AudioMedia - August 2008 - (Page 7)

Product title here Great River MAQ-2NV Mercenary Edition Dynamics - EQ Only Analogue Processors A B D B XLogic Multi-channel Compressor 2U 5.1 (or 4+2) Surround master compressor utilising classic SSL centre compressor design elements in a Superanalogue topology. D X-Rack Stereo Bus Compressor Module G-Series centre Comp in X-Rack/Mynx format, true stereo side-chain, Link function allows multiple unit combo for multi-channel work.X X-Rack Dynamics Module X-Rack/Mynx Channel Dynamics with Separate Compressor and Gate/Expander, Link function allows multiple modules to behave ensemble.X DynaMaxx Dual ch set and forget compressor/limiter/noise gate. Musical signal-dependent automation, double VCA, de-compression mode. A Kultube Versatile stereo compressor with manually adjustable automation option for Attack and Release, discrete gain cells and tube output. C Transient Designer 2 The original Transient Designer for controlling attack and sustain of any signal. Dual-channel version, unbalanced TRS I/Os. A Transient Designer 4 The original Transient Designer for controlling attack and sustain of any signal. Four-channel version with balanced XLR I/Os. B S Com Dual-channel compressor/limiter with expander/gate and enhancer. A S Com 4 Four-channel compressor/limiter with gate. A S Com Plus Dual-channel compressor/limiter with de-esser. A DCL200 Dual channel compressor/limiter with stereo linking. Combines tubes with solid state. C TLA100A Tube leveling amp, classic design with hybrid of vacuum tube and solid state devices. C TLA50 Single channel tube leveling amplifier. A VTC1 All tube Dual Mono/Stereo Compressor. CM-1A MODULE, single-channel tube compressor with attack, release, gain, ratio and threshold controls; low distortion gain reduction element. C LCA 2B Two-channel tube compressor limiter with separate compressor and limiter functions per channel, Fairchild 670 attack/release presets D SMC 2B 2-ch, 3-band opto-compressor. Gain, threshold, attack and release controls per band. D SMC 2BM All-tube stereo multiband compressor with three independent optical compressors and variable crossover points. E LA-2A Optical style compressor; Lag/distortion free optical attenuator system; Distortion less than 0.5% THD; Class A line level out. C LA-3A Classic Solid-state Opto-compressor; Custom UA Transformers and T4 Cell; Discrete Amplifier, Rear panel ‚ 'Gain Mod'; designed by Dennis Fink. B 2-LA-2 Two channels of tube-amplified, stereo matched optical gain reduction in one unit. Based on mono LA-2A; designed by Dennis Fink. D 1176LN Classic mono FET limiting amplifier based on original blackface D and E revisions. Ultra fast attack time, class A transformer output. C 2-1176 The sound of the classic 1176 limiter in stereo. The 2-1176 is based on the compressor design from the 6176 channel strip. D GC2020C Two-channel compressor/limiter/expander/gate with a variable threshold level on each channel, selectable dual-mono and stereo modes. A FCS-966 Two-channel 30-band graphic equaliser. MPE 1.1 Mono parametric EQ. REQ 2.2 Dual-mono parametric EQ. Tonic Mono parametric EQ for API 500 series. Buzz Audio SPL Universal Audio Germanium Tone Control EQ Active AND passive EQ circuits with germanium amp developed for Germ Preamp. B Curve Bender EQ Based on vintage TG12345 desk, this ultimate TG equaliser turns nine of the vintage selections into 51 modern EQ points. D IBIS Class A, discrete EQ. IBIS/M Class A, discrete EQ (Mastering Edition). BG3 Decca Studios Heritage mastering EQ. 131 215 231 1215 1231 2215 Chandler Crane Song D D D DAV Electronics dbx Pro Samson Yamaha Single-channel 31-band graphic EQ. A Dual-channel 15-band graphic EQ. A Dual 31-band graphic EQ. A Dual 15-band graphic EQ. A Dual 31-band graphic EQ. A Dual 15-band graphic EQ with dbx Type III noise reduction and PeakPlus limiting. A 2231 Dual 31-band graphic EQ with dbx Type III noise