AudioMedia - August 2008 - (Page 69) SE Electronics Gemini II Dynamic 19kHz frequency response. A OM7 Transformerless dynamic hypercardioid vocal microphone with a 45Hz to 19kHz response and a 144dB max SPL. A OM11 Re-issue of the legendary OM1 mic from 1985. VLM type-A capsule. A UltraVoice XM8500 Studio, live sound. Cardioid pattern; two-stage internal pop filter. freq. resp: 50Hz – 15kHz. XLR. Ships with mic clip, case. A DK1 Large diaphragm dynamic kick drum mic. Microphones PRO25AX Update of PRO25; dynamic microphone for high SPL environments. A PRO31 Cardioid dynamic with on/off switch. A PRO31QTR Cardioid dynamic with on/off switch (includes XLRF-to-1/4-inch jack cable). A PRO41 Cardioid dynamic with on/off switch (includes XLRM-to-XLRF cable). A PRO61 Premium hypercardioid dynamic mic. A PRO63 Dynamic cardioid microphone with tailored response (includes XLRF-to-XLRM cable). A PRO70 Cardioid condenser lapel/instrument mic. A PRO8HECWDynamic headband-mount mic terminated with HRS plug. A PRO8HEX Dynamic headworn hypercardioid dynamic microphone. A AT8031 Stereo, Handheld, Gooseneck and Adaptive array microphones. A AT8033 Stereo, Handheld, Gooseneck and Adaptive array microphones. A AT8010 Handheld microphone. A AT8004 Stereo, Handheld, Gooseneck and Adaptive array microphones. A AT804L Stereo, Handheld, Gooseneck and Adaptive array microphones. A CD11 Dynamic vocal dynamic cardioid microphone. Available a low impedance version (CD11) and high impedance version (CD11-h). A D2 Transformerless dynamic hypercardioid instrument microphone with a 44Hz to 18kHz response and 144dB maximum SPL. A D4 Hypercardioid pattern instrument mic with dynamic element, 38Hz to 19kHz freq resp. A D6 Dynamic cardioid microphone for drum/ percussion/bass with a very low mass (VLM) capsule in a machined aluminum housing. A F10 Dynamic cardioid instrument mic, with a 50 Hz – 12 kHz response, for snares, tom or guitar. A F12 Dynamic cardioid instrument mic, with a 40 Hz – 10 kHz response, for kick drum or floor tom. A F14 Dynamic cardioid instrument mic, with a 30 Hz – 10 kHz, response, ideal for kick drum. A F50 Dynamic cardioid vocal mic, lo Z with a 50 Hz to 16 kHz response, gold plated XLR connector (heavy duty ABS clip included). A I-5 Cardioid pattern live microphone with dynamic element, zinc alloy body, E-coat finish and a 50Hz to 16kHz frequency response. A OM2 Hypercardioid pattern mic with dynamic element, zinc alloy body, extra-strong spring steel grille ball, internal pop filter. A OM3 Hypercardioid pattern vocal microphone with dynamic element and a 50Hz to 18kHz frequency response. A OM5 Dynamic hypercardioid vocal mic with a 48Hz to 19kHz response and a 144dB maximum SPL. A OM6 Hypercardioid pattern vocal microphone with zinc alloy body, dynamic element and a 40Hz to Behringer TG-X 47 Dynamic instrument mic (supercardioid), ideal for Snare Drums and E-Guitar amps. A TG-X 48/TG-X 58 The classic among classics, dynamic vocal mic (supercardioid), excellent feedback suppresion, extremely durable, with power switch. A TG-X 60 Exceptional powerful vocal microphone (hypercardioid), ideal for pop, sould and jazz singers, strong proximity effect. A TG-X 80 Top class dynamic vocal mic (hypercardioid), studio quality accuracy, outstanding dynamic range, pronounced proximity effect A ICM417 Short body electret condenser for overheads, hi-hats, instruments. A KBM412 Large diameter neodymium dynamic percussion mic. for Kick drum, floor toms. A TSM411 Neodymium dynamic general purpose drum mic for snare/toms. A N/D267A Cardioid pattern; dynamic element; neodymium magnet; VOB bass enhancement technology; Memraflex grille. A N/D267AS As above plus