AudioMedia - August 2008 - (Page 17) Bricasti M7 Processors Multi-E ects & Digital Processors VoiceLive Vocal harmony, effects, and pitch correction for live performance. B VoicePro Pitch shifting, FlexTime, voice modelling, harmonizer, and character, plus TC multiFX: a complete high-end voice processing solution.C VoiceWorks Voice harmony, compression and EQ, pitch correction, mic pre, and TC effects. A VoiceWorksPlus Interchangeable voice modeling or fourthgeneration harmony with advanced harmony humanisation and control. B APA32 New audio processing accelerator, 1U rackmountable. Incredibly powerful DSP for Waves plug-ins. Comes with Q Clone and IR-L. C APA44 New audio processing accelerator, 1/2U rackmountable. 30% more DSP for Waves plug-ins than the APA32. With Q Clone and IR-L. C Igtr Personal Guitar Processor A Maxx BCL New digital limiter with MaxxBass and Renaisance Compressor built in. C Maxxbass 101 and 102 Offer MaxxBass psycho-acoustic bass extension without exceeding driver excursion limits, or increased power consumption. A Y96K WAVES Mini YGDAI plug in card compatible with Yamaha digital mixers and workstations. B DNA1 Stereo digital (44.1kHz to 96kHz) de-noiser, declicker, ambience enhancer. D DS1 Digital compressor/de-esser/limiter, stereo, 44.1kHz to 96kHz. D EQ1 Stereo, seven-band digital (44.1kHz to 96kHz) parametric EQ. D C2 1U two-channel digital compressor/limiter with threshold, ratio, attack and release compressor controls; make-up gain; side chain EQ. C D2 1U digital equaliser/compressor with three-band EQ; threshold and ratio compressor controls; and LED meters. C E2 1U four-band parametric EQ with frequency and level controls per band; high- and low-shelving filters; high- and low-pass filters. C G2 1U dual/stereo gate. Look-ahead gate, sidechain EQ, HPF/LPF, listen and expander mode. C DP324 SIDD Two-input, four-output, 24-bit EQ, delay, compressor, limiter and gate/expander with SiDDcore software. C DP424 Two-input/four-output audio management system for studio monitoring and sound reinforcement. PC Software control. C DP444 Four-input/four-output audio management system for studio monitoring and sound reinforcement. PC Software control. C DP446 Four-input/six-output audio management system for studio monitoring and sound reinforcement. PC Software control. D DP448 Four-input/eight-output audio management system for studio monitoring and sound reinforcement. PC Software control. D SPX2000 New-generation 24-bit/96kHz multi-effects unit with 96kHz audio DSP. B VIP/digital V.4 Unique digital voice processor with personal SmartCard for customised sounds. Synonym for transparent and dynamic voice processing. C Optimod-AM 9400 Five and two band Optimod processing combined AM analogue and HD-AM/DRM/ Netcast. D Optimod-DAB 6300 Five and two band Optimod processing for DAB, DTV, Netcasting, STL Protections, Audio Production, and Mastering. D Optimod-FM 2300 V2 Builds on 2200 and 8218 with stereo enhancement, more powerful EQ, anti-aliased clipping, composite limiting, and more D Optimod-FM 5300 Five-band and two-band Optimod processing in 1U package Provides a polished, professional presentation regardless of format. D Optimod-FM 8300 Five- and two-band Mid Priced FM/DAB 8500 processing Optimod 8400 Loudness provides polished presentation regardless of format. D Optimod-FM 8500/ HD Flagship Orban processor. Builds on the 8400 with simultaneous HD Radio, Eureka 147, or and netcast outputs. Doubled the DSP power. E Optimod-PC 1100 V2 Five and two band Optimod Processing using 8400HD processing texture for NetCasts, 3G, DTV, DAB. C Optimod-TV 8382 Five and two band Optimod Processing with CBS Loudness controller for Stereo, Dual Language, Single-Channel Mono. D Dual DeltaFex Dual 1/4, input/output jacks; series mode (mixed input, stereo output). A C4 DEQ 60 DEQ 60L G4 PEQ 55 Orban AirTools 6100 Broadcast Audio Delay HD-compatible 24-bit digital delay unit for live broadcast that prevents unwanted profanity or comments from reaching the airwaves. C AirTools 6200 Digital