AudioMedia - August 2008 - (Page 13)

TubeTech SSA 2A Preamps & Channels - Other Processors Analogue Processors DCS Remote Preamp Dual mono or stereo transimpedance mic pre/DI; Mid/Side recording with decoded monitoring; Headphone amp w/ threexcue mix, reverb, EQ and more! B LA-610 Legendary Putnam Sr. 610 Tube Mic Pre; Teletronix LA-2A-style T4 Opto-compressorVintage EQ, Variable impedance and DI; Audiophile components. B 710 Twin-Finity Mic Preamp Combines tube and solid-state circuits allowing a variable blend of each. Dual gain controls, pad, filter, phase reverse and VU metering. Freestanding design. A Solo/610 Classic Putnam 610; Gain, level, and impedance selection; Portable design, USA assembled, UA sound finally at project studio price! B TPA200B Dual tube preamplifier, vacuum tubes and high quality solid state C Symetrix 528E Voice Processor Analogue channel strip, six key funcs: mic pre, de-essing comp/limiting, downward expansion, para EQ, voice symmetry alignment. A Symetrix 302 Dual Microphone Preamplifier Two channel analogue microphone preamp. Applications: Broadcast, Sound Reinforcement, Digital and Analogue Recording, Podcasting.A TRC1 All tube mic and instr. Preamp, three band EQ, Compressor. C Rooster Stereo tube Mic/Line/DI pre-amp with EQ and ‘Attitude’ distortion. C Earlybird 2.2 Stereo tube Mic/Line pre-amp. Hand wired with custom Sowter transformers. On board active three-band lift EQ with six position bass cut. Dedicated line and Pullet inputs. D Classic PA1 High-end mic dual pentode valve pre-amp employing an all transformer balanced front end with secondary triode valve stages. B Ivory 5001 Quad valve pre-amp offering four top quality valve mic pre-amps in a single 2U package, boasting extra features. B Ivory 5050 Mono valve pre-amp/compressor. A Ivory 5051 Mono valve processor offering a combined preamp, noise gate, compressor and equaliser all in one package. B Ivory 5052 High-quality double 'channel strip' stereo valve processor; ideal system front end. C Ebony A1 Discrete Class A and Tube Dual Mic pre/DI. B Ebony A3 Discrete Class A and Tube Mono Channel Strip with Compression and EQ. B AFC-2 Dual Channel Mic Pre/ EQ w. Burr-Brown ICs, 1U, designed by Malcolm Toft, four-band EQ, Mic, Line and Instrument IPs. A EC-1 Studio Channel, 1U, designed by Malcolm Toft (direct descendent of MTA980 console), BurrBrown mic pre, FET compressor. A ATC-2 Dual Studio Channel, 2U, Designed by Malcolm Toft (direct descendent of Trident 80B console), Burr-Brown mic pres, FET compressor. A MEC 1A Single channel tube mic pre-amp/EQ/Comp.D MMC 1A Front-end recording channel/pre-amp with switchable impedance, three-band optical compressor. D MP-1A 2-channel tube mic pre-amp with 48V phantom power; 20dB pad; low-frequency cut filter (20, 40Hz); gain controls; doubles as direct box. C PM-1A MODULE single channel tube mic pre-amp with 48V phantom power; 20dB pad; low-frequency cut filter (20, 40Hz); gain controls; doubles as direct box. C 2-610S Updated version of original 2-610 preamp; Mic, balanced line, and Hi-Z input; Switchable -15dB pad; Variable input gain and output levels. C 4110 Discrete Class A, class-leading 74dB gain; threeway 'Shape' switch: Modern/Vintage/Saturate; Gain and Level controls; Fast transients XLR and 1/4-inch ins. D 6176 Two classics in one box; Ultra quiet operation; Mic, balanced line; Hi-Z inputs; Split or Join mic pre and compressor; Stereo interconnect. C 8110 Discrete Class A; three-way 'Shape' switch: Modern/Vintage/Saturate; Gain and Level controls; No capacitors in audio path. D Symetrix 500-6B Six-slot lunchbox for 500 Series modules. A 500H Two-slot rack for 500 Series modules. B 500V + L200PS 10-slot rack for 500 Series modules and PSU. B BR10 Black series 10 space rack unit for Black Series modules, inc PSU. A BBB4 Black series four space rack unit for Black Series modules, inc PSU. A Sumo Summing amplifier with integrated stereo bus compressor and monitor control. 