AudioMedia - August 2008 - (Page 10)

Analogue Processors MLA800-1 Pre-amps & Channel Strips Prism Sound Maselec MEA-2 Eight Ch Line Amplifier – Transformer Balanced Outputs. Available in transofrmer XLR I/O and metered versions. A MLA800-2 Eight Ch Line Amplifier – Active Balanced Outputs. Available in transofrmer XLR I/O and metered versions. A DMA103 1X3 Microphone Distribution Amplifier, +22dBm XLR I/O (Incl. External Power Supply). A M100 UltiMike – 1 Ch High Performance Microphone Amplifier. A ML200 Two Ch Microphone to Line and Line Amplifier – XLR I/O. A MMA400-1 Four Ch mic to line amp, +24dBm, transformer balanced out, Phoenix I/O. 15V and 48V phantom power options. A MMA400-2 Four Ch mic to Line amp, +24dBm, active balanced out, Phoenix I/O. 15V and 48V phantom power options available. A MMA800-1 Four Ch mic to Line amp, +24dBm, transformer balanced out, Phoenix I/O. 15V and 48V phantom power options. B MMA800-2 Four Ch Microphone to Line Amplifier, +24dBm, Active Balanced Output, Phoenix I/O. Available with 15V and 48V phantom power options. A AMM200 Stereo Preamplifier, Metered with Headphone Monitor – XLR and RCA I/O (External PSU). A P1000-1 Stereo phon pre +22dBm transformer out. A P1000-2 Stereo Phono Preamp +22dBm Output. A ASP008 Eight-channel mic pre with variable input impedance. AES/EBU, ADAT and now S/MUX output options available. B Black Pre Analogue Pre for Black Series racks – featuring HMX. A Mico Dual Channel Mic Pre with HMX, Variphase and ADC. A AD2022 Pure Class A dual mono mic pre-amp with fine trim and DI inputs. C M5 Pure Class A mono mic pre-amp with DI instrument input and 2dB step gain. B U5 Pure Class A mono instrument DI pre-amp with six-bank tone/EQ. A VT-737sp Mono mic pre-amp/opto-compressor/fourband, Class A EQ with four tubes. C PRE420 4-ch mic-pre with stereo mix and stereo/mono solo busses; max transparency, RF immune wide bandwidth, low-noise/distortion. C Robbie Class-A discrete tube microphone and instrument preamplifier with no ICs and discrete components from input to output. B AR-133 Active Direct Injection (DI) box. ARC1.1 Elixir MA2.2 SSA1.1 TG Channel MKII EMI channel path. Mic/Line/DI input, three-band EQ. C TG-2 Mic Preamp Stereo mic pre-amp from custom consoles used in 60s and 70s. Warm open tone, 5-75dB gain, DI input, 48 volt, output control. C Germanium Preamp/DI Made with classic germanium transistors which opens a new sound palate not found in any other pro audio equipment. B Flamingo Class A, discrete mic pre-amp. C Spider Class A, discrete eight-channel mic pre-amp/ mixer. D MicAmp Clear, uncoloured, detailed and complete sound for recording; with bomb proof input stage and optional in line pad. C HeadLite2 4 in, 4 out headphone amp, with six position self cleaning monitor select for each amplifier. A Mic-Pre EQ 52270 Single-channel mic/pre EQ with 48V phantom power, phase reverse, pad, gain, output level controls, four-band EQ, plus shelving filters. C Mic-Pre IV Class A, four-channel mic/pre EQ with 48V phantom power, 20dB pad, phase reverse, Hi-Z input and LED meter. C BG1 Decca Studios Heritage dual mic pre-amp. A BG2 Decca Studios Heritage 4-way mic pre-amp. C BG5 Decca Studios Heritage channel strip. C 286A 376 386 PB-48 dB12 dB10 WXP Series by WORK Switching power series (high-quality components) designed for professional use on stage. Four models from 1000W to 3000W. A Fat Funker Mono valve guitar front end channel, for live and home use, EQ, Compressor, pre-amp, optional digital out. A OctoPre Eight-channel mic pre and dynamics with comprehensive ADC options. B OctoPre LE 8-ch mic pre with ADAT ADC/DAC option. A TrakMaster Pro Mono channel strip with mic pre, compressor, EQ and ADC option. A TwinTrak Pro Latency-free stereo tracking device with DAC as standard (ADC option). A VoiceMaster Pro Voice-optimised channel