AudioMedia - August 2008 - (Page 58)

Microphones Powered, Wired, Single-Channel MCE 5 Miniature, omnidirectional, lapel microphone with a response tailored for clear speech. A MCE 55 Miniature, omnidirectional, lapel microphone, water resistant, adjustable gooseneck. A MCE 60 Phantom-powered, small omnidirectional, lavalier mic for use with Opus-series radio microphone systems. A MCE 10 Phantom-powered, small hypercardioid lavalier mic for Opus-series radio mic systems. A Opus 51 Phantom-powered boundary condenser mic; half spherical pattern and a linear response. A Opus 53 Instrument microphone with electret condenser element (cardioid) and carbon fibre barrel, 30Hz to 20kHz response. A Opus 54 Cardioid hands-free (neck-worn) vocal mic with condenser element, rust-resistant bendable head frame, gooseneck extension. A Opus 55 Omnidirectional neck-worn mic with condenser element, water resistant, for theatre, musical, presentations, sports and educaction. A Opus 81 Cardioid condenser vocal and instrument mic with good ‘gain-before-feedback’ capability, integrated filter. A Opus 82 Clip-on electret condenser mic (cardioid) for wind instruments, flexible gooseneck with substantial clip, 30Hz to 20kHz. A Opus 83 Instrument mic with electret condenser element (cardioid), 40Hz to 20 kHz, 138dB SPL, A and 190 impendance. Opus 86 Electret condenser mic (cardioid) for Accordians and Bandoneons, flexible gooseneck, with special mount, 30Hz to 20kHz. A Opus 87 Electret condenser drum microphone (cardioid), flexible gooseneck, with shockmount clamp and internal pre-amp, 30Hz to 20kHz. A Audix USB 12 MC 834 Large-diaphragm, condenser mic (cardioid), switchable pre-attenuation and roll-off-filter, internal pop filter, 150 dB SPL, 20Hz, to 20kHz. B MC 836/MC 837 Lobe/cardioid (MC 836) and cardioid (MC 837) shotgun-style condenser mics with bass roll-off and integrated footfall insulation. B MC 840 Large-diaphragm condenser mic, five switchable patterns, gold vaporised double membrane, 10/20 dB pad; bass roll-off. B MC 930 Cardioid pattern mic with condenser element, 15dB pad, bass roll-off filter (250Hz), 40Hz to 20kHz frequency response. A MCE 530 Cardioid pattern mic with condenser electret element, 30Hz to 20kHz. A MCE 530 Stereo Set Matched pair of (2) MCE 530 electret condenser mics, incl. stereo bracket, clamps, wind screens and transport case. A MCE 58 Omnidirectional electret condenser for ENG and field recording; internal shockmount; internal pop filter; scratch-resistant finish. A MCE 86.2 Phantom-powered, high-sensitivity, short, shotgun, hypercardioid condenser microphone with a video camera hotshow mount. A MCE 86S.2 Phantom- or battery powered, high-sens, short, A shotgun, hypercardioid condenser mic. MCE 86S.2 CAM Phantom- or battery powered, high-sensitivity, short, shotgun, hypercardioid condenser mic, with a video camera hotshoe mount. A CK 930 Cardiod condenser mic with remote preamplifier, 15dB pm Page 3 Project1 30/5/08 3:02 pad, roll-off filter (6 dB at 250 Hz), 40Hz to 20kHz response. A beyerdynamic Opus 88 Electret condenser drum mic (cardioid), flexible gooseneck, horizontal swivel joint, shockmount clamp, internal pre-amp, 30Hz to 20kHz. A TG-X 930 True condenser live vocal microphone, 20Hz to 20kHz, 4mV/PA, 150 dB SPL, multi-layer gauze pop screen, highest off-axis rejection A Baby Bottle Solid-state, class A discrete condenser mic with gold-sputtered capsule enclosed in a lollipop spherical grille. A Blueberry Large capsule class-A condenser mic delivering vintage sound and presence. B Bluebird A versatile large-diaphragm cardioid condenser, utilizing a Class-A discrete circuit. A Bottle Hand-built mic with a system of eight optional interchangeable capsules utilising a handselected EF86 pentode vacuum tube. D Cactus A nine-pattern condenser mic with a vintage sound. Hand-tuned and tested. C Dragonfly Solid-state discrete class-A mic with innovative and compact design. B Kiwi High-end transformerless solid-state mic with nine patterns and discrete class-A electronics.C Mouse Hand-made large capsule condenser mic with high and low frequency boosts for presence.B OmniMouse Small diaphragm perspex omni condenser mic with rotating capsule enclosed within a spherical grille. B Snowball A dual capsule (cardioid/omni) USB microphone for direct plug and play desktop recording. A Woodpecker Hand made powered ribbon mic with class-A electronics and exotic wood and brass finish.B Blue Microphones The Bricasti Design Model7 Stereo Reverb Processor The team: The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analogue section and dedicated transformer based linear power supply provide the finest analogy specifications of any product of its kind. The new Bricasti Design Model 10 remote console is a dedicated hardware remote Controller for use with the M7 stereo reverb processor, it can control up to 8 units. The people team behind Bricasti, Brian Zolner and Charles Dowdell, have been in the reverb business for a long time, with many years experience working on the cutting edge of reverb technology design. The design philosophy of the Model 7 is a carefully considered statement of Bricasti’s vision of what the evolution of reverberation processing in its most classic form can be. SCV London, 40 Chigwell Lane, Oakwood Hill Industrial Estate, Loughton, Essex, IG10 3NY UK Tel: 020 8418 1470 www.scvlondon.co.uk http://www.scvlondon.co.uk http://www.scvlondon.co.uk

Table of Contents Feed for the Digital Edition of AudioMedia - August 2008

AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory

AudioMedia - August 2008

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