AudioMedia - August 2008 - (Page 62) Microphones Powered, Wired, Single-Channel M 296 Large nickel diaphragm omnidirectional condenser microphone. B M 300 Miniature cardioid pencil condenser mic with ceramic capsule and evaporated gold membrane. Transformerless circuit design. A M 900 Large diaphragm, cardioid for vocals on stage. Well-balanced frequency response. B M 910 Large diaphragm hypercardioid version of the M900 for vocals on stage. B M 92.1S Large diaphragm cardioid valve mic using M7 handmade capsule. C M 930 Studio Condenser. Cardioid pattern; condenser element; large gold Mylar diaphragm; internal shockmount; Optical Phantom power. A M 940 Studio Condenser Mic: Supercardioid pattern; condenser element; large gold Mylar diaphragm; internal shockmount; optical phantom. A M 950 Studio Condenser Mic: wide cardioid pattern; condenser element; large gold Mylar diaphragm; internal shockmount; optical phantom power isolation. A M 960 Large diaphragm, handmade diffuse field transformerless mic. Smooth off-axis response, optical phantom power isolation. B M 990 Tube Condenser Mic. Cardioid pattern; EF86 tube; condenser element; large gold Mylar diaphragm; internal shockmount. B M 990 Large diaphragm, cardioid valve mic. Extended low-end response. C SMS 2000 Modular system for M20 (cardioid), M21 (hypercardioid) or M27 (omni) capsules. Handmade gold evaporated mylar capsules. A UM 900 – The Phantom Omnidirectional, cardioid, wide cardioid, hypercardioid, figure-of-eight patterns; tube condenser; bass roll-off switch (70Hz). C UM 92.1S Tube Mic. Omni, cardioid, figure-of-eight patterns; tube condenser; twin gold sputtered plastic diaphragms; pattern sel switch on PSU.C MXL 9000 Affordable large diaphragm Vacuum Tube microphone – comes with rugged carry case, shock mount and power supply. A MXL-2006 Large Diaphragm, Gold Sputtered true Class FET Condenser Microphone. Hi-Isolation shock mount and a rugged, deluxe carry case. A MXL-770 Condenser Microphone with a six-micron, 20mm gold-sputtered diaphragm – comes with shock mount and rugged carry case. Black finish. A MXL-990 Condenser Microphone with a six-micron, 20mm gold-sputtered diaphragm. A MXL-992 Large diaphragm Condenser Microphone. 10dB switchable attenuation and selectable -10dB low-frequency roll-off. A MXL-DRK Self powered condenser microphone comes with a desktop stand, mic clip, XLR cable, XLR to mini-plug /1/4-inch adaptors and carry case. A MXL-V6 New technology silicon valve mic – provides tube-like sound in a solid state mic. A MXL-V69 Vacuum Tube Condenser Microphone. Comes with power supply, shock mount, windscreen, and deluxe carry case. A MXL203-603-PACK MXL Recording Pack contains MXL-2003 and MXL-603 condenser microphones – comes with zipped pouches. A BCM 104 Transformerless large diaphragm cardioid mic designed for close working in radio studios. B GFM 132 Boundary layer microphone, 10dB pad, identical diffuse and free field response. C KM 120 Modular figure-of-eight Mic.; 10dB pad; includes required KM 100 modular mic pre-amp. B KM 130 Modular omni diffuse field equalised Mic.; 10dB pad; includes KM 100 modular mic pre-amp. B Neumann TLM103D Black Hole SE Fixed cardoid microphone. It has also a new generation integrated shockmounting and five year warranty. B Black Hole The Black Hole is produced with three switchable polar patterns (Omni, Cardioid and Figure-of-eight). It has two independent opposite capsules. B C800G capsule Mono valve microphone with hotswappable capsules. B KAT Blue Mono valve microphone. D KAT Fet Mono FET microphone. C KAT Red Mono valve microphone. D UMT 800 Condenser Mic. Omnidirectional, wide cardioid, cardioid, hypercardioid, figure-of-eight patterns; 10dB pad; dual membranes. B KAT1 Mono valve microphone with hotswappable capsules. D KAT2 Mono valve microphone with hotswappable capsules. D KAT3 Mono valve microphone with hotswappable capsules. D KAT4 Mono valve microphone with hotswappable capsules. D KAT5 Mono valve microphone with hotswappable capsules. D Horizon Side address cardiod tube multipurpose mic with -10 and -20dB pad. Accessories and flight case included. B Torch Stereo Studio Package, twoxsmall diaphragm tube instr. mics with cardiod and omni caps and all accs and case incl. B Oceanus Large dual diaphragm transformerless tube multi pattern mic, accs and delux case incl. B Clarion Solid state multi pattern large diaphragm condenser mic, with accs and delux case incl.B Reference Cardioid Microphone Large-diaphragm cardioid tube mic. Reference Gold Microphone Large-diaphragm multi-pattern tube mic. JZ Microphones Korby Audio Lauten Audio MXL Manley Laboratories C D