AudioMedia - June 2008 - (Page 13)

IBC Review stereo inputs, and has two downmix facilities for monitoring and program. www.neyrinck.com Prism Sound announced an upgrade to its Orpheus FireWire multi-channel audio interface that enables its audio outputs to be converted to ADAT outputs, and vice-versa, thereby allowing it to be connected directly to a number of DAWs, including Digidesign Pro Tools LE. www.prismsound.com RME showcased its brand new HDSPe MADIface, purportedly the world’s first and only MADI interface for laptops, based on an ExpressCard capable of handling 64 (I/O) audio channels at 192kHz with a 250MB/s transfer rate in both directions. www.rme-audio.com Schoeps demonstrated its new ‘Microphone Show Room’– a Flashbased application at the Schoeps website that demonstrates and compares various microphone techniques and capsules, complete with audio. Also new was a new suspension mount for the CCM series, overcoming the problem of low mass in the microphone itself. www.schoeps.de Stage Tec showcased its new TRIAGON multi-client-enabled audio server, supporting up to 128 inputs and 128 outputs, plus 84 assignable buses, controllable from the operating console, an 8x8 fader remote unit, or laptop computer via Ethernet or WLAN; the German company also showed the AURUS Wireless Virtual Fader Unit – a software application running on a dedicated touchscreen tablet PC that serves as a roving remote control, offering eight additional fader control channels for the AURUS DirectAccess Console when networked via WLAN – and XCMC board, squeezing all the control and audio processing hardware for the AURATUS compact digital console onto a single board that slots into a standard NEXUS 3U base unit. www.stagetec.com Independent UK broadcast systems integrator TSL showed the AMU1-3G, its new multistandard, multi-format rackmount audio monitor offering intuitive and compact metering of Dolby E bit streams from HD/ SDI video formats up to and including the latest HD standard 1080p at 50Hz. TSL also showed a new line of cost-effective rack-mount monitoring units – the MPA range. Starting at around £300, the range includes passive and active monitoring units with various metering and input options. www.tsl.co.uk TubeTech showed a new modular rack frame system for eight modules. Current modules are the PM1A mic pre, the CM1A compressor, and the EM1A EQ. www.tubetech.com Celebrating a decade since Bill Putman Jnr. re-founded Universal Audio to revive classic products, the Californian company announced the 1176AE (Anniversary Edition) of the legendary limiting amplifier, and also announced the 710 Twin Finity Tube • Solid State • ToneBlending pre-amp with dual signal paths centred around a phase-aligned Tone-Blending knob that is continually variable from 100% tube to 100% solid state, offering easy access to multiple pre-amp tones. www.uaudio.com AUDIO MEDIA JUNE 2008 13 http://www.neyrinck.com http://www.stagetec.com http://www.prismsound.com http://www.rme-audio.com http://www.tsl.co.uk http://www.tubetech.com http://www.schoeps.de http://www.charteroakacoustics.com http://www.uaudio.com http://www.charteroakacoustics.com

Table of Contents Feed for the Digital Edition of AudioMedia - June 2008

AudioMedia - June 2008 Contents Recording Post Broadcast AES Review What's Up UK? Geofocus: Australia For the Record Special Report: Videosonics Newstalk: DPA New Microphones Novation SL Compact Allen & Heath IDR-8 Eastwest Quantum Leap SD2 & Goliath Final Cut: Indiana Jones Merging ADR Module Koolworld SSL Duende Good Product Sampler: Microphones Video Guide AMSR Meyer Sound The Blue Planet Live! Royer Labs Mics R-121 & R-122

AudioMedia - June 2008

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