AudioMedia - August 2008 - (Page 24) Consoles Location and Portable - Live Sound Audio Developments AD 144 Portable field mixer individually configured for between 12 to 24 inputs with M/S decoding, inserts, direct outputs and limiter. E AD 146 Four-track mixer; six different frames (six to 18 inputs); 12V and 24V phantom power, M/S, four output busses, limiter and analogue meters. D AD 147 Six-, eight- ten- and 12-channel versions featuring M/S decoding, 48V phantom, 12V T power, phase reverse, HP filter; EQ. D AD 149 Available with six to 12 inputs, featuring include three-band EQ, send/returns, slate, M/S decoding, limiter and analogue meters. E AD 245 Pico Mixers Field mixer available with six to eight inputs, featuring analogue meters, battery or mains power, limiter, 48V phantom and 12V T power.D AD 261 ENG Mixer Portable mixer with four mic/line inputs, 48V phantom and 12V T power, PFL, M/S decoding, talkback function, limiter, analogue meters. D WM85 Workstation Mixer Wide range of applications, including edit suites, commentary, sub mixing, and foldback. B Mini Rack Mixer 16x2 rack mixer with control room section inc talkback, speaker switching, mute, mono, dim, external input and stereo buss outs. D z4 Intuitive handling; compact; integration in modern broadcast infrastructure; networkcapable; reliable; central configuring and servicing of several systems possible. D 4-Channel Mic/Line Mixer A 8-Channel Mic/Line Mixer. A 12-Channel Compact Mixer. A 14-Channel Compact Mixer. A Compact SR Mixer with On-Board Effects. Colour-coded controls. A DFX-12 Compact SR Mixer with On-Board Effects. Colour-coded controls. A CFX.mk2II Series Compact Effect Mixers Page 1 32-bit EMAC‚digital FX, stereo 9-band graphic EQ, and high-headroom, low-noise preamps.A 402-VLZ3 802-VLZ3 1202-VLZ3 1402-VLZ3 DFX-6 Calrec Sigma Consoles – Location and Portable PA12 Portable live sound mixer with eight mono and two dual stereo channels, padless pre-amp, and four-band EQ. A PA12-CP Portable live sound powered mixer giving full 500W RMS per side into either 4 or 8 . B PA20 Portable live sound mixer with 16 mono and two dual stereo channels, padless pre-amp, and four-band EQ. B PA20-CP Portable live sound powered mixer giving full 500W RMS per side into either 4CE or 8CE .B PA28 Portable live sound mixer with 24 mono and two dual stereo channels, padless pre-amp, and four-band EQ. B MX100 Three ch Input, Mic/Line I/O, Mono Output Mixer (Incl. External Power Supply). A MX100C Three ch Input, Mic/Line I/O, Mono Output Mixer with switchable peak limiter (Incl. External Power Supply). A MX101 Three ch Input, Mic/Line I/O, Full Featured Mono Output Mixer (Incl. External Power Supply). A MX200 Three ch Input, Mic/Line I/O, Stereo Output Mixer (Incl. External Power Supply). A MX200C Three ch Input, Mic/Line I/O, Stereo Output Mixer with switchable peak limiter (Incl. External Power Supply). A MXS100 Three ch Input, Mic/Line I/O, Full Featured Stereo Output Mixer for ENG and Field Production (Incl. External Power Supply). B PB2X8 Two in Mic to Line Mixer/16 OUT Distribution Amplifier, parallel 8 XLR @ +4/8 TRS @ -10 XFMR OUT. B XP100 Four ch Mono Input Expander for MX (Incl. External Power Supply). A XPS100 Four ch Input Panned Stereo Input Expander for MX and MXS (Incl. External Power Supply). A XPS200 Two Stereo CH Input Expander for MX and MXS (Incl. External Power Supply). A DMM1-V Desktop digital mixer with noise shaping, SRC, video referencing , mixing and level control for studio and post-production. C Allen & Heath 1604-VLZ3 16-Channel/4-Bus Compact Mixer. 16 premium XDR2 mic preamps and a rich feature set; for live sound or project and recording studios. B 1642-VLZ3 16-Channel/4-Bus Compact Mixer. Premium XDR2 mic preamps and a rich feature set, for live sound or project and recording studios. B Onyx 4-Bus Series Includes Onyx mic preamps, Perkins EQ, built-in compression, and more. C GigRac 1000st Latest 1000W GigRac; also features expanded thrree-band EQ on inputs, two seven-band graphics, and ten preset digital effects. B GigRac 600 Portable professional package equipped with a robust case that stores wires and eight studioquality digital effects. A 302 The 302 is a compact, battery-powered, fullfeature professional audio mixer. B 442 The 442 field mixer incorporates a complete feature-set into a compact, functional design. C MixPre The MixPre is a two-channel, portable, stereo microphone mixer that combines rugged construction, compact size, and high-quality components. A Model 742 Audio Mixer For ENG vehicles and general audio applications: four mic/line inputs, four line ins, two audio buses, two ten-segment LED level meters, and monitor section. 1U. B Mix Series: 50, 60, 100, 120 Five-channel (50), six channel (60), tenchannel (100), and 12-channel (120) compact mixers, mic/line inputs, stereo line inputs A Blend 6 Six-channel compact mixer with two mic preamps, two mono mic/line/inst channels, 48V phantom, and eight-segment LED metering. A Mix FX Series: 220FX, 260FX The 220FX (8-channel) and 260FX (12-channel) feature built-in 20-bit effects, four mic/line inputs, stereo line inputs, and three-band EQ.A Mix10FXP 10-channel lightweight powered mixer, 1000 watts of system power with a Class-D amplifier design, plus 10 XLR inputs and more. A Soundcraft ATI Audio Technologies Inc. Sound Devices Audionics Chandler Studio Technologies Inc LAWO TAPCO Mackie Audio and Design Audio Media Sports Jul 08 28/7/08 13:37 WHEREVER THERE’S SPORT CALREC AUDIO IS THE BIG PLAYER calrec.com There’s no more demanding environment than outside broadcast, so it’s not surprising that demanding production companies consistently choose Calrec consoles, time after time. Whatever the competition, Calrec is the runaway leader in the field of sport. In EMEA countries and in the US, there are more Calrec consoles in HD trucks than any other make. And our reputation for reliability is second to none. From Premier League football to lawn tennis, athletics to motor racing, cricket, rugby and horse racing…we’ve got it covered. And thanks to our award-winning Bluefin HDSP, it’s all in glorious, fully controllable 5.1 surround sound. If you share our passion for sport, find out more at calrec.com Putting Sound in the Picture http://calrec.com http://calrec.com http://calrec.com
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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