AudioMedia - August 2008 - (Page 8)

Analogue Processors EQ - Pre-amps & Channel Strips Millennia HV-3D Mastering Massive Passive Stereo EQ Mastering version of Massive Passive. Mastering MID EQ Mastering mid-frequency EQ. Mastering Pultec EQ Single-channel mastering Pultec EQ P1-A. MID EQ Mid-Frequency EQ monoblock. Stereo Pultec EQP-1A Stereo Pultec EQP-1A tube EQ. Mini Massive Discrete EQ based on the Massive Passive D C C B C C Summit CP-10 Stereo parametric equaliser. D CP-10S Stereo parametric equaliser; ‘tamper-proof’ screwdriver adjustments. D VX-1 Stereo programmeme equaliser. C NSEQ-2 Dual mono, four-band parametric EQ offering fully Class-A operation via discrete J-FET transistor amplifiers or all-triode tubes. C EQ3B Mono three-band parametric EQ with bypass, high pass filter (80Hz) plus XLR and TRS I/O. A MEA-2 Precision dual-channel equaliser suitable for mastering or recording; stepped controls; four overlapping bands. D HELIOS69B Seven-inch black vertical passive EQ and microphone amplifier, fitted with line level control and 48V phantom power switch. B LM4 4U with 16 LI modules, dual microphone input module, plus master and PSU. D MEQ4mixer 4U mixing system. X ME 15S 1U 2-channel 2/3-octave micrographic EQ. B ME 30S 1U 2-channel 1/3-octave micrographic EQ. B ME 60S 2U 2-channel 1/3-octave micrographic EQ. B Portico 5033 Five band EQ with swept HF and LF shelving filters, three fully parametric mid bands. C Portico 5033 Five band EQ with sweppt HF and LF shelving filters, three fully parametric mid bands. C X-Rack Channel EQ Module Classic SSL SuperAnalogue‚Four band Parametric EQ, E+G series characteristics, all in a X-Rack/ Mynx format. Passeq Passive dual-channel, three-band EQ featuring 144 passive coil filters, 120V make-up gain stages, and transformer I/Os. D PQ Mastering Edition Dual-channel five-band mastering EQ on 120V rails, constant and proportional Qs, motorised controls, digital storability, total recall. E PQ Recording Edition Dual-channel five-band mastering EQ on 120V rails, constant and proportional Q modes selectable per band. D Qure Dual-channel, parametric, three-band EQ ideally suited for tonal shaping of instruments, voacls and other complex musical signals. C Stereo Vitalizer MK2T Audio enhancer. Superb sounding, dual tube version of the MK2. A Tube Vitalizer Mastering and restoration enhancer. Top-of-theline in the SPL Vitalizer family. C Meyer Sound TLA50 Single channel tube leveling amplifier. A EQ200 Equaliser featuring two channels of four-band parametric EQ, all discrete class A transformer coupled, designed by Summit Audio with Mr. Rupert Neve. D EQF100 Full range passive parametric equaliser that utilises vacuum tube technology to overcome any gain loss. C EQP200B Dual-programme equaliser, full range two channel passive equaliser that utilises vacuum tube technology to overcome any gain loss. C FEQ500 Four band parametric, passive EQ. Each of the four bands has six switch selectable frequencies and 14dB of fully sweepable cut or boost. B Pacifica Dual channel Mic Pre/ DI with heavy duty transformers and warm, punchy sound. 1073 1073 1073 DPA 1073 DPD 1081 1081R 1084 1084 8801 9001 C AMS-Neve Millennia Media Tweeq T231 Dual 32-band graphic EQ with 6dB or 12dB control range and HP and LP crossovers. A EQP3 Vintage six band Passive Equaliser. TAPCO Two-channel vintage mic pre, three-band EQ.D 8-channel vintage mic pre, three-band EQ. F Two-channel vintage mic pre. C Two-channel vintage mic pre, digital outs. C Two-channel vintage pre with four-band EQ. E 12-channel remote control vintage pre with any combination of 1081, Air, and 1073 modules. F Two-channel vintage mic pre, four-band EQ. D 8-channel vintage mic pre, three-band EQ. F Channel strip based on the Neve 88R console.C Dual chanel valve amp and EQ with mic, instrument and line inputs. X Tegeler C PreSonus Prism Sound Pullet Mini Passive Inductor Stereo Equaliser. Utilises any mic pre-amp stage to provide gain make up. Individual