AudioMedia - August 2008 - (Page 68)

Microphones Neumann Stereo & Multi-Channel - Dynamic MKH418-S MS Stereo microphone with a short-gun/lobar mid capsule and a figure-8 side capsule. C MKH 800 TWIN Similar to MKH 800 but with the two cardioid capsules available on an XLR-5 for infinine pattern variation -available in Nextel or Nickel.D DMK57-52 Drum Microphone Kit. Three Shure SM57, one Shure Beta52; mounting hardware. A VP88 Stereo with three-setting mid-side matrix. B Apollo Blumlein X/Y stereo ribbon microphone. STC-80 NEW! Handheld dynamic microphone. Trinnov Omni-8 KU 100 Dummy Head With Mics. For binaural recording; 10dB pad; switchable high-pass filter. XLR, BNC. Ships with metal case. E RSM 191 A Set MS stereo shotgun mic, switchable to XYstereophony. LF roll-off; comes as set. D USM 69i Large Diaphragm Mic. Omnidirectional, cardioid, figure eight, hypercardioid, wide cardioid patterns; dual diaphragm design. D DS 60 Offers stereo recording in different modes; two rectangular dual membrane capsules; very flat and resonance-free freq response. D TL 4 Cardioid, figure-of-eight, omni directional 180° coincident stereo; versatile. C TL 44 Cardioid, figure-of-eight, omni directional 180° coincident stereo; versatile. C MSH 10 Specially made for MS recording of TV, Video and Film production; very light; M and S channels output independently for external processing.C MSH 20 Specially made for MS recording of TV, Video and Film production; very light; M and S channels output independently for external processing.C MS 2C Specially made for MS recording of TV, Video and Film production; very light; ideal for use on a pole. Very durable. C MS 2CL Specially made for MS recording of TV, Video and Film production; very light; ideal for use on a pole. Very durable. C MS 8C Specially made for MS recording of TV, Video and Film production; very light; ideal for use on a pole. Very durable. C MS 8CL Specially made for MS recording of TV, Video and Film production; very light; ideal for use on a pole. Very durable. C NT4 The NT4 features a fixed 90 Degree X/Y configuration and perfectly matched stereo condenser capsules. A Stereo VideoMic True stereo condenser microphone for use with digital video cameras. Features 9V battery operation and HPF. A CMS2 M-S stereo condenser microphone, withstands high SPLs up to 145dB. C CMS7S M-S stereo portable condenser microphone, includes PSU with LR 5-point selectable angle ranges or battery powered. C CMS9 LR stereo portable condenser microphone, M-S signal is converted to LR in the mic body.C CMS10 Stereo shotgun microphone with camera mount. Switchable between a very sharp directional Mono and rich Stereo image. C COS22 Stereo Lavalier mic with water resistance optimised for human voice. Available in grey only. Bare wire or choice of connector. A CSS5 Lightweight stereo shotgun condenser mic. C CUW180 X-Y microphone with two capsules one microphone body. Condenser capsules can be rotated freely up to 180° in 15° detent. Two can be used for surround recording. C WMS5 Five channel surround microphone, 5 surround outputs from one microphone (L, C, R, LS, RS).C C2 CCM4 Twin cardioid table microphone. C CMXY 4V Ug X/Y stereo microphone. D KFM 360 Sphere stereo microphone, can be upgraded for surround with two figure-8s. D KFM 6 Sphere stereo microphone. D MSTC 64g ORTF stereo microphone. C T2 CCM4 Twin cardioid table microphone for mounting into a table plate. D MKE 44 Back-electret pre-polarised stereo condenser microphone, two cardioid capsules. A The Flamingo Stereo Two large size capsules in rotating large spherical metal mesh heads, integrated original construction suspension. C Violet Design Shure Microphones – Dynamic Microphones D 11/XLR Dynamic microphone designed for lowpitched instruments. A D 112 Cardioid pattern dynamic bass mic, optimised for bass drums and bass guitars with built-in windshield to capture brass. A D 22/XLR Dynamic mic designed for percussion, wind instruments and guitar amps. A D 230 Omnidirectional dynamic resistant to handling, wind and pop noise, suited to interview use with optional foam windshield. A D 40 Dynamic Instrument Microphone designed for drums and percussions, for wind instruments and guitar amps. A D 44 S Easy to use microphone for jobs ranging from hi-fi recording and karaoke to didacting or other speech recording applications. A D 5/ D 5 S Extremely rugged vocal/speech microphone, available with or without on/off