AudioMedia - August 2008 - (Page 42) DAWs Soundcards & I/O Fast Track Ultra High-speed USB 2.0 Interface with MX Core DSP Technology, simultaneous 8x8 24-bit/96kHz audio, and four pre-amps with award-winning M-Audio Octane™ technology A Fast Track Ultra 8R High-speed 8x8 USB 2.0 Interface with eight pre-amps and MX Core DSP, with 24-bit/96kHz professional audio on all I/O simultaneously A ProFire 2626 High-Definition 26-in/26-out FireWire Audio Interface with Octane Pre-amps Technology, 26x26 simultaneous analogue/digital I/O, and flexible on-board DSP mixer A Mobile I/O 2882/2D 18-in/20-out, 24-bit/96kHz DC bus-powered FireWire audio Interface with eight channels of balanced analogue, stereo digital, and ADAT Optical I/O. Now with 2D DSP power. B Mobile I/O 2882/2D+DSP 1U 18-in/20-out, 24-bit/96kHz FireWire interface with DSP, A/D/A convertors, plus onboard router and mixer. Now with 2D DSP power. C Mobile I/O ULN-2/2D Four-in/eight-out 24-bit/96kHz DC bus-powered FireWire audio I/O with two pre-amps, stereo digital (AES, SPDIF). With 2D DSP power. B Mobile I/O ULN-2/2D+DSP 1U four-in/eight-out 24-bit/96kHz FireWire interface with DSP, A/D/A, router/mixer for studio, portable, live. With 2D DSP power. C T.R.I.O. SPDIF Total recording I/O: speaker switching, EQ, mic pre, DAW interface, talkback, and more. A T.R.I.O. USB USB version of the T.R.I.O. A 2408mk3 Mac- and PC-based recording system with 24 across-the-board software compatibility. Glyph GT062 MindPrint Metric Halo MOTU Orpheusrock122x173.qxd 28/05/2008 10:15 AM channels, expandable to 96 channels, and Page 1 I/O A prismsoundrecording Orpheus - the ultimate professional FireWire audio interface by Prism Sound 24io 24 channels of analogue I/O w/five-segment LED bar graphs (exp. to 96 channels of 96kHz).B 828mk3 Firewire HD recording system with built-in mixing for Mac/PC: two mic inputs, eight TRS in/ out, sixteen-channel optical I/O, and SPDIF I/O. Internal DSP Reverb, compressor and EQ. A 896mk3 Firewire interface that operates at up to 24-bit/192kHz with eight on-board mic preamps, sixteen-channel optical I/O, and SPDIF I/O. Internal DSP Reverb, compressor and EQ. A 8pre 16x12 Firewire audio interface for Mac and PC with eight mic inputs, plus an analogue-tooptical converter with eight mic inputs. A Express 128 Expandable, bus-powered Mac-/PC-compatible eight-in/eight-out USB MIDI interface with 128-channel operation. A FastLane-USB Expandable, bus-powered Mac-/PC-compatible two-in/two-out USB MIDI interface with 32-channel operation. A HD192 12 ins/outs on balanced XLR conns at 192kHz (exp. to 48 chans) w/120dB S/N, plus AES/EBU.B micro express Mac/PC four-in/six-out, 96-channel USB MIDI interface/patchbay/merger/router with full SMPTE read write in all formats. A micro lite Mac/PC five-in/five-out, 80-channel operation bus-powered USB MIDI half-rack interface. A MIDI Express XT Mac/PC eight-in/eight-out, 128-channel USB MIDI interface/patchbay/merger/router with full SMPTE read write in all formats. A MIDI Timepiece AV Eight-in/eight-out, 128-channel operation USB MIDI interface with full SMPTE read write in all formats, word clock, and video sync. A Traveler Bus-powered, highly-portable Firewire interface that operates at up to 24-bit/192kHz with four on-board mic pre-amps. A UltraLite Bus-powered half-rack Firewire interface with two on-board mic pre-amps, six analogue TRS in, ten TRS analogue out, SPDIF, MIDI, and frontpanel programmeming. A Audio 8 DJ Eight-in/eight-out 24bit/96kHz USB 2.0 audio interface with two phono inputs. A Audio Kontrol 1 Two-in/four-out 24bit/192kHz USB 2.0 audio interface with pre-amp and control surface. A Nio 2/4 Two in/four-out USB interface with a host of zero latency effects. A Audiobox 2x2 USB bus-powered audio interface with two mic/inst inputs, two balanced TRS outputs, headphone output and MIDI I/O. Comes with Cubase LE4 and ProPak software suite. A Firebox 6x10 FireWire interface offering 24-bit/96kHz conversion, two class A mic pre-amps, SPDIF and MIDI I/O. Bundled with Steinberg Cubase LE4 and ProPak software suite. A FireStudio Project 10x10 FireWire interface offering 24-bit/96kHz conversion, eight class A mic pre-amps, SPDIF, MIDI and Wordclock I/O. Bundled with Steinberg Cubase LE4 and ProPak suite. A FireStudio 2626 26x26 FireWire interface with eight class A mic pre-amps, ADAT, SPDIFand MIDI I/O. Comes with 36x18 DSP matrix mixer software, Cubase LE4 and ProPak software suite. B FireStudio Tube 16x8 FireWire I/O with 24-bit/96kHz conversion, 16 analogue inputs, eight analogue outputs and two Vacuum Tube ‘SuperChannels’ with limiting. Comes with FireControl mixer software, Cubase LE4 and ProPak software suite. B Native Instruments THE ULTIMATE PERFORMER With unbeatable sound quality, state-of-the-art clock technology, low-latency, flexible monitoring for control room or foldback Orpheus by Prism Sound is the professional’s choice. Novation PreSonus +44 1223 424988 +1 973 983 9577 www.prismsound.com/orpheus Email: sales@prismsound.com Contact us now to arrange your demo 42 AUDIO MEDIA AUGUST 2008 http://www.prismsound.com/orpheus
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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