strip, ADC option. A Red 1 4-channel transformer-based classic pre-amp.D Red 7 Channel strip featuring transformer-based preamp, compressor, de-esser and exciter. D Red 8 Two-channel transformer-based pre-amp. C The Liquid Channel Channel strip featuring Liquid technology and analogue front end to emulate a host of preamps and compressors. C Liquid 4PRE Four channel Liquid pre-amp with remote control over ethernet. D ISA One Classic Single-channel Microphone Pre-amplifier with Independent DI. A ISA 220 Session Pack Channel strip featuring transformer-based preamp, EQ, compressor, de-esser, and limiter plus stereo ADC option. C ISA 430 MKII Producer Pack Channel strip featuring multiple processors, plus a stereo 192kHz ADC option. C ISA 428 Pre Pack 4-ch transformer-based pre-amp with variable impedance and 8-ch 192kHz ADC option. C ISA 828 Eight-channel transformer-based pre-amp with variable impedance and eight-channel 192kHz ADC option. C 2020 High-resolution discrete input channel combining the 8300 mic-pre, 8200 parametric EQ, and the GML Dynamic Range Controller. D 2032 Single-channel with 48V phantom power, phase reverse, gain control, gain trim, high-pass filter (40Hz, 100Hz) for pre-amp, and more. C 8302 Two-channel 8300 mic pre-amp. C 8304 Four-channel 8300 mic pre-amp. C Fatman Focusrite Crane Song DACS Daking Audient DAV Electronics Avalon Design dbx Pro Mic pre-amp processor. A Tube pre-amp channel strip with digital out. A Dual-channel tube mic pre-amp. A Balanced 1/4-inch TRS patch bay. A Active Direct Injection (DI) box. A Passive Direct Injection (DI) box. A Benchmark Blue Microphones 1960 Two-channel mic/line/instrument pre-amp/ tube compressor. C 1961 Two-channel vacuum tube equaliser. C 1969 Special Mercenary Edition Two-channel mic/line/instrument pre-amp. C MX60 Front End One Mic/line/instrument pre-amp with full dynamics EQ and multi-band tube saturation. A LP1 PDB VT1 VT15 VT2 Drawmer GML DW Fearn BSS Audio A C B C B Buzz Audio Mono mic pre-amp/compressor/EQ. Mono mic pre-amp for API 500 series. Dual-mono mic pre-amp. Dual mono mic pre-amp. Line pad. Passive DI Box. Mono tube mic pre-amp. Mono tube channel strip. Dual mono tube mic pre-amp. A A C D C Grace Design MicPort Pro 24-bit/96kHz USB Mic Preamp with a Class A mic pre, 48V phantom power and a built in headphone amp, zero latency monitoring. A LTD-1 Mic Preamp/EQ Neve-inspired 1073+ EQ/pre-amp. Hand wired, original Neve cards. Double EQ section, DI input, 48 volt, phase, output controls. C CEntrance, Inc. 1021 Single-channel Mic Pre-amp with 48V phantom power, phase reverse, and gain controls. Frequency response: 2Hz-100kHz. B 1022 Two-channel mic pre-amp with 48V phantom power, XLR and 1/4-inch connectors, phase reverse and gain controls. C 1024 Four-channel mic pre-amp with a 140dB dynamic range. D SP MAX Serie by WORK This is the SP range evolution, in 2U chassis, built-in class H circuits; it can manage low impedance (2O) loads. A Earthworks Audio Products Chandler Equipson Lunatec V3 Two-channel battery operable pre-amp/ converter with 24-bit A/D, (up to 192kHz), and MS decoder. C Model 101 Single-channel pre-amp with gain and trim controls, 48V phantom power, high-pass filter, Hi-Z input. B Model 201 Two-channel Microphone Preamplifier, featuring gain, trim controls, 48V phantom power, phase reverse, 20 dB pad and peak LEDs. C Model 801 2U eight-channel mic pre-amp with gain control, 48V phantom power, phase reverse, 20dB pad, 4.5Hz to 1MHz frequency response.D Model 801R MIDI Remote Controlled Eight-Channel Mic Preamp, with 48V phantom power, phase reverse, LCD screen. D 10 AUDIO MEDIA AUGUST 2008

Table of Contents Feed for the Digital Edition of AudioMedia - August 2008

AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory

AudioMedia - August 2008

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