switch. A D 542 ST-S Cardioid pattern paging mic with dynamic element, on/off switch, 13.5-inch gooseneck, metal base. A D 542/D 542 E Rugged, affordable dynamic cardioid gooseneck microphone for communications use. A D 55 S Easy to use microphone for jobs ranging from hi-fi recording and karaoke to didacting or other A speech recording applications. D 58 E Special, hypercardioid close-talking dynamic microphone for communication and intercom use in noisy environments. A D 7/ D 7 S Reference Dynamic Vocal Microphone, highest audio performance for stage and studio. A D 77 S/XLR, D 77 S/Jack Rugged performance microphone designed for backing vocals and instruments. A D 770 Mic for miking instruments and backing vocals in tough on stage use. A D 88 S/XLR, D 88 S/Jack Rugged performance mic for lead vocals. A Pearl Sontronics AKG Acoustics B A DSF-1 Digital Performance mic system – outputs digital mono, stereo, M/S, B-Format for surround. E DSF-2 Digital Broadcast Microphone System – outputs digital mono, stereo, M/S, B-Format for surround and analogue stereo. E DSF-3 Digital Surround Processor – converts SoundField Digital B-Format audio signals to Digital 5.1 Surround. D MKV Multi-capsule microphone including control unit, outputs mono, stereo and B-format for surround sound recording. D SP451 B-format to 5.1 surround sound de-coder. D SPS200 A-Format Microphone – software driven SoundField microphone aimed at studio and laptop location recording. C SPS422B Multi-capsule microphone including control unit, outputs mono, stereo and B-format for surround sound recording. D ST350 Multi-capsule mic inc mains or battery powered control unit, outputs mono, stereo and B-format for portable surround recording. D OKM II Classic Binaurial mics; can take up to 108dB SPL. A OKM II Pop/AV Binaurial mcis; can take up to 108dB SPL. A OKM II Rock Binaurial mics; can take up to 108dB SPL. A OKM II Classic Studio Almost perfect channel match (<0.5dB difference) and excellent frequency response.A OKM II Pop/AV Studio Almost perfect channel match (<0.5dB difference) and excellent frequency response.A OKM II Rock Studio Almost perfect channel match (<0.5dB difference) and excellent frequency response.A A3 (bundle) Automatic level adaptation, high mic supply voltage, considerably low noise floor; will yield the best results when used on LINE inputs. A A3 (single) Automatic level adaptation, high mic supply voltage, considerably low noise floor; will yield the best results when used on LINE inputs. A PPA – Phantom Power Adapter Provides an optimum voltage for the OKMs, and transformer isolated balanced mic level ins. A C4 Small Diaphragm Condenser (Matched Pair), cardioid, hypercardioid, and omni heads (three sets), rigid mount, road case. A LSD-2 Stereo Large Diaphragm Condenser, adjustable stereo image (upper capsule rotates), cardioid, omni, figure eight (individually selectable). A iQuader USB Stereo microphone developed with Brauner. Zero latency headphone output. SoundField RØDE Microphones Soundman Sanken Microphone Audio-Technica Cardioid vocal mic. A Hypercardioid vocal mic. A Omnidirectional reporter's microphone. A 425mm-long dynamic double gooseneck microphone with XLRM output. A AT849 Stereo boundary microphone with full mono compatibility. A ATM23HE Short-bodied dynamic mic for high SPLs. A ATM25 Short-bodied dynamic mic for high SPLs. A ATM27HE Professional hypercardioid vocal mic. A ATM29HE Professional hypercardioid instrument mic. A ATM41HE Professional vocal microphone. A ATM61HE Professional vocal microphone. A ATM61HE/S ATM61HE with an on/off switch. A ATM63HE Versatile instrument mic. A ATR20 Vocal/instrument mic with hardwired cable. A A ATR30 Multi-purpose vocal microphone. ATR3M Dynamic gooseneck w/push-to-talk switch. A ATR50 Balanced dynamic microphone. A MB1K Vocal microphone with high output. A MB2K For amplified and acoustic instruments. A MB3K Vocal microphone with extended response. A PRO25 High-SPL hypercardioid dynamic instrument mic. A AE4100 AE6100 AT804 AT808G Studio Projects Schoeps Terretac Sennheiser Surround Recording Platform 5.1 mic array and processor. The benchmark in terms of soundstage accuracy. Provides high compatibility in down-mixing. E Trinnov Audio AUDIO MEDIA AUGUST 2008

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AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory

AudioMedia - August 2008

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