simultaneous boost and cut controls, Pultec style. B Classic EQ2 Dual parametric valve equaliser with variable high- and low-cut filters and mic pre-amps. C EQ 1AM Single channel tube EQ. Three-band EQ, three ECC81, one ECC82, three ECC83 tubes. Frequency response: 5Hz – 60kHz. E EQ-1A Tube Equaliser. Studio, live sound. Singlechannel; tube operation; three-band EQ; high-, low-cut filters; high-, low-shelving; gain controls. D EM-1A Single channel tube EQ. Separate frequency boost and attenuation controls; bandwidth control; ECC82, ECC83 tubes. C ME-1B Midrange Equaliser. Studio, live sound. Singlechannel; tube operation; low-, high-frequency boost; mid frequency attenuation. C PE 1C Single channel tube EQ. Separate frequency boost and attenuation controls; bandwidth control; ECC82, ECC83 tubes. C GQ600 Graphic Equaliser. Two-channel; 30-band; 1/3 octave; high-pass filter; trim controls; bypass; gorgeous sound; 45mm faders. C Q2031B Stereo 31 band graphic EQ, 6 or 12dB of Boost or Cut, at ISO 1/3 octave frequencies from 20Hz – 20kHz, with XLR connectors. A Thermionic Culture TL Audio Raindirk Audio Tube Tech Model 1100 MkII 2-ch tube-based pre-amp and A/D converter.C Model 1788 Eight-channel remote/local-controlled microphone pre-amplifier. D Model 1788-RC Remote controller for up to 16 Model 1788 mic pres; MIDI, RS232, RS422 interface. B Model 1788dig Digital option for the 1788. B Model 1788m Multi-channel mic-pre remote controllable with up to 16 units from one dedicated controller or from PC software. D Model 1788r Remote for 1788 multi-channel mic pre. C A Model 207D Dual valve mic pre-amp. Model 230 Ultimate voice channel strip. B 3124+ 3124+MB 512C 7600 8MX2 MiniDAC Aphex Systems API RANE Four-channel mic pre-amp/DI. Four-channel mic pre-amp/DI with stereo mixer. Mono mic pre-amp. Four-bus channel strip. 8:2:8 mixer mic pre-amp. C D A D C Apogee Rupert Neve Designs Inputs include AES (single and double wide), Optical (ADAT, SMUX and SPDIF) coax, USB. Analogue out volume control. B XTA Electronics Solid State Logic Yamaha SPL Analogue Processors – Pre-amps and Channel Strips EM-Blue For 500 series type frames. Nickel custom wound output transformer. Includes DI input, +48v phantom power, and -20dB pad. A EM-Red For 500 series type frames. Features 50/50 nickle/steel custom transformers. Includes Di Input, +48v Phantom Power, and -20dB pad. A EM-Silver For 500 series type frames. Custom wound steel output transformer. Includes DI input, +48v phantom power, -20dB pad. A MP1A Single Channel tube mic pre with custom transformers and tone switches. B MP2A Dual channel tube mic pre with custom transformers and tone switches. C P-1 Single channel mic pre/ DI for use with 500 series type frames. Input and output transformers, 70db of gain, -20dB pad. A A Designs Digital MPA Pro two-channel mic pre with digital out.B DPSII Pre-amp with Variable Valve Voicing. A MPA Gold Two-channel pre, variable impedance. B Pro Channel Tube mic pre-amp/compressor/EQ. B TPS Tube pre-amp with Variable Valve Voicing.A Tube fire 8 Eight-channel valve pre with Firewire. A Tube MP Original Tube mic pre with 48V phantom power. A Tube MP Project Series Professional tube mic pre-amp with filter, limiter, and phase inversion. A Tube MP Project USB USB Valve pre-amp. A Tube MP Studio Tube mic pre-amp with 48V phantom power, VU and limiter. A Tube MP Studio V3 Tube mc pre with Variable Valve Voicing. A Tube PAC Tube mic pre-amp/compressor. A L1000-XLR L200 MLA400-1 MLA400-2 ART ATI Audio Technologies Inc. Two Ch Line Amplifier +22dBm Transformer Output – XLR I/O. A Two Ch Line Amplifier +24dBm – XLR I/O (Incl. External Power Supply). A Four Ch Line Amplifier – Transformer Balanced Outputs. A Four Ch Line Amplifier – Active Balanced Outputs. A 8 AUDIO MEDIA AUGUST 2008

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AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory

AudioMedia - August 2008

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