192kHz AES/ EBU option available. B Echoverb Six-head analogue tape echo. Brand new design by ex-WEM consultant Terry MacDonald. Any combination of the six playback heads can be selected, includes a tape reverb mode. C Amigo AM Dual-band AGC for consistent loudness.. Amigo FM Dual-band AGC for consistent loudness. API Audient Tegeler Thermionic Culture Blue Coconut Unity Analogue Processors Other Processors ATTY Stereo passive attenuator with mute switch. A ATTY\'2D Six channel attenuator with mute switches. Designed for passive surround control. A REDDI All tube direct box. Custom transformers. A See’n’Sound New way to produce 3D audio surround soundscapes for any kind of video. A X-Spat Apogee Evolutionary multi-channel DSP expansion for digital audio workstations. C X-Spat AB64 Evolutionary multi-channel DSP expansion for digital audio workstations. C TheBat Three-dimensional digital controller, which enables settling in a pointer’s position in a threedimensional environment. C A Designs CRL D D TL Audio AandG Soluzioni Digitali FREQue II A genuinely new and inspirational analogue effects processor; a processor that few, if any, plug-ins can emulate. B BG6 Monitoring controller. 223/223XL Stereo 2-way, Mono 3-way crossover. 234/234XL Stereo 2/3-way, Mono 4-way crossover. DACS DAV Electronics dbx Pro D&R B A A Toft Audio Designs Allen & Heath Tube Tech Xone VF-1 1U rack universal analogue stereo filter for live and studio use that can interface with any mixer to create and manipulate audio filtering. A GR2 9-input, 4-output, 2-zone analogue mixer. A host of front panel preset switches and trimmers to meet specific system requirement. B GR05 1U rack or desk mount audio zone mixer for install. Flexible architecture which allows easy custom configuration by the installer to exactly suit the requirements of the installation. A 8804 Fader pack for 8816. B 8816 16 channel summing mixer with comprehensive monitoring, cue ad talkback features. C SiCo Remote unit for announcer. A TelCom Telephone Hybrid Active telephone hybrid. A Telephone Hybrid 1 Passive telephone hybrid. A Telephone Hybrid 2 Active telephone hybrid. A Teleporter 2 Reporter phone assistant with keyboard and record out. A Three-Sum Three-band frequency split-sum device with limiter. A VT3 Dual mono tube DI. ANR-B Two Channel Adaptive Realtime Noise Reduction Unit for Broadcast Drawmer DW Fearn C AMS-Neve Izotope D Universal Audio Model 1403 Advanced optical compressor tailored especially for guitar. A Model 1401 Aural Exciter and Optical Big Bottom tailored especially for acoustic instruments. A Model 1402 Aural Exciter and Optical Big Bottom tailored especially for bass instruments. A Model 1403 Aural Exciter and Optical Big Bottom tailored especially for guitar. A Model 2020 MkIII 1U broadcast processor with dual mono; overshoot low-pass filter; and split-band preemphasis filter. X Model 204 Improved version of the 104 C2 with BigBottom, balanced I/O and new base circuitry for lowfrequency processing. A Aphex Systems DN100 Active DI box. A DN1248 Plus 12-input/48-output active mic splitter. D DN1248 Plus-AT DN1248 Plus with all outputs transformer balanced. D DN1248 Plus-DP DN1248 Plus fitted with two PSUs. D DN1248 Plus-FM DN1248 Plus with all outputs transformer balanced and two PSUs. D Square ONE Dynamics Eight-channel configurable dynamics processor. B Square ONE Splitter Eight Input 24 output Splitter B DA82 Distribution amp (1:8 mono or 2:4 stereo). DBT Plus Dual-channel 600CE© output balancing interface. Klark Teknik LA Audio A A AUDIO MEDIA AUGUST 2008 13

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AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory

AudioMedia - August 2008

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