AudioMedia - August 2008 - (Page 78) Monitors Full Range Monitors RM2 Professional, bi-amplified monitor with analogue and digital inputs (up to 24-bit/96 kHz), ATL technology, and powerful onboard DSP; 6.7-inch LF driver one-inch HF driver. C Sigma 6.2 Precision two-way 40kHz nearfield studio monitors. 40Hz to beyond 40kHz ±2dB. Matched sets of two, three, five monitors. D Sigma 6.3 Precision two-way monitors with twin 6.5inch Vifa woofers and Vifa tweeter; magnetic shielding. 40Hz to over 40kHz. E MA-15D 15W + 15W powered monitors. S/PDIF. MA-15DBK 15W + 15W powered monitors. S/PDIF. MA-7A 7W + 7W powered monitor speakers. MA-7ABK 7W + 7W powered monitor speakers. ATD2 XM10 MFE 215 Digital (24-bit/96kHz) farfield active (500W) two-way monitor with double 15-inch woofer, and wide and large ribbon tweeter.Lowest frequency 35 Hz higher frequency 35Khz. C MFE 115 Digital (24-bit/96kHz) farfield active (500W) two-way monitor with single 15-inch woofer, and wide and large ribbon tweeter.Lowest frequency 35 Hz higher frequency 35Khz. C AV-100D Digital (24-bit/96kHz) farfield active (550W) 3-way with quadruple 10-inch woofer, double five-inch midrange, and 2.5-inch tweeter. D AV-20D Digital (24-bit/96kHz) farfield active (550W) three-way monitor with 10-inch woofer, fiveinch midrange, and 2.5-inch tweeter. C AV-50D Digital (24-bit/96kHz) farfield active (550W) three-way monitor with double 10-inch woofer, five-inch midrange, and 2.5-inch tweeter. D AV-8D Digital (24-bit/96kHz) midfield active (350W) two-way monitor with 10-inch woofer and 2.5inch tweeter. C AV2D Digital (24-bit/96kHz) nearfield active (200W) two-way monitor with six-inch woofer, and 2.5inch tweeter. B AV6D Digital (24-bit/96kHz) nearfield active (350W) two-way monitor with eight-inch woofer and 2.5-inch tweeter. B OBS1 Shielded two-way active nearfield monitor with 5.5-inch woofer and 2.5-inch tweeter. A XM-10D Digital (24-bit/192KHz) midfield active (500W) three-way monitor with 10-inch woofer, fiveinch midrange, and 2.5-inch tweeter with innovative front design to improve LF reproduction. D XM-6D Digital (24-bit/192kHz) nearfield active (250W) three-way monitor with six-inch woofer, five-inch midrange, and 2.5-inch tweeter with innovative front design to improve LF reproduction. B XM-8D Digital (24-bit/192kHz) nearfield active (350W) three-way monitor with eight-inch woofer, five-inch midrange, and 2.5-inch tweeter with innovative front design to improve LF reproduction. C CMS 50 Two-way speaker. Al/Mg inverted dome tweeter, 5-inch Polyglass cone woofer, 50W + 80W rms built-in amps. 55Hz-28kHz. A CMS 65 Two-way speaker. Al/Mg inverted dome tweeter, 6.5-inch Polyglass cone woofer, 60W + 100W rms built-in amps. 45Hz-28kHz. A Solo6 Be Two-way speaker. Pure Beryllium inverted dome tweeter, 6.5-inch sandwich cone woofer. 100W + 150W rms built-in amps. 40Hz-40kHz. B Twin6 Be Two-1/2-way speaker. Pure Beryllium inverted dome tweeter, 2x6.5-inch sandwich cone woofers. 100W + 2x150W rms built-in amps. 40Hz-40kHz. B SM8 Two-way digital speaker. Pure Beryllium inverted dome tweeter, 8-inch sandwich cone woofers. 100W + 200W rms built-in amps. 45Hz-40kHz. C SM11-L Three-way digital left channel speaker. Pure Beryllium inverted dome tweeter, 6.5-inch mid, 11-inch woofer. 100+150+250W rms built-in amps. 34Hz-40kHz. D SM11-R Three-way digital right channel speaker. Pure Beryllium inverted dome tweeter, 6.5-inch mid, 11-inch woofer. 100+150+250W rms built-in amps. 34Hz-40kHz. D 6301B/BX 6301D NX-5A Monitor. A NX-6A Monitor. A PM0.4 PM0.5MKII PM1MKII PM2MKII Studio Monitoring – Full Range Monitors MP-1 Active monitor with 12-inch Hexacone Nomex woofer, twin six-inch ceramic cone midrange, folded ribbon midrange and tweeter. F P11-A Active nearwfield with seven-inch Nomex woofer, Accelerated Ribbon Technology folded ribbon tweeter, room EQ and gain. X P22-A Two-way, active closefield monitor with nineinch Nomex woofer; folded ribbon tweeter; room EQ and gain. C P33-A Magnetically shielded thre-way active bass reflex speaker with one 182mm driver a ribbon tweeter handles the for the highs. X S2-A Two-way, active nearfield monitor with 7.25inch woofer; folded ribbon tweeter and EQ. D S2.5-A Two-way active studio monitor with nine-inch woofer; accelerated Ribbon Technology folded ribbon tweeter; gain and room EQ. D S3-A Nearfield, ribbon, tweeter-based speaker containing two seven-inch woofers, can be positioned horizontally or vertically. D S4C-A Three-way, active monitor with twin nine-inch Nomex woofers; folded ribbon midrange and tweeter; room EQ and four amps. D S4V-A Three-way, active Monitor with 11-inch Hexacone Kevlar-treated woofers; Accelerated folded