Aries Handheld condenser microphone. A Luna Class A studio condenser microphone with 1.1inch gold-evaporated diaphragm. A Nova Entry-level FET microphone. A Solaris Multi-pattern studio condenser mic with threemicron large diaphragm, and 10dB pad. A Sputnik Multi-pattern, hand assembled large-diaphragm vacuum tube condenser microphone. A Pulsar II Small-capsule hand assembled condenser pencil style microphone, 3/4-inch six-micron Mylar evaporated gold diaphragm. A Pulsar II matched pair Boxed set of Pulsar II small-capsule hand assembled condenser microphones, includes mounting bracket for stereo applications A KM-69 The KM-69 is an all-new SDC developed by Mercenary Audio and their extended family. Like an ’84 but better; incredible on OH, HH, and acoustic. A KEM 970 Eight-capsule ‘line-array’ mic providing wide cardioid pattern in the horizontal plane with a narrow 30-degree pattern in the vertical. D M 294 A large nickel diaphragm cardioid mic. A slightly rising treble response at around 8kHz. B M 295 Large nickel diaphragm cardioid mic; frequency response in upper range is virtually linear, with low roll-off to counteract proximity effect. B M-Audio Mercenary Audio MFG Microtech Gefell Neumann KM 131 Modular omni free field equalised Mic.; 10dB pad; includes KM 100 modular mic pre-amp. B KM 140 Modular Cardioid Mic. 10dB pad; includes required KM 100 modular mic pre-amp. B KM 143 Modular Wide Angle Cardioid Mic. 10dB pad; includes KM 100 modular mic pre-amp. B KM 145 Modular Cardioid Mic. with LF roll-off;10dB pad; includes KM 100 modular mic pre-amp. B KM 150 Modular Hypercardioid Mic. 10dB pad; includes required KM 100 modular mic pre-amp. B KM 183 Miniature Condenser Mic. Studio, broadcast. Omnidirectional pattern; transformerless circuitry; phantom power. B KM 183 D Modular miniature digital mic AES 42; omnidirectional; SPDIF or AES/EBU compatible with optional Connection Kit; remote controllable with DMI-2 and RCS S/W. B KM 184 Miniature Condenser Mic. Studio, broadcast. Cardioid pattern; transformerless circuitry; phantom power. B KM 184 D Modular miniature digital mic AES 42; cardioid pattern; SPDIF or AES/EBU compatible with optional Connection Kit; remote controllable with optional DMI-2 and RCS S/W. B KM 185 Miniature Condenser Mic. Studio, broadcast. Hypercardioid pattern; transformerless circuitry; phantom power. B KM 185 D Modular miniature digital mic AES 42; omnidirectional; SPDIF or AES/EBU compatible with optional Connection Kit; remote controllable with DMI-2 and RCS S/W. B KM D Starter Set KM 184 D; cardioid; delivered with Connection Kit SPDIF or AES/EBU; remote controllable with DMI-2 and RCS S/W. C KMR 81 i Shotgun mic. Supercardioid/lobe pattern; interference/pressure gradient element; shotgun-style; 10dB pad; HPF (200Hz). C KMR 82 i Shotgun mic. Field, film, broadcast, supercardioid /lobe; interference/pressure gradient element; shotgun-style; HF boos. C KMS 104 Live performance/vocalist mic live sound, cardioid pattern. A KMS 105 Live performance/vocalist mic live sound, supercardioid pattern. A M 147 Tube condenser mic with cardioid pattern. Capsule is K47/K49 (from the U47 and M49). C M 149 Dual Diaphragm Tube Mic. Nine switchable patterns; pressure gradient; seven-position LF roll-off switch. D M 150 Tube Mic. Omnidirectional pattern; spheretitanium capsule; 10dB pad; high-pass filter. D D-01 Mono Set Digital mic system: D-01 mic with high-res conversion at the capsule; the DMI-2 twochannel interface, and remote control S/W. D TLM 103 Capsule based on the U87, aimed at pro and semi-pro applications working to a budget. B TLM 103 D Digital mic AES 42; cardioid pattern; SPDIF/ AES compatible with optional Connection Kit; remote controllable with DMI-2 and RCS S/W.C TLM 103 D Starter Set Digital mic AES 42; cardioid pattern; SPDIF or AES/EBU delivered with Connection Kit; remote controllable with DMI-2 and RCS S/W. C TLM 170 R A multi-purpose, large diaphragm mic designed to be transparent, with five remote switchable directional patterns. C TLM 193 Large-diaphragm, cardioid condenser mic. Studio, project studio, broadcast. B TLM 49 Set Large diaphragm capsule; cardioid; retro design; specially suited for vocals. C TLM 50 Set Studio Mic. Omnidirectional pattern; nickel diaphragm; 10dB pad; high-pass filter (100Hz). Freq resp: 20Hz-20kHz. D TLM 67 A contemporary development of the legendary U 67. K 67 capsule, new circuit design, three directional pattern, pre-attenuation, high-pass filter. Novel Neumann dual-colour design. C AUDIO MEDIA AUGUST 2008
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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