
Recording - December 2017 - 11
Recording - December 2017 - 12
Recording - December 2017 - 13
Recording - December 2017 - 14
Recording - December 2017 - 15
Recording - December 2017 - 16
Recording - December 2017 - 17
Recording - December 2017 - 18
Recording - December 2017 - 19
Recording - December 2017 - 20
Recording - December 2017 - 21
Recording - December 2017 - 22
Recording - December 2017 - 23
Recording - December 2017 - 24
Recording - December 2017 - 25
Recording - December 2017 - 26
Recording - December 2017 - 27
Recording - December 2017 - 28
Recording - December 2017 - 29
Recording - December 2017 - 30
Recording - December 2017 - 31
Recording - December 2017 - 32
Recording - December 2017 - 33
Recording - December 2017 - 34
Recording - December 2017 - 35
Recording - December 2017 - 36
Recording - December 2017 - 37
Recording - December 2017 - 38
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Recording - December 2017 - 40
Recording - December 2017 - 41
Recording - December 2017 - 42
Recording - December 2017 - 43
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Recording - December 2017 - 45
Recording - December 2017 - 46
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Recording - December 2017 - 49
Recording - December 2017 - 50
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Recording - December 2017 - 68
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Recording - December 2017 - 70
Recording - December 2017 - 71
Recording - December 2017 - 72
Recording - December 2017 - Cover3
Recording - December 2017 - Cover4
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