Switch. A N/D367S Female Vocal, Cardioid pattern; dynamic element; VOB bass enhancement technology; Memraflex grille Switch. A N/D468 Supercardioid pattern; dynamic element; neodymium magnet. Response: 30Hz-22kHz.A N/D478 Instrument mic. Cardioid pattern; dynamic element; neodymium magnet; VOB bass enhancement technology. A N/D767a Supercardioid dynamic microphone; switched low-frequency rolloff; VOB bass enhancement technology; Memraflex grille. A N/D868 Cardioid pattern; dynamic element; high SPL. Response: 20Hz-10kHz. XLR. Ships with stand adapter, gig bag. A N/D967 Concert Sound Vocal, Super Cardioid, HighestGain-Before-Feedback. A RAVEN Dynamic Studio/Live cardioid microphone. A RE16 Variable-D, Super Cardioid. A RE20 Cardioid dynamic microphone with variable-D anti-proximity effect technology; built-in pop/ wind filter; roll-off switch. A RE27N/D Cardioid dynamic microphone; roll-off switch; N/DYM high output technology; Variable-D antiproximity effect technology. A RE50/B -inchClassic-inch Interview mic, Omni. A RE50N/D B RE 50 with N/Dym element. A 635A Dynamic microphone, omnidirectional Reporters Mic. A 635A/B Dynamic mic, omnidirectional Reporters Mic.A 635N/D-B Dynamic microphone with Neodymium Element, omnidirectional reporters Mic. A Classic Pro Large diaphragm dynamic mic in the styling of the old classic ribbon mics of the 20s and 30s.A Berliner Microphone beyerdynamic X CAD Audix M 201 TG Dynamic mic with superior intelligibility, high sensitivity, and true hypercardioid polar response, ideal for instrument. A M 130 Double ribbon microphone, pure aluminium membrane, suberb transient response, figureeight, studio and live applications. A M 160 Double ribbon microphone, pure aluminium membrane, suberb transient response, hypercardioid, studio and live applications. A M 260 Ribbon mic with built-in high-pass-filter, pure aluminium membrane, hypercardioid. A M 58 Omnidirectional dynamic mic specifically designed for ENG/EFP applications; internal shockmount and 40Hz to 20kHz response. A M 59 S Cardioid pattern dynamic microphone with power switch, internal shockmount and scratchresistant Nextel finish. A M 69 TG Microphone classic for vocals, pure sound for guitar amps, hypercardioid pattern, moving coil microphone, 50Hz to 16kHz . A M 99 Hypercardioid, moving coil mic with neodymium magnet, and Mylar diaphragm. A M 88 TG Dynamic vocal mic with hypercardioid response that doubles as an instrument mic due to its extended low and high response. A M 99 Dynamic presenter's microphone with a massreduced diaphragm allowing high SPLs to be reproduced with clarity. A Opus 39 Supercardioid pattern mic with dynamic element and internal shockmount. A Opus 62 Clip-on mic for wind instruments, hypercardioid, high SPL, flexible gooseneck. A Opus 66 Small size, clawmount percussion microphone with high gain that eliminates mechanical and handling noises. A Opus 69 Professional supercardioid dynamic vocal mic capable of withstanding high sound pressure levels with a wide response. A Opus 89 Ultimate dynamic microphone (hypercarioid) for Rock and Pop singers, extremely high volume before feedback. A Opus 99 Large diapgragm dynamic (hypercardioid) mic with EQ for miking low-frequency instruments, ideal for kick drums, bass cabinets, and tubas.A Electro-Voice Heil Sound, Ltd. Trinnov’s Optimizer: IS YOUR ROOM UNDER CONTROL? www.sound-link.co.uk 69 w w w. t r i n n o v. c o m UK Distribution: Sound-Link Marketing - tel: 01223 264 765 - trinnov@sound-link.co.uk AUDIO MEDIA AUGUST 2008 http://www.trinnov.com http://www.sound-link.co.uk
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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