Voice Processor HD-compatible digital broadcast voice processor. C Samson D1500 Digital RTA and SIg Gen with extensive metering. Net protocol links D Class units for integrated control and metering up to 15 EQ units. A D2500 Dual channel 31-band digital graphic EQ with feedback suppression, limiter, gate and time delay. NET interface to link to D1500. A D3500 Digital 30 filter fully parametric EQ and feedback management system with limiter, gate and delay. Links to D1500 RTA via Net. A C300 Studio/PA Dual Stereo gate/compressor. A C400XL Dual stereo Gate/Compresser with balanced analogue XLR and balanced digital (AES/EBU).A D-Two Studio/PA Multitap Rhythm Delay Processor. A D22 Seamless delay update with AES/EBU, S/PDIF, Wordclock BNC 75ohm, 5200 ms delay per channel, and 4-bit A/D-D/A converters. C DB4 Eight-channel digital TV transmission processor with two engines, including AGC, five-band dynamics, ISP limiter, and PC editor. E DB8 Eight-channel digital TV transmission processor, including AGC, five-band dynamics, ISP Limiter, and PC Editor. E DBMax Stereo Digital Broadcast Maximizer with fiveband dynamics, AGC, Delay, EQ, and brickwall limiter. D EQ Station-8 Digital Eight-channel digital, including parametric, graphic snf dynamic EQ, delay and limiter. 2U.D Finalizer 96K Studio Mastering Processor with EQ, and multiband comp/lim/exp. C Finalizer Express Direct Access Mastering Processor with multiband compression/limiting. B FireWorx Radical studio multi-effects processor with wordclock. B G-Force Guitar Multi Effects Processor. B G-Major Guitar Multi Effects Processor. A A G-Sharp Dual Engine Guitar Effects Processor. G-System Integrated effects and management guitar system. B Gold Channel Digitally-enhanced dual mic pre-amp, including total recall. C M3000 Dual-engine VSS3 reverb and multi-effects. C M350 Dual reverb and multi-effects processor. A Mastering 6000 Eight channels of AES/EBU I/O, stereo and multichannel dynamics, EQ, and monitor matrix, plus TC ICON hardware remote. E MoneXL Studio/PA Dual Reverb Multi Effects Processor.A P2 Stereo Dynamic Processor for post production, including five-band dynamics, EQ, AGC, ISP limiter, and PC editor. D Reverb 4000 Single engine stereo version Reverb 6000, including VSS4, EMT250 sim, Reverb4, VSS3. C Reverb 6000 Eight channels of AES/EBU I/O, stereo and multichannel reverb and delay, plus TC Icon hardware remote. E XO24 Two-in/four-out speaker management. A VoiceDoubler Automatic double-tracking with up to four virtual overdubs. B Waves TC Electronic Weiss Peavey RANE XTA Electronics 4-ch Digital Compressor w/sidechain filters. B 2U dual-channel 1/3-octave DSP graphic EQ.B 3U dual-channel 1/3-octave DSP graphic EQ.B Four channel Digital Gate w/sidechain filters. B Dual channel five-band DSP parametric EQ. B Ursa Major SST-206 Combines the reissue of the Ursa Major Space Station, a classic reverb and effects unit, with a powerful modern reverberation system. B DFR11EQ Version 5 PC-controlled, 24-bit, fully-programmable feedback reducer/equaliser with 48kHz sample rate, ten notch filters, ten-band parametric EQ.A DFR22 1U Windows-controlled, 24-bit, fullyprogrammable system processor; two I/Os; 48kHz sample rate; ten-band parametric EQ. A DP11EQ Dynamics processor with Windows software, compressor/gate/expander/limiter/parametric EQ/delay, nine-band parametric EQ. A 322 DSP Engine Half rack space, two channel multi-purpose DSP. Installed Sound, Broadcast, Studio. A 371 SPL Computer Half rack space, ambient noise compensator. Airports, Night Clubs, Retail Locations. A Integrator Series Duece 722 Mono/Stereo Signal Processing for Live Sound, Broadcast, Digital Media, installed sound. A Integrator Series Zone Mix 760 Paging/music management zone mixer. B SymNet 8x8 DSP Open architecture, hardware/software solution for routing/processing audio. D Seven Woods Audio Shure Symetrix Yamaha YELLOWTEC TC-Helicon AUDIO MEDIA AUGUST 2008
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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