reduction and PeakPlus limiting. A 2031 Single-channel 31-band graphic EQ with dbx Type III noise reduction and PeakPlus limiting.A VT4 Mono tube EQ. VT-5 Stereo tube EQ. Summit Analogue Processors – EQ Only 8803 Dual channel two filter, four band EQ based on classic Neve 80 series EQ circuits. X dBQ-zero 2x30 band Graphic constant-Q equaliser (with notch, shelving, and high-pass filters). B PE-133 MKII Single ParaGraphic 30-band contant-Q EQ. C PE-232 MKII Dual ParaGraphic 30-band constant-Q EQ. C GX-130 Single 30-band constant-Q graphic EQ. B GX-215 Dual 15-band constant-Q graphic EQ. B GX-230 Dual 30-band constant-Q graphic EQ. C 550B EQ. 560 Graphic EQ. HD-131 HD-215 HD-231 HQ-231 XL231 DW Fearn D D AMS-Neve Apex Tegeler C Phoenix All-tube design stereo compressor with Vari-Mu compression. Hand built and hand wired with no pcb and custom Sowter transformers. D Phoenix Mastering All-tube stereo compressor with Vari-Mu. Hand built, hand wired, no pcb and custom Sowter transformers. Mastering version available. D Classic C1 High-end dual-valve compressor with continuously variable controls and onboard preamps. C Ivory 5013 Dual valve equaliser featuring a peaking/ shelving option on both LF and HF bands, plus a Fat contour switch on both channels. B Ivory 5021 Dual-valve compressor featuring hard and soft knee modes, four attack and release times; an improved optical gate design. B Ivory 5060 Dual-channel preset valve compressor with a high-quality discrete mic pre-amp, plus stereo line and instrument inputs. A DC2 Dual Classic FET Compressor. Designed by Malcolm Toft with variable Attack, Release, Ratio, VU metering. A CL-1B 3U, single-channel tube compressor with attack, release, gain, ratio and threshold controls; low distortion gain reduction element. C CL-2A Dual Compressor Two-channel optical compressor with side chain and a 5Hz to 80kHz frequency response. D Thermionic Culture EAR 822 Mono tube Pultec-type EQ with low pass, high pass, band pass and high or low frequency shelf with variable Q and turnover frequency. C EAR 823 Mono tube Pultec-type EQ for use midband use with frequencies set closer together to give more precise control. C EAR 825 Passive five-band stereo Pultec-type EQ with tube input and output buffers. D Red 3 Dual triple VCA-based compressor/limiter. 8200 Dual-channel parametric equaliser. 9500 Mastering EQ. Esoteric Audio Research Focusrite GML D D D TL Audio API B A A A A A A ART High-definition single 31-band graphic EQ. High-definition dual 15-band graphic EQ. High-definition dual 31-band Graphic EQ. Dual 31-band EQ with Feedback Detection. Dual 31-band professional graphic EQ. DN360 Two-channel, 30-band, 1/3 octave GEQ. B DN370 Dual 1/3 octave analogue GEQ with high-/lowpass and notch filters. C Square ONE Graphic Dual 30-band graphic EQ, HP and LP filters. B EQ231-G Dual 31-band 1/3 octave graphic EQ (45mm faders). B EQ231-GSP Dual 31-band 1/3 octave graphic EQ with dynamics (45mm faders). B Mini Massive Solid-state high and low bands of Massive Passive stereo EQ. C Pultec EQ All-discrete version of famous passive Pultec EQ. B Enhanced Pultec EQP1-A Single-channel Pultec EQP1-A tube EQ. C Massive Passive Stereo EQ Stereo four-band tube passive EQ with filters.D Klark Teknik LA Audio Black EQ Analogue EQ for Black series racks – featuring Tilt, Glo, and Overtones. A AudioMate Balanced/unbalanced pro/consumer audio interface. Audient Toft Audio Designs Audio And Design Avalon Design Langevin A Tube Tech AD2055 Dual mono, pure Class A parametric EQ. D AD2077 Dual mono, four-band, stepped, pure Class A mastering EQ. E DPR-901 II Dynamic equaliser. FCS-960 Two-ch 30-band dual-mode graphic EQ. Manley Laboratories BSS Audio B B AUDIO MEDIA AUGUST 2008 7

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AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory

AudioMedia - August 2008

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