ribbon midrange and tweeter. D S5-A Three-way, active monitor twin 11-inch Nomex woofers; twin folded ribbon midrange drivers and ribbon tweeter; plus room EQ. E A7 Two-way, active nearfield monitor with 6.5-inch woofer; folded ribbon tweeter and room EQ..A A5 Two-way, active nearfield monitor with 5.5-inch woofer; folded ribbon tweeter and room EQ. A PH3-s Shielded two-way powered speaker with 3.5inch foam surround woofer, ferrofluid-cooled polycarbonate dome tweeter. A PH5-vs Two-way powered speaker with a 5.25-inch polycarbonate woofer; .75 ferrofluid-cooled polycarbonate dome tweeter. A Mixcubes Shielded, full-range mini-reference passive studio monitors. A Mixcubes Shielded, full-range mini-reference active studio monitors A Big Blue Three-way, tri-amplified SAT 12 satellites with a 1000W SUB 15 Universal subwoofer to deliver clean and accurate power. D EXO Stereo monitoring system, combining true, full-range monitoring with the convenience of a desktop remote control hub. A Media Desk Delivers accurate, full-range monitoring to the desktop, and is optimised for computer-driven audio recording and production. A ProDesk Full-range 2.1 monitoring system designed for critical desktop mixing and monitoring. B Sky System One Delivers full-range audio; THX pm3-approved for use in THX pm3-certified studios. B MONITOR 6 Two-way passive studio monitor with 6.5-inch LF and 0.75-inch HF transducer. A MONITOR 8 Two-way passive studio monitor with eight-inch HF and 0.75-inch HF transducer. A RM1 Professional, bi-amplified monitor with analogue and digital inputs (up to 24-bit/96 kHz), ATL technology, and powerful onboard DSP; 5.5-inch LF driver one-inch HF driver. B ADAM Audio Earthworks Audio Products Edirol A A A A Audix ALP5-E Bi-amplified direct field monitors: two-way with 5.25-inch woofer and one-inch soft dome tweeter; 50W LF 30W HF amp; 53Hz - 20kHz. A Studio Precision 6 Bi-amplified direct field monitors: two-way with 6.5-inch woofer and one-inch soft dome tweeter; 200W LF 80W HF amp; 40Hz - 20kHz.B Studio Precision 8 Bi-amplified direct field monitors: two-way with eight-inch woofer and one-inch soft dome tweeter; 200W LF 80W HF amp; 35Hz - 20kHz.C Tuned Reference 6 Reference bi-amplified monitors: two-way with 6.5-inch woofer and one-inch silk dome tweeter; 50W LF 30W HF amp; 45Hz - 20kHz. A Tuned Reference 8 Reference bi-amped monitors: two-way with 8-inch woofer and 1-inch silk dome tweeter; 50W LF and 30W HF amplifier; 35Hz to 20kHz.A Tuned Reference 8XL Reference bi-amplified monitors: two-way, eight-inch woofer, one-inch soft dome tweeter; 100W LF and 50W HF amp; 35Hz-20kHz. B 515 High power, ported, direct radiator one by 15 three way monitor system for music studios. Includes networked DA4800 amplifiers with integrated 24/96 DSP providing separate channels for each driver and fully active crossovers. F S412G Very high power, non-ported, four by 12 four way, direct radiator monitor system for music studios. Includes networked DA4800 amplifiers with integrated 24/96 DSP providing separate channels for each driver and fully active crossovers. F AV-20D Digital (24-bit/192kHz) farfield active (550W) three-way monitor with 10-inch woofer, fiveinch midrange, and 2.5-inch tweeter. C AV2D Digital (24-bit/192kHz) nearfield active (200W) two-way monitor, 6-inch woofer, 2.5-inch tweeter. B AV6D Digital (24-bit/192kHz) nearfield active (350W) two-way monitor 8-inch woofer and 2.5-inchtweeter. B XMG-2D Digital (24-bit/96kHz) farfield active (1300W) three-way monitor with double 15-inch woofer, one eight-inch midrange, and wide and large ribbon tweeter. 15Hz-35Khz. D XM-10D Digital (24-bit/192KHz) midfield active (500W) three-way monitor with 10-inch woofer, fiveinch midrange, and 2.5-inch tweeter. Innovative front design to improve LF reproduction. D XM-6D Digital (24-bit/192kHz) nearfield active (250W) three-way monitor with six-inch woofer, fiveinch midrange, and 2.5-inch tweeter. Innovative front design to improve LF reproduction. B XM-8D Digital (24-bit/192kHz) nearfield active (350W) three-way monitor with eight-inch woofer, fiveinch midrange, and 2.5-inch tweeter. Innovative front design to improve LF reproduction. C Event Electronics Exigy Ltd Focal Professional Avantone Blue Sky FAR DAS Fostex 10cm powered monitor. A 10cm powered monitor with AES/EBU input.A 5-inch High Resolution Nearfield Studio 6.5-inch High Resolution Nearfield Studio Powered (36W) studio monitor. Powered (70W) studio monitor. Powered (120W) studio monitor. Powered (240W) studio monitor. A A A A Digidesign AUDIO MEDIA AUGUST 2008
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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